Lesley Dumbrell

Lesley Dumbrell, born on 14 October 1941 in Melbourne, is an Australian artist known for her precise abstract geometric paintings, [1][2][3] and was a pioneer of the Australian women's art movement of the 1970s.[4].[5] She became known as 'one of the leading artists in Melbourne to adopt the international styles of colour field and hard-edged abstraction'.[2]

Education

Between 1958 and 1962 Dumbrell studied painting, printmaking and sculpture at the Royal Melbourne Institute of Technology [6]and graduated with a Diploma of Art (Painting). Between 1966 and 1968 she was a teacher at RMIT in the Art Department. In 1977 she was Artist in Residence at Monash University and from 1980-1985 was Part-time Lecturer (Painting) at the Victorian College of the Arts Melbourne.[7]

Artistic Practice

Dumbrell has contributed to the Australian and international arts scene[8] and is known for her geometric abstraction paintings.

She was influenced by Piet Mondrian, and Wassily Kandinsky's[6] 1910 treatise, Concerning the Spiritual in Art,[9] which she read during her studies.[3] In 1966 she became interested in colour field painting, abstract art, optical art and the work of Bridget Riley, and at this time Dumbrell began to use Liquitex acrylic paint.[6] She works in a very precise way, begins with preliminary drawings on paper planning the work very carefully before commencing the painting itself. Her triptych February (1976) took about 6 months to complete.[10]

Dumbrell uses colour and line to create optical effects which often allude to the natural elements of wind, fire, rain and earth, conveying the illusion of movement [7][6] for example the tonal effect in Ripple (1972) and the movement of winds in Foehn (1975) and Zephyr (1975), which she says were to do "with the movement part of wind, but also the intangibleness of it."[6]

About the optical element of art Dumbrell said " It's always been there but it's never really been emphasised and then suddenly a group of artists were emphasising not just another style but a fundamental element in painting and bringing to the fore and making it the strongest part of the work. That seemed to me to be a really innovative development."[6]

The screenprint Azzuium (1987) forms part of her 'shape painting' series which marked a radical shift in her practice between 1983-1990.

In 1986 her watercolours were exhibited in the Colour and Transparency show at the National Gallery of Victoria[11] In 1990 she moved to Thailand which added a visual complexity to her work and she now shares her time between Thailand and Victoria. [12]

In 1986 Dumbrell was a featured guest artist for the Melbourne Art Tram series[13][14][15] and in 2019 was invited to recreate her 1986 art work on a Melbourne tram. [16]

Contributions to the profession

With Erica McGilchrist, Kiffy Carter and Meredith Rogers, Dumbrell co-founded the Women's Art Register[12] in Australia, a 'collection of national significance',[17] which aims 'to document and preserve the artistic contributions of Australian women and to support and promote them'.[18]

Collections

Her works are held in major collections in Australia, including the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales, the Queensland Art Gallery, National Australia Bank and Artbank.[7]

Exhibitions

In 1969 the Bonython Gallery in Sydney hosted Dumbrell's first solo exhibition, alongside Bryan Westwood, Don Driver and Lenton Parr. Critic Donald Brook described her 'ambiguous abstract figures': "Their subdued tonality coaxes the eye with a persuasive gentleness that is surprisingly agreeable after so much occular [sic] assault by painting of this kind."[13]

Lesley Dumbrell exhibits widely in Sydney, Melbourne and Brisbane, and also in Thailand. [11]

gollark: Name them VIK-001, VIK-002, VIK-003…
gollark: (One of my dragons is called that)
gollark: The Future™
gollark: Down with weird nonsensical restrictions on punctuation in names!
gollark: Never mind our perfectly rule-abiding <#331291747059630082> channel...

References
  1. "Lesley Dumbrell". Design & Art Australia Online. 24 May 2017. Retrieved 8 March 2020.
  2. "Lesley Dumbrell". Monash University Museum of Art. Retrieved 8 March 2020.
  3. Nicholls, Lara (1 September 2016). "Lesley Dumbrell Winds of change". Artonview. 87: 58–59.
  4. "Australian feminist art timeline", Wikipedia, 8 March 2020, retrieved 8 March 2020
  5. "Lesley Dumbrell". Retrieved 13 August 2020.
  6. "James Gleeson Interview with Lesley Dumbrell 16 October 1979". Retrieved 13 August 2020.
  7. "Lesley Dumbrell". Retrieved 13 August 2020.
  8. "Lesley Dumbrell". Annandale Galleries. Sydney, Australia. Retrieved 8 March 2020.
  9. Kandinsky, W (1910). "Concerning the Spiritual in Art". Retrieved 13 August 2020.
  10. "James Gleeson interview with Lesley Dumbrell 16 October 1979". Retrieved 15 August 2020.
  11. "Lesley Dumbrell". Retrieved 15 August 2020.
  12. "Lesley Dumbrell Painter of Light by Rachel Kent". Retrieved 15 August 2020.
  13. "Spotted: Painted trams in Melbourne". ABC Radio. 14 October 2019. Retrieved 8 March 2020.
  14. "Melbourne Art Trams - Yarra Trams". yarratrams.com.au. Retrieved 8 March 2020.
  15. "Meet the Artists". Melbourne International Arts Festival. Retrieved 8 March 2020.
  16. "Lesley Dumbrell". Retrieved 15 August 2020.
  17. "Women's Art Register". Culture Victoria. Retrieved 8 March 2020.
  18. "Q&A with Women's Art Register". NAVA. Retrieved 8 March 2020.
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