Les Aventures de Pélée

Les Aventures de Pélée (The Adventures of Peleus; Russian: Приключения Пелея) is a ballet in three acts and five scenes with choreography by Marius Petipa and music by Ludwig Minkus, with additional music adapted from works by Léo Delibes. The libretto by Marius Petipa is derived from the Greek Myth concerning the Goddess Thetis and the circumstances surrounding her marriage, arranged by Jupiter (or Zeus), to the mortal Peleus.

It was first presented by the Imperial Ballet on January 30 [O.S. January 18] 1876 at the Imperial Bolshoi Kammeny Theatre in St. Petersburg, Russia, with Eugeniia Sokolova (as the Goddess Thetis), Pavel Gerdt (as Peleus), Lyubov Savitskaya (as Cupid), Mariia Gorshenkova (as Venus), Christian Johansson (as Jupiter), Lev Ivanov (as Adonis), and Platon Karsavin (as Triton).

Revivals

The ballet was revived by Marius Petipa as Les Noces de Thétis et Pélée in one act/3 scenes for the Imperial Ballet, with Riccardo Drigo making additions and revising the Minkus/Delibes score, and presented for the Imperial court at the Theatre of Peterhof on 9 August [O.S. 28 July] 1897, for a gala performance in honour of a state visit from Kaiser Wilhelm II. Principal Dancers: Mathilde Kschessinskaya (as the Goddess Thetis), Pavel Gerdt (as Peleus), Olga Preobrajenskaya (as Cupid), Olga Leonova (as Venus), Lyubov Roslavleva (as Flora), Alexei Bulgakov (as Jupiter), and Sergei Legat (as Adonis).

There was only one full resumption of this ballet by choreographer Alexey Bogdanov.


gollark: It may have *originally* meant that. It does not mean that *now*, in languages we actually speak.
gollark: Your nonstandard and connotation-laden definitions are *not* helpful.
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gollark: To be mathy about this, consider n² + n + 41. If you substitute n = 0 to n = ~~40~~ 39, you'll see "wow, this produces prime numbers. I thought those were really hard and weird, what an amazing discovery".
gollark: Examples do not and cannot demonstrate some sort of general principle, particularly a more abstract one.
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