Leroy Jenkins (jazz musician)

Leroy Jenkins (Chicago, March 11, 1932 – February 24, 2007, New York City) was an American composer and violinist/violist.

Leroy Jenkins
Jenkins in the 1980s
Background information
Born(1932-03-11)March 11, 1932
Chicago, Illinois, U.S.
DiedFebruary 24, 2007(2007-02-24) (aged 74)
New York City
GenresContemporary classical music, Avant-garde jazz
Occupation(s)Composer, Musician
InstrumentsViolin, Viola
Years active1960s–2007
LabelsIndia Navigation, Black Saint; Pi Recordings[1]
Associated actsAACM, Revolutionary Ensemble, Creative Construction Company

Operas and a cantata

Mother of Three Sons, a dance-opera based on African mythology created in collaboration with choreographer/director Bill T. Jones and librettist Ann T. Greene. Commissioned by and premiered at the 1990 Munich Biennial New Music Theatre Festival (Hans Werner Henze, artistic director). Also performed by the New York City Opera (US premiere, 1991) and the Houston Grand Opera (1992).[2][3]

Fresh Faust, a jazz-rap opera in collaboration with librettist Greg Tate directed by Dominic Taylor. Performed at Boston's Institute of Contemporary Art (1994).

The Negros Burial Ground, a cantata in collaboration with librettist Ann T. Greene and director Dominic Taylor. Presented by The Kitchen (1996) and workshopped at UMass Amherst (1995).[4][5]

The Three Willies, a multimedia jazz opera that explores the stereotype of Black men as "perpetual suspect". Created in collaboration with librettist Homer Jackson and choreographer Rennie Harris (Philadelphia show), director Talvin Wilks (New York show), and conductor/music director Alan Johnson (New York show). Premiered at The Painted Bride in Philadelphia (1996),[6] New York premiere at The Kitchen (2001). Public Panels were jointly organized with the New York University Vera List Center for Art and Politics[7] and a Digital Happy House on Race, Identity, and Media moderated by Christian Haye. Produced by Providence Productions International, Inc. with the support of Tyler School of Art at Temple University. Co-produced by The Kitchen.

Coincidents, a multimedia opera in collaboration with librettist Mary Griffin and visual artist Hisao Ihara. Jenkins and Griffin use incidents from their personal family histories to illustrate the fragility, flexibility, and resilience of individual identity. Performed at Roulette Intermedium in Brooklyn (2012).[8]

Discography

As leader/co-leader

With the Revolutionary Ensemble

With others

With Muhal Richard Abrams

With Carla Bley

With Joe Bonner

With Anthony Braxton

With Thomas Buckner

With Don Cherry

With Alice Coltrane

With Creative Construction Company

With Anthony Davis

With James Emery

  • Artlife (Lumina Records, 1982, LP)

With Carl Hancock Rux

With Rahsaan Roland Kirk

With George Lewis

With Grachan Moncur III

  • Echoes of a Prayer (JCOA Records, 1974, LP)

With Paul Motian

With Mtume

  • Allkebu-Lan (Land of the Blacks) at the East (Strata East, 1972, 2LPs)

With Dewey Redman

With Jeffrey Schanzer

  • Vistas (Music Vistas, 1987, LP)

With Archie Shepp

With Cecil Taylor

With Henry Threadgill

Grants

Awards
  • The ASCAP Foundation Rudolf Nissim Prize, Concerto for Improvised Violin and Orchestra, 2006
  • Nominated for United States Artists Fellowships, 2006
  • John Simon Guggenheim Memorial Foundation Fellowship, 2004
  • The New York Dance and Performance Bessie Awards, The Mother of Three Sons, 1992
  • Downbeat Magazine International Critics’ and Readers’ Poll, awardee, 1987, 1972
  • Jazz Magazine Poll for violin, awardee, 1979
  • Downbeat Magazine Talent Deserving Wider Recognition, awardee, 1974

Teaching
  • Artist in Residence, California Institute of the Arts, Valencia, CA, 2002 spring
  • Composer in Residence, Other Minds Festival, San Francisco, CA, 2000
  • Artist in Residence, Harvestworks, New York, NY, 2000
  • Master Artist in Residence, Atlantic Center for the Arts, New Smyrna Beach, FL 1993
  • Artist in Residence, Atlanta Virtuosi, Atlanta, GA, 1991
  • Composer in Residence, Oberlin Conservatory, Oberlin, OH, 1975 and 1990
  • Visiting Professor, Carnegie-Mellon University, Pittsburgh, PA, 1989 spring

Professional memberships

Education
gollark: This is mostly because I cannot actually ban people and the rules only allow me to do things I can do.
gollark: Hi! As staff, I legally cannot do this.
gollark: Can they change nickname?
gollark: Fascinating.
gollark: Besides, you're easily distinguishable because of your unique orange coloration.

References
  1. http://pirecordings.com/artist/Leroy_Jenkins
  2. Southern, Eileen (1997). The Music of Black Americans: A History. ISBN 9780393038439.
  3. https://www.nytimes.com/1992/05/25/arts/munich-biennial-and-new-music-different-drummer-in-a-3-piece-suit.html?mcubz=3
  4. https://fac.umass.edu/Online/default.asp?BOparam::WScontent::loadArticle::permalink=LeroyJenkins&BOparam::WScontent::loadArticle::context_id=
  5. http://www.conjunctions.com/multimedia/media/ann-t-greene-c28
  6. https://mycitypaper.com/articles/112196/article009.shtml
  7. http://www.veralistcenter.org/engage/event/407/the-three-willies-public-panels-with-the-kitchen-racial-profiling-the-black-man-as-perpetual-suspect/
  8. https://www.last.fm/event/3148693+Coincidents++a+multi-media+opera+by+Leroy+Jenkins,+Mary+Griffin,+Hisao+Ihara++Excerpts+
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