Grachan Moncur III

Grachan Moncur III (born June 3, 1937) is an American jazz trombonist. He is the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.

Grachan Moncur III
Born (1937-06-03) June 3, 1937
New York City, New York, U.S.
GenresJazz, free jazz, avant-garde jazz
Occupation(s)Musician
InstrumentsTrombone
Years active1959-present

Biography

Born in New York City (his father's father was from the Bahamas)[1] and raised in Newark, New Jersey, Grachan Moncur III began playing the cello at the age of nine, and switched to the trombone when he was 11.[1] In high school he attended the Laurinburg Institute in North Carolina, the private school where Dizzy Gillespie had studied. While still at school he began sitting in with touring jazz musicians on their way through town, including Art Blakey and Jackie McLean, with whom he formed a lasting friendship.

After high school Moncur toured with Ray Charles (1959–62), Art Farmer and Benny Golson's Jazztet (1962), and Sonny Rollins. He took part in two classic Jackie McLean albums in the early 1960s, One Step Beyond and Destination... Out!, to which he also contributed the bulk of compositions and which led to two influential albums of his own for Blue Note Records, Evolution (1963) with Jackie McLean and Lee Morgan, and Some Other Stuff (1964) with Herbie Hancock and Wayne Shorter.

Moncur joined Archie Shepp's ensemble and recorded with other avant-garde players such as Marion Brown, Beaver Harris and Roswell Rudd (the other big name in American free jazz trombone). During a stay in Paris in the summer of 1969, he recorded two albums as a leader for the famous BYG Actuel label, New Africa and Aco Dei de Madrugada, as well as appearing as a sideman on numerous other releases of the label. In 1974, the Jazz Composer's Orchestra commissioned him to write Echoes of Prayer (1974), a jazz symphony featuring a full orchestra plus vocalists and jazz soloists. His sixth album as a leader, Shadows (1977) was released only in Japan. Unfortunately, he was subsequently plagued by health problems and copyright disputes and recorded only rarely. Through the 1980s he recorded with Cassandra Wilson (1985), played occasionally with the Paris Reunion Band and Frank Lowe, appeared on John Patton's Soul Connection (1983), but mostly concentrated on teaching. In 2004 he re-emerged with a new album (Exploration) on Capri Records featuring Grachan's compositions arranged by Mark Masters for an octet including Tim Hagans and Gary Bartz.

Discography

As a leader
  • Evolution (Blue Note, 1963)
  • Some Other Stuff (Blue Note, 1964)
  • The New Breed (The Dedication Series/Vol.VXIII) Sides C and D-1 (Impulse, 1978 [recorded 1965])
  • New Africa (BYG Actuel, 1969)
  • Aco Dei de Madrugada (One Morning I Waked Up Very Early) (BYG Actuel, 1969)
  • Echoes of Prayer (JCOA, 1974)
  • Shadows (Denon, 1977)
  • Exploration (Capri, 2004)
  • Inner Cry Blues (Lunar Module, 2007)

As a sideman

with Marion Brown:

with Dave Burrell:

with Benny Golson:

with Herbie Hancock:

with Beaver Harris:

  • Safe (Red, 1979)
  • Beautiful Africa (Soul Note, 1979)
  • Live at Nyon (Cadence Jazz, 1981)

with Joe Henderson:

with Khan Jamal:

  • Black Awareness (CIMP, 2005)

with Frank Lowe:

with Jackie McLean:

with Lee Morgan:

with Butch Morris:

  • In Touch... but out of Reach (Kharma, 1982)

with Sunny Murray:

  • Hommage to Africa (BYG Actuel, 1969)

with Sunny Murray, Khan Jamal and Romulus:

  • Change of the Century Orchestra (JAS, 1999)

with Paris Reunion Band:

  • For Klook (Gazell, 1987)

with William Parker:

with John Patton:

with The Reunion Legacy Band:

  • The Legacy (Early Bird, 1991)

with Roswell Rudd and Archie Shepp:

  • Live in New York (Verve, 2001)

with Archie Shepp:

with Wayne Shorter:

with Alan Silva:

  • Luna Surface (BYG Actuel, 1969)

with Clifford Thornton:

  • Ketchaoua (BYG Actuel, 1969)

with Chris White:

  • The Chris White Project (Muse, 1993)

with Cassandra Wilson:

gollark: There must be a better paradigm for this than a register machine.
gollark: Actually, isn't it all just going to be in fairly nearby regions of linear memory *anyway*?
gollark: Make the stack be registers because register good?!
gollark: Just add a finite but arbitrarily large amount of registers.
gollark: Denied.

References
  1. Sean Singer & Grachan Moncur III, "The Soul of Trombone — Grachan Moncur III", Cerise Press, Vol. 4, Issue 10, Summer 2012.
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