Lazzaro Baldi

Lazzaro Baldi (c. 1624 – 30 March 1703) was an Italian painter and engraver of the Baroque period, active mainly in Rome.[1]

Lazzaro Baldi
St. Sebastian, Cortona Cathedral
Born	Lazzaro Baldi 1624 (1624) Pistoia, Italy
Died	1703(1703-00-00) (aged 78–79) Rome, Italy
Nationality	Italian
Known for	Painting, Engraving
Movement	Baroque
Patron(s)	Pietro da Cortona

Biography

Study

Baldi was born in Pistoia around 1624. He is initially postulated to have been a pupil of a little known Francesco Leoncini in his native city.[2] Attracted by the fame of his fellow Tuscan Pietro da Cortona, and seeking his instruction, he sought da Cortona in Rome, where he was welcomed. Pascoli narrated that he obtained the first commissions through da Cortona, under whom he became adept at fresco technique.

Work

The first public work was probably the St Francis painted in the third chapel to the left in the church of San Marco in Rome, dating back to the seventeenth century decoration of the church (1653–56). He painted a David and Goliath for Alexander VII in the Palazzo Quirinale, where his style evolved into a choice of light tones that will remain typical of his painting, today appreciable above all in the frescoes.

Gradually Baldi came to personal interpretation of the style of Cortona, by then dominant style in Rome along with style represented by Andrea Sacchi. He accepted compositional formulas and the typology, but not the baroque impetus. In the representation of the landscape he was influenced by Gaspar Dughet - the French artist who painted the background in the Creation of Adam and Eve - and also from Pier Francesco Mola and his background in the altarpiece The Rest During the Flight to Egypt.[3]

Religious commissions

He also executed frescoes (1658) for the church of San Giovanni in Oleo and a San Giovanni in Patmos(1660–1665) for San Giovanni in Laterano. He also painted an altarpiece of the Martyrdom of St. Lazarus for the church of Santi Luca e Martina. He also worked in Camerino; Pistoia (an Annunciation for the church of San Francesco and a Repose in Egypt for the Umilta); and Perugia (Casa Borgia-Montemellino).[4] As an engraver, Baldi is known for a plate on The Conversion of St. Paul.

Gallery

• 
  Battle of Constantine and Maxentius (detail-of-fresco-in-Vatican-Stanze) c. 1650
• 
  The mystical marriage of Saint Rosa of Lima
• 
  Joseph and the Wife of Potiphar
• 
  The family of Darius before Alexander the Great
• 
  The Continence of Scipio
• 
  Madonna and Child in the Church of San Fillippo (Fossombrone)
• 
  The Nativity in the Church of Santa Pudenziana (Rome)
• 
  Scipio presents gifts to the king of Numidia, Massinissa
• 
  Vision of Saint Catherine with Christ and the crowns at the Convent of Santa Sabina in Rome

Teaching

In 1695, he became principe of the Accademia di San Luca in Rome.[5] One of his pupils was Giovanni Domenico Brugieri.[6]

Death

Baldi died in Rome in 1703.

See also

• Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical (Volume I: A-K). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. p. 71.CS1 maint: location (link)
• Italy cyberguide entry

References

1. The idea of artist's death and his burial in the Italian seventeenth century in "Rivista d'arte", V ser., 2016 - a.51, n. 6 (2018), pp. 185-212
2. Guida di Pistoia per gli amanti delle belle arti con notizie, by Francesco Tolomei, 1821, page 152.
3. Borea, Evelina. "Dizionario Biografico degli Italiani - Volume 5 (1963)". Treccani. Retrieved 6 March 2018.
4. F. Tolomei, page 152-153.
5. Some Drawings by Lazzaro Baldi, by Nicholas Turner. The Burlington Magazine (1979). p. 154.
6. Mazzarosa, Marchese Antonio (1843). Tipografia de Giuseppe Giusti (ed.). Memorie e documenti per servire alla storia di Lucca, Volume 8.. Lucca; Googlebooks. p. 21.