Lantz L'Amour

Lantz L'Amour (aka Tyson Cornell, born Robert Tyson Cornell, September 4, 1978, Iowa City, Iowa, United States) is an American musician best known as the singer and guitarist of the Los Angeles "Miami Vice–rock" superduo Bästard Saïnts, in addition to his extensive work as a solo recording artist and session musician.

Lantz L'Amour
Born (1978-09-04) September 4, 1978
Iowa City, Iowa, United States
OriginLos Angeles, California, United States
GenresRock, Punk Rock
Years active1992–present
Associated actsGhost of the Record
Smack
Supercool
Machinegun
Speedbuggy USA
The Totallies
Scooby Don't
The Krishnaz

History

Bästard Saïnts (2018–present)

In early 2018, Lantz L'Amour and former Smack and Crenshaw Mafia Motherfuckers bandmate, Jamie Zimlin, finally engaged the long-in-formation Los Angeles–based "Miami Vice–rock" superduo after nearly five years of writing and rehearsing. "It was really about making sure the material had vision," L'Amour commented in an interview with ZTV, "as opposed to just performing songs that were in our extensive joint catalogs not yet used in other projects. We knew the Bästard Saïnts material was different. It was the same vibe and energy that we'd had our entire careers in music, yet there was a ridiculousness to it that we'd both always wanted to fully express but hadn't felt the same enthusiasm with our previous bandmates—well, that, and we added more synthesizers."

L'Amour and Zimlin have spent most of 2018 in the studio with notable engineer, Andrew Bush, at Grandma's Warehouse in Los Angeles writing and recording their debut Bästard Saïnts–produced EP featuring much of the widely appreciated early material that Bästard Saïnts fans have grown familiar with through bootlegs and rehearsal leaks over the years, including "Sprit Animal," "Lie Back and Think of England," "(Caught In His) Blacklite Eyes," and "When You Die the Pain Is Over." The record also features Shawn Duncan (Odin) on drums, Mike Gavigan (The Blessings) on guitar, Andrew Bush on lap steel, and Brett Walker on harmonica.

The Black Watch (2014–2017)

After filling in on guitar with The Black Watch for SXSW shows in early 2015, L'Amour (credited as Tyson Cornell) continued to play select regional shows with the band and record on three full-length releases Highs and Lows (2015), The Gospel According to John (2016), and Witches! (2017)—produced by Rob Campanella (The Brian Jonestown Massacre/The Quarter After) and Scott Campbell. L'Amour ultimately left the group after supposed disagreements with Black Watch singer, John Andrew Fredrick, about L'Amour's insistence on being credited as by his stage name, rather than his birth name (Tyson Cornell), as well as the long-running difference of opinion between L'Amour and John Andrew Fredrick over whether to refer to Black Watch songs as "songs" or "tunes." (John Andrew Fredrick, apparently, heavily detested the latter.)

Ghost of the Record (2004–present)

After recording and mixing the 2003 Crenshaw Mafia Motherfuckers album in Los Angeles, the band waited patiently for Recipro/Heatseeker to schedule the Japanese release and subsequent Japanese tour dates anchored around two nights at Budokan with Loudness on New Year's Eve and New Years Day (2003/2004). As the Budokan dates repeatedly postponed due to complications with Budokan promoters, L'Amour, Zimlin, and Himawari initially went into the studio, Cole's in Los Angeles, with producer and guitarist Ray Hartman (Liars Inc.),[1] to immediately write and record the sophomore Crenshaw Mafia Motherfuckers release. However, due to disputes and creative differences, the follow-up Crenshaw Mafia Motherfuckers record was scrapped, leaving L'Amour and Hartman to explore new material built around Himawari's drum tracks that were laid down before the CMMF break up. This new material, financed by Recipro/Heatseeker, was subsequently rejected by the Japanese label, then renamed Ghost of the Record and mixed by Los Angeles producer Noah Shain while Shain simultaneously recorded and mixed the first Orson full-length release, Bright Idea. The Ghost of the Record album, Exorcising the Pursuit of Pleasure—featuring an explicit cover image photographed by Robin Perine featuring pornographic model/actress Jelena Jensen and musician Christian Martucci (Dee Dee Ramone, Stone Sour, Black President)—was subsequently shelved and never released.

Generation Beautiful (2008)

In May and August 2008, L'Amour joined ex–Miami Dolphins cheerleader Shelby Goff—and her band Generation Beautiful featuring Jamie Zimlin (Bang Tango) and Dylan Howard (Unwritten Law/Juliette and the Licks) on two USO tours through Iraq, Kosovo, Kuwait, Germany, and Italy to perform for Multi-National Coalition soldiers in combat.[2]

Crenshaw Mafia Motherfuckers (2003–2004)

The Crenshaw Mafia Motherfuckers (CMMF) were a Los Angeles rock band featuring renowned Japanese drummer C.J. Himawari, singer/guitarist L'Amour, bass player Jamie Zimlin, and Stacey Blades. They released one self-titled album in 2004 on the Japanese label Recipro/Heatseeker.[3][4] The album was produced by Jeaux Mezzacappa.

Smack (2002–2004)

Los Angeles rockers Smack featured ex-Supercool singer L'Amour, former Roxx Gang and Supercool guitarist Stacey Blades, bass player Jamie Zimlin and Junkyard drummer Patrick Muzingo. They recorded one EP, Antidisestablishmentarianism (2003), at Catalo Studios in North Hollywood with Brent Muscat of Faster Pussycat acting as producer. With Smack's demise in 2004, Stacey Blades joined L.A. Guns.[5]

Supercool (2000–2002)

Supercool was a band featuring singer Lantz L'Amour, L.A. Guns guitarist Stacey Blades, former Champagne, Faster Pussycat, and Liberators bassist Eric Stacy, and at different times drummers Vik Foxx and Dave Moreno. The band released one EP, Live at the Wilcox Hotel," played their first LA show at the El Centro and Larchmont reopening of the Cathouse with Riki Rachtman, and toured Japan. Their "Five Nights at The Wall in Tokyo" live bootleg LP is a sought-after gem among hair- and street-rock collectors.

Machinegun (2000–2001)

In late 2000, L'Amour played briefly with San Diego punk band Machinegun, founded by Chris Fields of Jon Cougar Concentration Camp, The Queers, and the Dwarves.[6] They released one album on Germany's I Used to Fuck People Like You in Prison Records entitled Taste For Blood (2001).[7]

The Totallies (1994–1996)

The Totallies released one 7" EP Drunk Over You (1995) on Braindart Records;[8] one split 7" with The Monos;[9] and featured tracks on both the Punk Strikes Back! (Backspin Records, 1996) compilation album, and on the We're Addicted to Dayquil! (LantzCentrL Records, 1996) compilation.

The Krishnaz (1992–1994)

The Krishnaz formed in Edina, Minnesota, during 1992 and featured singer/guitarist/songwriter Toby Staley, guitarist Bill Morrisette, and Lantz on drums. Toby and Lantz are featured flaunting their matching Screeching Weasel tattoos in the 1994 Screeching Weasel collection Kill the Musicians (Lookout! Records). In 1998, Canadian punk band The McRackins released a cover version The Krishnaz' "Perfect World" on their Oddities & Eggcentricities, Vol. 1 CD (Stiff Pole Records).

Discography

CD/LPs

Year Title Label Line up
2000Taste for BloodI Used to Fuck People Like You in PrisonHernan – Vocals

Lantz L'Amour – Guitar

Chris Fields – Guitar, Vocals, Bass, Drums

Machinegun CD/LP. 11 songs: "Machinegun," "Fingerless Gloves," "Take You Down," "That's Right," "I Got a Right" (J. Osterberg), "No More Room in Hell," "Hit the Lights" (Ulrich, Hetfield), "Taste for Blood," "I Don't Like UFOs," "It's the Flava," "Too Bad I Passed That Liquor Store."
2004Crenshaw Mafia MotherfuckersRecipro/HeatseekerLantz L'Amour – Guitar, Vocals

Stacey Blades – Guitar

Jamie Zimlin – Bass

C.J. Himawari – Drums

Crenshaw Mafia Motherfuckers CD-Only. 12 songs: "Theme from Motherfucker" (Instrumental), "After Glow" (Teenage Kicks), "Time to Get Fucked," "Thug It Out," "Radio Tokyo," "(Not Looking Back) Black on Black," "Not Guilty: The Truth About Orenthal James," "Aqualung" (Instrumental), "Disconnected," "No Pain," "After Glow #2" *Bonus Track.
2004Ghost of the RecordRecipro/HeatseekerLantz L'Amour – Vocals

Ray Hartman – Guitar, Bass

C.J. Himawari – Drums

Ghost of the Record 10 songs: "Introduction," "Looking Good," "Finest Hour," "A Threat to Everyone's Memory," "Phnom Penh," "Time Delays," "Weight," "Salomes," "Ghost of the Record," "The Stage Is a Box of Night."

7"/CD EPs

Year Title Label Other information
1994 Drunk Over You Braindart The Totallies. 6-Songs: "Wasting Away," "J.I.F.F.Y.," "Drunk Over You," "East of Eden," "Tori Is a Totally Now," "Burly Girl." 7" EP. 600/Blue.
1995 Breakup LantzCentrL The Totallies. Split w/ The Monos. 6 Songs. T: "Breakup," "I Was Wrong," "Have You Ever Fallen in Love?." M: "What Is Wrong," "Hot Rod High," "Thinking About You." 7" EP. 500/Black.
1996 "Mottor Skills" Columbus Out for Justice. Soundtrack to Raging Fire: The Out for Justice Story. 6 Songs: "Commenticius Operato Qualificato," "Unlisted Track," "Love Tractor," Locked-Down," "Heartbreak Boulevard," "Rock and Roll Evolution." CD-Only. Ltd. 500.
1998 International Playboy LantzCentrL Lantz L'Amour. Split w/ The Monos. 5 Songs. L: "International Playboy," "Homesick in My Hometown." M: "Yesteryear," "That's Too Bad," "Mike Bahler." CD-Only. Ltd. 200.
2001 Live at the Wilcox Hotel LantzCentrL Supercool. 6 Songs: "Don't Let Me Go," "Can't Live with Myself," "Looking Over My Shoulder," "Afterglow," "Once Ain't Enough," "Legend in His Own Mind." CD-Only. 500/Pink & Black.

Compilation albums

Year Title Label Other information
1996 We're Addicted To Dayquil! LantzCentrL The Totallies. 2 Songs. With Scooby Don't, The Mushuganas, 7 O' Clock Sucker, Nonsense, Haskel, Discount, Hairy Italians, The Curbs, Shotwell Coho, The Crumbs and Slinky. LP-Only. Pressing: 500 Clear/500 White.
1996 Punk Strikes Back Backspin The Totallies. 1 Song: Butterqueef. With Rhythm Collision, Moral Crux and more. CD-Only.
gollark: I found a video™ which explains that the peak at zero occurs because the numbers are not centered on zero.
gollark: This would be easier if I actually knew anything about which frequencies each index corresponds to, hmm.
gollark: Maybe I should take the logarithm of it instead.
gollark: I realized it might be easier to graph this, so... here you go?
gollark: Sure.

References

  1. "Offices | Strands Labs". Mobile.mystrands.com. Retrieved 2014-02-19.
  2. (PDF) https://web.archive.org/web/20110613170324/http://www.hood.army.mil/3d_acr/in_the_news/0808/20080815-01.pdf. Archived from the original (PDF) on June 13, 2011. Retrieved January 2, 2009. Missing or empty |title= (help)
  3. "Google Translate". Retrieved 2014-02-19.
  4. "Amazon.Co.Jp: Crenshaw Mafia Motherfucker: 音楽". Amazon.co.jp. 2004-02-25. Retrieved 2014-02-19.
  5. Archived 2016-03-03 at the Wayback Machine
  6. Archived December 30, 2007, at the Wayback Machine
  7. "Discogs - Database and Marketplace for Music on Vinyl, CD, Cassette, …". Archived from the original on 2013-04-08.
  8. "Featured Content on Myspace". Profile.myspace.com. Archived from the original on 2010-08-05. Retrieved 2014-02-19.
  9. https://web.archive.org/web/20050301000502/http://superpezhead.com/last.html. Archived from the original on March 1, 2005. Retrieved January 2, 2009. Missing or empty |title= (help)
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