Lakhon nai

Lakhon nai (Thai: ละครใน, pronounced [lā.kʰɔ̄ːn nāj]) is a Thai performing art originating in the royal court of Thailand (formerly Siam). It features slow choreography accompanied by a piphat ensemble. The repertoire of lakhon nai consists of only four epics; the Ramakian, Unarut (Aniruddha), Inao (Panji), and Dalang (a greater version of Inao).[1]:67 A variation of this genre with male performers is called lakhon nai phu chai (Thai: ละครในผู้ชาย; RTGS: lakhon nai phu chai).

Etymology

Lakhon nai is believed to be a contraction of lakhon nang nai (ละครนางใน), or 'theatre of the women of the palace'.[1]:63 It was also known as lakhon khang nai (ละครข้างใน, literally, 'theatre of the inner court') and lakhon nai phra ratchathan (ละครในพระราชฐาน, literally, 'theatre of [belonging to] the king').[2]

gollark: I would *not* like 500 BC.
gollark: Another issue is that the requirement that the human running everything not have to look far to place the next rock (→ cellular automaton is needed, as is said in the image) means there's even more indirection for useful computing, so you need even more rocks and time!
gollark: Also, you'll get bored.
gollark: Well, you don't actually have either in practice.
gollark: I suppose you *could* just use reasonably small rocks.

References

  1. Brandon, James R (1967). Theatre in Southeast Asia. Harvard University Press. ISBN 0674875877. Retrieved 16 October 2017.
  2. http://www.anurakthai.com/thaidances/thaidrama/thaidrama3.asp%5B%5D


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