Lady Constance Keeble

Lady Constance Keeble (née Threepwood, later Schoonmaker) is a recurring fictional character in the Blandings Castle stories by British comic writer P. G. Wodehouse, being Lord Emsworth's most formidable sister, a strikingly handsome woman, with a fair, broad brow, and perfectly even white teeth. She has the carriage of an empress, and her large grey eyes are misleadingly genial.

Life and character

When we first meet her in Leave it to Psmith, she is recently married to wealthy Joe Keeble, and acting as châtelaine at Blandings. She has an interest in the Arts, and frequently invites writers and such to the castle; poets Aileen Peavey and Ralston McTodd and tenor Orlo Watkins are prime examples of this trait.

She endeavours in vain to persuade her brother Lord Emsworth to dress more suitably, and to pay attention to important matters such as the family, rather than his garden and his beloved pig, Empress of Blandings. She bullies him mercilessly, forcing him to dress up in a tight collar and top hat for the Blandings Parva Annual School Treat, and making him act as a Justice of the Peace and make speeches at important local events.

She also has a horror of anyone in her distinguished family marrying inappropriately, and spends much of her time trying to keep nieces and nephews away from unsavoury types. However, such matters pale in comparison to the embarrassment that could be caused by her brother Galahad Threepwood publishing his scandalous reminiscences; to prevent this, she is willing to allow the marriage of her nephew Ronnie to a chorus-girl, in Summer Lightning.

She is good friends with Sir Gregory Parsloe-Parsloe, with whom she conspires to prevent the publication of Galahad's memoirs, and also with Rupert Baxter, a man she considers most capable and on whom she calls whenever she is in dire need of practical assistance. In her youth, she had a bit of a thing with Alaric, the Duke of Dunstable, with whom she was often found whispering in conservatories or being the last back from picnics, but she later questions his sanity, even calling in Sir Roderick Glossop on one occasion to have him analysed.

Having been repeatedly defeated in her efforts to keep her family from marrying inappropriately, she finds herself once more in difficulty in Service With a Smile when she becomes chaperone to Myra Schoonmaker. Finding her attempts to keep the girl away from her impoverished lover scuppered by Uncle Fred, and with the redoubtable Baxter no longer available, she calls in the help of the girl's father, James Schoonmaker, an American millionaire. With the assistance of his old friend Uncle Fred, Schoonmaker gets up the courage to propose to the intimidating Connie, and the two are married in New York at the start of Galahad at Blandings.

Stories

Lady Constance is featured in:

Lady Constance is mentioned in:

Adaptations
Television
  • Joan Sanderson played Lady Constance in a televised play adapted from "Pig-hoo-o-o-o-ey" in 1954,[1] and a televised play titled "Lord Emsworth and the Little Friend" in 1956.[2]
  • In the 1967 television series Blandings Castle, the first series of The World of Wodehouse, Lady Constance was played by Meriel Forbes.
  • Judy Parfitt played Lady Constance in the 1995 television film Heavy Weather, made by the BBC and partners and broadcast in the United States by PBS.
  • Jennifer Saunders played Lady Constance in the 2013–2014 series Blandings, made by the BBC.
Film
Radio
  • She was portrayed by Gladys Young in the 1939 BBC Home Service radio adaptation of "The Crime Wave at Blandings",[3] and in the 1940 radio adaptation of "Pig-hoo-o-o-o-ey".[4]
  • In the 1981 dramatisation of Leave It to Psmith broadcast on BBC Radio 4, she was voiced by Joan Greenwood.[5]
  • In the 1985–1992 Blandings radio series, she was voiced in different episodes by Margot Boyd, Elizabeth Spriggs, and Joan Sanderson.
  • Lady Constance was portrayed by Patricia Hodge in radio adaptations of Summer Lightning (2010), Uncle Fred in the Springtime (2012), and Leave it to Psmith (2020).
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gollark: I'd think that it would be possible to detect it if you had a lot of samples of it versus real human text. And there was this demo highlighting differences between human and GPTous text, via highlighting low-probability-from-the-model words (which are often also the most important).
gollark: I wonder if Google/search engines generally can detect GPT-3ous content yet.
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References
Sources consulted
  • Kuzmenko, Michel. "Bibliography". The Russian Wodehouse Society. Retrieved 2006-04-20.
Endnotes
  1. "Children's Television (May 1954)". BBC Genome. BBC. 2019. Retrieved 30 October 2019.
  2. "Children's Television (August 1956)". BBC Genome. BBC. 2019. Retrieved 30 October 2019.
  3. "C. V. France". BBC Genome. BBC. 2019. Retrieved 30 October 2019.
  4. "Pig-Hoo-o-o-o-ey". BBC Genome. BBC. 2019. Retrieved 30 October 2019.
  5. "Saturday-Night Theatre: Leave it to Psmith". BBC Genome. BBC. 2019. Retrieved 30 October 2019.
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