Kritisk Revy

Kritisk Revy (meaning Critical Review in English) was a quarterly Danish architecture magazine. It was briefly published between 1926 and 1928 in Copenhagen, Denmark. The magazine played a significant role in developing avant-garde culture in Scandinavia between World War I and World War II.[1] It is also the early source for the Danish modern.[2][3]

Kritisk Revy

Editor	Poul Henningsen
Categories	Architecture magazine
Frequency	Quarterly
Year founded	1926
First issue	July 1926
Final issue	1928
Country	Denmark
Based in	Copenhagen
Language	Multilingual

History and profile

Kritisk Revy was established in 1926.[1] The first issue appeared in July 1926.[4] The founders were architects and left-wing intellectuals.[1] The headquarters was in Copenhagen. The editor of the magazine was Poul Henningsen.[5][6] Although three issues were published in the first year, the frequency of Kritisk Revy was quarterly for the following years.[4]

Kritisk Revy contained articles that led to various polemics.[4] These articles were not only written in Danish but also in other languages.[2] The focus of magazine was avant-garde architecture and design.[1][7] However, the topics were not limited to these subjects. Instead, the magazine covered various topics related to Danish life, including nature preservation, literature and religion.[3] The magazine also embraced a wide range of modern topics, including advertising, shop window design jazz music, variety theatre and film.[8]

The contributors adopted the notion of art for society's sake.[1] The magazine founded the basis of early Scandinavian modernism.[1] It frequently carried articles about the architecture and planning of Copenhagen and other Nordic cities.[5] Significant contributors of Kritisk Revy included Otto Gelsted, Edvard Heiberg and Hans Kirk who would be a member of the Danish Communist Party.[4]

The magazine did not share the political approach of Klingen, a former Danish magazine, but affected from its approach towards European art.[2] This effect was observed in the large format of Kritisk Revy (35.2 x 21.6 cm).[2] In addition, the magazine also included frequent illustrations and graphic formats like Klingen.[2]

The circulation of Kritisk Revy ranged between 1800 and 2000 copies.[4] The magazine ceased publication with the eleventh issue that appeared in Christmas 1928.[4] The reason for ending publication was announced by the magazine that it accomplished the goals.[4]

References

1. A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950. BRILL. 4 February 2019. p. 860. ISBN 978-90-04-38829-1. Retrieved 23 April 2020.
2. Kerry Greaves (18 March 2019). The Danish Avant-Garde and World War II: The Helhesten Collective. Taylor & Francis. p. 135. ISBN 978-0-429-88590-7. Retrieved 23 April 2020.
3. Mark Mussari (16 June 2016). Danish Modern: Between Art and Design. Bloomsbury Publishing. p. 28. ISBN 978-1-4742-2368-3. Retrieved 23 April 2020.
4. Peter Brooker; Andrew Thacker (2013). The Oxford Critical and Cultural History of Modernist Magazines. Oxford University Press. p. 630. ISBN 978-0-19-965958-6.
5. Per Olaf Fjeld; Emily Randall Fjeld (4 October 2019). Louis I. Kahn: The Nordic Latitudes. University of Arkansas Press. p. 19. ISBN 978-1-68226-112-5. Retrieved 23 April 2020.
6. "Poul Henningsen (1894-1967)". Danish.net. Retrieved 23 April 2020.
7. Torben Jelsbak (2011). "Arbejdshypotesen om en menneskehed: Tidsskriftet Kritisk Revy mellem avantgarde og populærkultur". Danske Studier (106). Retrieved 29 July 2020.
8. Per Stounbjerg; Andrea Kollnitz; Benedikt Hjartarson. "From Bauhaus to Our House – Kritisk Revy, Popular Culture, and the Roots of "Scandinavian Design"". A Cultural History of the Avant- Garde in the Nordic Countries 1925–1950. Retrieved 29 July 2020.