Korean pavilion

The Korean pavilion houses South Korea's national representation during the Venice Biennale arts festivals.

Background

The Venice Biennale is an international art biennial exhibition held in Venice, Italy. Often described as "the Olympics of the art world", participation in the Biennale is a prestigious event for contemporary artists. The festival has become a constellation of shows: a central exhibition curated by that year's artistic director, national pavilions hosted by individual nations, and independent exhibitions throughout Venice. The Biennale parent organization also hosts regular festivals in other arts: architecture, dance, film, music, and theater.[1]

Outside of the central, international exhibition, individual nations produce their own shows, known as pavilions, as their national representation. Nations that own their pavilion buildings, such as the 30 housed on the Giardini, are responsible for their own upkeep and construction costs as well. Nations without dedicated buildings create pavilions in venues throughout the city.[1]

Organization and building

The pavilion, designed by Seok Chul Kim and Franco Mancuso, was built between 1994 and 1995.[2]

South Korea has participated in the Venice Biennale since 1995.[3]

Representation by year

Art

  • 1995 — Yoon Hyong Keun, Kwak Hoon, Kim In Kyum, Jheon Soocheon (Commissioner: Il Lee)
  • 1997 — Hyungwoo Lee, Ik-joong Kang (Curator: Oh Kwang Soo)
  • 1999 — Lee Bul, Noh Sang-Kyoon (Curator: Misook Song)
  • 2001 — Michael Joo, Do-Ho Suh (Commissioner: Kyung-mee Park)
  • 2003 — Whang In Kie, Bahc Yiso, Chung Seoyoung (Commissioner: Kim Hong-Hee)
  • 2007 — Hyungkoo Lee (Commissioner: Soyeon Ahn)
  • 2009 — Haegue Yang (Commissioner: Eungie Joo)
  • 2011 — Lee Yong-baek (Commissioner: Yun Chea-gab)
  • 2013 — Kimsooja (Curator: Kim Seung-duk)
  • 2015 — Moon Kyungwon, Jeon Joonho (Curator: Sook-Kyung Lee)
  • 2017 — Cody Choi, Lee Wan (Curator: Lee Daehyung)
  • 2019 – Hwayeon Nam, Siren Eun Young Jung, Jane Jin Kaisen (Curator: Hyunjin Kim)[4]
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gollark: Pascal's Wager basically goes "if no god, belief doesn't have costs anyway (wrong, since it takes time and may make your thinking more irrational); if god, non-belief means infinite badness (hell), belief means infinite goodness (heaven), so rationally you should believe".
gollark: There *may* be a god of some kind who rewards you for believing in them and their afterlife and such, but there is an infinity of possible gods including ones like "allocates you to heaven or hell entirely at random", "entirely indistinguishable from no god", "sends you to hell if you believe in the *other* god", "incomprehensible eldritch abomination" or "literal bees".

References

Bibliography

  • Russeth, Andrew (April 17, 2019). "The Venice Biennale: Everything You Could Ever Want to Know". ARTnews. Retrieved April 22, 2019.CS1 maint: ref=harv (link)
  • Volpi, Cristiana (2013). "South Korea". In Re Rebaudengo, Adele (ed.). Pavilions and Garden of Venice Biennale. Rome: Contrasto. p. 194. ISBN 978-88-6965-440-4.CS1 maint: ref=harv (link)

Further reading

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