Kenny Rivero


Kenny Rivero (born 1981, Washington Heights, Manhattan, New York) is a Dominican-American visual artist who makes paintings, drawings, and sculptures that explore the complexity of identity through narrative images, collage and assemblage, language, and symbolism.[1] Rivero is currently a Lecturer in Painting and Printmaking at the Yale School of Art and a Visiting Artist at The Cooper Union.[2][3]

Kenny Rivero
Born (1981-04-11) April 11, 1981
Washington Heights, Manhattan, New York
EducationSkowhegan School of Painting and Sculpture (2017)
Yale School of Art (MFA, 2012)
School of Visual Arts (BFA, 2006)
Websitekennyrivero.com

Early life and education

Rivero was born to Dominican parents and raised in Washington Heights, Manhattan, NY. His Dominican-American identity and personal history is central to his work.[4]

He received a BFA from the School of Visual Arts (2006), New York, NY, and an MFA in Painting and Printmaking from Yale University School of Art, New Haven, CT (2012). He attended the Skowhegan School of Painting and Sculpture in 2017.[2]

Work

Rivero is primarily a painter, but also creates drawings, prints, and sculptures. His work engages the deeply personal.[5] His paintings depict spaces and interactions between figures that appear fantastical, dangerous, foreboding, nostalgic, or tender.[6] Figures in his work seem to be spirits, superhuman, or physical representations of psychological states. His paintings often include elements of assemblage, using objects of personal significance, often cherished mementos, or pieces of New York City, for instance, "Old cigarette packs salvaged from the Gramercy building where he worked as a doorman, dominoes fresh from a match: Each of his three-dimensional canvases are a layered “memory palette" [...].”[7]

In an article for Hyperallergic, Benjamin Sutton describes the figures, symbolism, and mysticism in Rivero's painting titled Homage to the Three Three (PE NYK) (2015), "[it] has a ghostly head floating (or painted) on a brick wall. Around the corner flames shoot from a window, while a cluster of numbers apparently tagged on the wall tempt the viewer’s inner cryptographer. [...] Rivero’s piece is full of lovely painterly effects, from the thickening series of lines that make up the figure’s fan-like hair to the precise, Op art-ish grid of brick outlines. The painting is full of opaque symbolism."[8] And in the Brooklyn Rail, Alex Jen describes It Happened on the Corner (2014), on view in Lure of the Dark At Mass MoCA in 2019, "a man lies sick on the ground as pairs of scuffed oxfords walk past. The sidewalk is painted to look like board game tiles. A smoke-stained sliver filled with monsters projects out of his belly like a magnified microscope illustration, and combusts at the bottom in a brilliantly painted fire so thick and crusted it looks whittled." Jen continues by describing the symbolism in another painting, Ask About Me (2017), "A nervous, coded pictograph of one's personal interiors, little crosses mark graves in the dark among pyramids, faceted gems, and empty cars."[9]

Rivero's work aims to capture the supernatural elements of everyday, real experience, intertwining the ways in which reality seem surreal, especially when related to violence, pain, and grief. As described by Paul D'Agostino for L Magazine, Rivero's work, "is full of surprises that are not exactly stunning, terrors that aren’t really scary, notes of humor that aren’t necessarily funny, fantastical figments that are actually just real, and barely nightmarish murmurs that hum, also, in tones of just-awoken awareness, such that the dream is at once active and over. [...] A wonderful walk through the fanciful normalities and quotidian strangenesses of dreams—or of the blurred focus and liminal discomforts of what it looks and feels like to be dreaming. [...] the works lure you in while lulling you deeply into some cognitive elsewhere."[10]

Exhibitions

Selected solo exhibitions
  • 2018 - i see you with my eyes closed, Charles Moffett Gallery, NY, NY
  • 2018 - Don't Look For Me, The Delaware Contemporary, Wilmington, DE[11]
  • 2017 - Hear, My Dear, Blackburn Gallery at the Elizabeth Foundation for the Arts, NY, NY
  • 2016 - And I Will be the Same, Roswell Museum and Art Center, Roswell, NM

Selected group exhibitions
  • 2018 - You Are Who I Think You Think You Are, American Medium, New York, NY
  • 2018 - The Lure of the Dark: Contemporary Painters Conjure the Night, MASS MoCA, North Adams, MA[12]
  • 2018 - Black Pulp!, African American Museum Museum at USF, Tampa, FL
  • 2017 - Selections by Larry Ossei-Mensah, Elizabeth Dee Gallery, New York, NY
  • 2017 - Uptown Triennial: Nasty Women, Bad Hombres, El Museo del Barrio, New York, NY
  • 2017 - Spots, Dots, Pips, and Tiles: An Exhibition around the Game of Dominoes, Perez Art Museum, Miami, FL
  • 2017 - Black Pulp!, Zikha Gallery at Wesleyan University, Middletown, CT
  • 2017 - Black Pulp!, Contemporary Art Museum at USF, Tampa, FL
  • 2016 - Spots, Dots, Pips, and Tiles: An Exhibition around the Game of Dominoes, Hunter East Harlem Gallery, New York, NY
  • 2016 - Black Pulp!, Curated by William Villalongo and Mark Thomas Gibson, IPCNY, New York, NY[13][14]
  • 2016 - Self Portraits, Bravin Lee Programs, New York, NY
  • 2015 - TXT: Art, Language, Media, Sugar Hill Children's Museum of Art & Storytelling, New York, NY
  • 2015 - The Fire Next Time, Galerìa Leyendecker, Tenerife, Islas Canarias, España
  • 2015 - Consequential Translations, Centro Cultural de España en Santo Domingo, Santo Domingo, Republica Dominicana
  • 2015 - Long Story Short, curated by Karin Bravin, Trestle Gallery, Brooklyn, NY
  • 2014 - Narratives of Self Exile/ Narativas del Auto Exilio, Curated by Miguel Luciano, Bronx Art Space, Bronx NY
  • 2013 - La Bienal: Here is Where We Jump, curated by Rocio Aranda-Alvarado and Raul Zamudio, El Museo del Barrio, New York, NY
  • 2012 - Eyes Off the Flag, Koki Arts and Motus Fort Gallery, Tokyo, Japan
  • 2011 - Bosch Young Talent Show, co-curated by William Villalongo, Stedelijk Museum, s-Hertogenbosch, Netherlands
  • 2009 - Octet, curated by Peter Hristoff and Susan Anker, Pera Museum, Istanbul, Turkey

Awards and residencies

Rivero has been awarded a number of awards and residencies including, Joan Mitchell Foundation Painters and Sculptors Grant (2018),[15][4] Skowhegan School of Painting and Sculpture (2017), The Fountainhead Residency (2016), Rema Hort Mann Foundation Emerging Artist Grant (2015), Roswell Artist in Residence Program (2015-16), Lower Manhattan Cultural Council Workspace Program (2014-2015), Robert Schoelkopf Memorial Travel Grant from Yale University (2011).[2][4]

gollark: We should switch to SoaS (Stuff on a Screen), much easier.
gollark: ... you want me to rebrand potatOS as not an OS? Hmm.
gollark: <@114827439070248961> ... what for?
gollark: It just randomizes 1 in 10 key events.
gollark: Ish.

References
  1. "Making Sense of Paintings That Tell Snippets of Stories". Hyperallergic. 2015-04-16. Retrieved 2019-04-11.
  2. "Yale University School of Art: Kenny Rivero". art.yale.edu. Retrieved 2019-04-11.
  3. "People | The Cooper Union". cooper.edu. Retrieved 2019-04-11.
  4. Foundation, Joan Mitchell. "Artist Programs » Artist Grants". joanmitchellfoundation.org. Retrieved 2019-04-20.
  5. Cotter, Holland (2013-06-13). "Museo del Barrio's 'Bienal 2013' Explores Self and Origins". The New York Times. ISSN 0362-4331. Retrieved 2019-04-12.
  6. Sargent, Antwaun (2018-08-16). "Where 'Block Party' Has a Score of Meanings". The New York Times. ISSN 0362-4331. Retrieved 2019-04-12.
  7. "Amazing on-the-rise New York artists you need to know". Time Out New York. Retrieved 2019-04-12.
  8. "Making Sense of Paintings That Tell Snippets of Stories". Hyperallergic. 2015-04-16. Retrieved 2019-04-12.
  9. Jen, Alex (2019-02-14). "The Lure of the Dark: Contemporary Painters Conjure the Night". The Brooklyn Rail. Retrieved 2019-04-12.
  10. "L Rex: Art". The L Magazine. 2015-02-12. Retrieved 2019-04-12.
  11. "Kenny Rivero". The Delaware Contemporary. Retrieved 2019-04-12.
  12. "The Lure of the Dark: Contemporary Painters Conjure the Night | MASS MoCA". massmoca.org. Retrieved 2019-04-12.
  13. "Black Identity Seen Through the Lens of Pulp Stories". Hyperallergic. 2016-11-08. Retrieved 2019-04-11.
  14. "Black Pulp!". International Print Center New York. Retrieved 2019-04-12.
  15. "Joan Mitchell Foundation Names 2018 Grant Recipients". www.artforum.com. Retrieved 2019-04-11.
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