The Brooklyn Rail

The Brooklyn Rail is a journal of arts, culture, and politics, currently published ten times a year, in Brooklyn, NY. The journal features in-depth interviews with artists, critics, and curators, as well as critical essays, fiction, poetry, and reviews of art, music, dance, film, books, and theater. The Brooklyn Rail is distributed in galleries, universities, museums, bookstores, and other organizations. The Rail operates a small press called Rail Editions, which publishes literary translations, poetry, and art criticism. In addition to its small press, the Rail has also organized panel discussions, readings, film screenings, music and dance performances, and has curated exhibitions through a program called Rail Curatorial Projects.

The Brooklyn Rail
Cover of the July/August 2009 issue
CategoriesArt, politics, culture, literature
FrequencyMonthly
Total circulation
(2020)		20,000
First issue2000
CountryUnited States
Based inBrooklyn
LanguageAmerican English
Websitebrooklynrail.org
ISSN2157-2151

History

Originally distributed as reading material for commuters on the L train between Manhattan and Brooklyn, the Brooklyn Rail began as a small broadsheet in 1998, with several founders.[1] By 2000, the journal had quickly grown into a full-format publication, with Phong Bui and then-editor Theodore Hamm sharing oversight duties. Bui comments that it's largely due to support from the arts community, and funding from art foundations, that has made it possible for the journal to maintain its creative autonomy. Hamm notes that the Rail's non-profit funding, largely provided by private donors, has preserved the magazine's original aspiration to publish "a crucible of slanted opinions, artfully delivered."[2]

Mission

The Rail aims to "reflect the complexity and inventiveness of the city’s artistic and cultural landscape."[3]

Reception

Robert Storr has called it "the murmur of the city in print."[4]

Former Nation publisher Victor Navasky considered it "a non-establishment paper that questioned the establishment's assumptions without falling victim to the counterculture's pieties."

For the late Nancy Spero, the paper was "an eminently readable, informative, and intellectually wide-ranging publication, alert to current trends, controversies, and ideas, and filled with necessary information."[4]

Poet John Ashbery has written: "how wonderful to have a new newspaper that cares about literature and the arts and isn't afraid to say so. The Brooklyn Rail is a welcome addition to the New York scene."[4]

American painter Alex Katz has said that the Rail "has the young energy that goes with the young people who come to New York to grow in the arts. It would be a bad city without it. If it wasn't for the Brooklyn Rail, the city would be a desert.”[5]

In 2013 the Rail was awarded the Best Art Reporting by the International Association of Art Critics, United States Section (AICA-USA).[6][7]

Rail Curatorial Projects

In 2013, the Brooklyn Rail established Rail Curatorial Projects, an initiative to manifest the journal's goals within an exhibition context. That same year, the Brooklyn Rail was invited by the Dedalus Foundation to curate an exhibition which resulted in Come Together: Surviving Sandy, Year One,[8] a momentous exhibition of hundreds of New York and Brooklyn artists. Come Together was named the #1 exhibition in New York City by Jerry Saltz in New York Magazine[9] and in the New York Times, Roberta Smith wrote, “This egalitarian show makes palpable the greatness of New York’s real art world.”[10] In 2014, the exhibition was commemorated in a hardcover catalogue.

Since then, the Rail Curatorial Projects has curated a number of shows including Ad Reinhardt at 100 [11][12] at TEMP Art Space; Spaced Out: Migration to the Interior [13][14][15] at Red Bull Studios, Bloodflames Revisited [16][17][18] at Paul Kasmin Gallery, and 24/7 [19][20] at the Miami Beach Monte Carlo in 2014; Intimacy in Discourse: Reasonable and Unreasonable Sized Paintings [21][22][23] at SVA Chelsea Gallery and Mana Contemporary as well as Social Ecologies [24][25] at Industry City, Patricia Cronin's Shrine for Girls [26][27][28] at the Venice Biennale in 2015; and Hallway Hijack [29][30] at 66 Rockwell Place in 2016. In 2017, Rail Curatorial Projects curated Occupy Mana: Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy.[31][32][33] In May 2019, the Rail was invited to curate an exhibition for the 2019 Venice Biennale. The show was a continuation of 2017's Occupy Mana, curated by the Rail's Phong Bui and Italian historian, Francesca Pietropaolo, the show consisted of 73 different artists; with works discussing the social and ecological climate of our reality titled Social Environment: Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy.[34][35][36] The Rail Curatorial Projects opened Occupy Colby: Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Year 2,[37] in July 2019. The show was on the same lengths of Occupy Mana[31] as well as Social Environment.[34]

Rail Editions

Previous titles include: On Ron Gorchov, (2008) edited by Phong Bui; Pieces of a Decade: Brooklyn Rail Nonfiction 2000–2010, (2010) edited by Theodore Hamm and Williams Cole; Texts on (Texts on) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sandy! A Remembrance, (2015), a collection of poems commissioned in the wake of superstorm Hurricane Sandy; Cephalonia, (2016) a narrative poem by Luigi Ballerini; Swept Up By Art, (2016) the second memoir of the art historian and critic Irving Sandler; and Our Book: Florbela Espanca Selected Poems, (2018) the first translation into English of Portuguese poet Florbela Espanca's poetry.[38] Most recently two books have been published, Words Apart and Others[39](2018) by Jonas Mekas as well as a companion of responses, Message Ahead (2018).[40]

Special editions
  • Ad Reinhardt (January 2014)[41]
  • On the State of Art Criticism in Europe (May 2014)[42]
  • I Love John Giorno (June 2017) [43]
  • River Rail (January 2018)[44]
gollark: no u.
gollark: So recompiling MultiMC has *not* made it work. What joy.
gollark: Apparently a software update *somehow* made all the Qt applications I have installed segfault, so I'm recompiling MultiMC right now in the vague hope that it will fix it.
gollark: Ħełłø¡
gollark: By reading this sentence you agree to agree to the associated terms and conditions.

See also

References
  1. "Corrections: November 4, 2015".
  2. "The Brooklyn Rail". brooklynrail.org. Retrieved 11 May 2015.
  3. "The Brooklyn Rail". The Brooklyn Rail. Retrieved 2018-05-07.
  4. "The Brooklyn Rail". The Brooklyn Rail. Retrieved 2018-05-08.
  5. "The Brooklyn Rail". The Brooklyn Rail. Retrieved 2018-05-07.
  6. "AICA Announces Best Show Awards for 2013 – News – Art in America". artinamericamagazine.com. Retrieved 11 May 2015.
  7. "AICA-USA ARTS AWARDS HONOR EXCELLENCE IN ART CRITICISM AND CURATORIAL ACHIEVEMENT". AICA USA. Retrieved 11 May 2015.
  8. Smith, Roberta, "Art, A Balm After the Storm" New York Times, December 12, 2013
  9. "The 10 Best Art Shows of the Year". NYMag.com. Retrieved 2018-05-07.
  10. Smith, Roberta (2013-12-06). "'Come Together: Surviving Sandy' Samples 300 Artists". The New York Times. ISSN 0362-4331. Retrieved 2018-05-07.
  11. "Ad Reinhardt At 100 | Brooklyn Rail Curatorial Projects". curatorialprojects.brooklynrail.org. Retrieved 2018-05-07.
  12. Cembalest, Robin (2013-11-13). "The Semi-Secret History of Modernism's Best Comic Artist". ARTnews. Retrieved 2018-05-07.
  13. "Spaced Out | Brooklyn Rail Curatorial Projects". curatorialprojects.brooklynrail.org. Retrieved 2018-05-07.
  14. "Artist and Curator Phong Bui On What Brooklyn Culture Means in 2014". Retrieved 2018-05-07.
  15. "Total Work of Art: "Spaced Out" at Red Bull Studios – artcritical". artcritical. 2014-10-21. Retrieved 2018-05-07.
  16. "Bloodflames Revisited | Brooklyn Rail Curatorial Projects". curatorialprojects.brooklynrail.org. Retrieved 2018-05-07.
  17. Johnson, Ken (2014-08-07). "Phong Bui Curates 'Bloodflames Revisited'". The New York Times. ISSN 0362-4331. Retrieved 2018-05-07.
  18. "Bloodflames Revisited". frieze.com. Retrieved 2018-05-07.
  19. "In and Around AMBM". Whitehot Magazine of Contemporary Art. Retrieved 2018-05-07.
  20. "24/7 | Brooklyn Rail Curatorial Projects". curatorialprojects.brooklynrail.org. Retrieved 2018-05-07.
  21. Kedmey, Karen (2015-11-29). "Smaller is Better in Exhibition of Paintings at Mana Contemporary and SVA Chelsea Gallery". Artsy. Retrieved 2018-05-07.
  22. "Intimacy in Discourse: Unreasonable Sized Paintings". School of Visual Arts | SVA | New York City. Retrieved 2018-05-07.
  23. "Intimacy in Discourse: and Unreasonable Sized Paintings". Mana Contemporary. Retrieved 2018-05-07.
  24. ""Social Ecologies" – Art in America".
  25. "Social Ecologies | Brooklyn Rail Curatorial Projects". curatorialprojects.brooklynrail.org. Retrieved 2018-05-07.
  26. "Shrine For Girls | Brooklyn Rail Curatorial Projects". curatorialprojects.brooklynrail.org. Retrieved 2018-05-07.
  27. Frank, Priscilla (2015-04-14). "Heartbreaking 'Shrine For Girls' Pays Tribute To Young Female Martyrs Around The World". Huffington Post. Retrieved 2018-05-07.
  28. "Aesthetica Magazine – Patricia Cronin, Shrine for Girls, La Biennale di Venezia, Venice". Aesthetica Magazine. Retrieved 2018-05-07.
  29. "Hallway Hijack | Brooklyn Rail Curatorial Projects". curatorialprojects.brooklynrail.org. Retrieved 2018-05-07.
  30. "19 Artists Hijacked the Hallways of a Brooklyn High-rise". 22 June 2016.
  31. "Occupy Mana | Brooklyn Rail Curatorial Projects". curatorialprojects.brooklynrail.org. Retrieved 2018-05-07.
  32. "Tomas Vu and Rirkrit Tiravanija in "Occupy Mana: Artists Need to Create at the Same Scale as Society has the Capacity to Destroy," 2017". www.artforum.com. Retrieved 2018-05-07.
  33. "Editors' Picks: 18 Things to See in New York This Week | artnet News". artnet News. 2017-10-10. Retrieved 2018-05-07.
  34. "The Rail at the 2019 Venice Biennale". Brooklyn Rail. Retrieved 2019-07-24.
  35. "Science and Magic: Environmental Impact at the Biennale". Cultured Magazine. 2019-05-10. Retrieved 2019-07-24.
  36. "There's a Flood of Climate Change-Related Art at the Venice Biennale. Can It Make a Difference—Or Is It Adding to the Problem?". artnet News. 2019-05-06. Retrieved 2019-07-24.
  37. "Occupy Colby: Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Year 2". Colby College Museum of Art. Retrieved 2019-07-24.
  38. "Brooklyn Rail : Store : Rail Editions". store.brooklynrail.org.
  39. "Brooklyn Rail : Store : Rail Editions : Words Apart and Others by Jonas Mekas". store.brooklynrail.org. Retrieved 2019-07-24.
  40. "Brooklyn Rail : Store : Rail Editions : Message Ahead". store.brooklynrail.org. Retrieved 2019-07-24.
  41. "The Brooklyn Rail – An Independent Forum for Visual Arts, Culture, and Politics – AD REINHARDT". www.brooklynrail.org.
  42. "The Brooklyn Rail – An Independent Forum for Visual Arts, Culture, and Politics – ART CRIT EUROPE". www.brooklynrail.org.
  43. "The Brooklyn Rail – An Independent Forum for Visual Arts, Culture, and Politics – I LOVE JOHN GIORNO". brooklynrail.org.
  44. "The Brooklyn Rail – An Independent Forum for Visual Arts, Culture, and Politics – RIVER RAIL". brooklynrail.org.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.