Kayo Matsuo

Kayo Matsuo (松尾 嘉代, Matsuo Kayo, born March 17, 1943 in Tokyo, Japan) is a Japanese actress. She retired from acting following the Kobe earthquake.

Kayo Matsuo
Born (1943-03-17) March 17, 1943
Tokyo, Japan
OccupationActress
Years active1958–1995

Partial filmography
  1. Endless Desire (Hateshinaki yokubo, 1958)
  2. My Second Brother (Nianchan, 1959)
  3. Hikaru umi (1963)
  4. Gate of Flesh (Nikutai no mon, 1964)
  5. Story of a Prostitute (Shunpu den, 1965)
  6. Fighting Elegy (Kenka erejii, 1966)
  7. Ketto (1967)
  8. Tsumiki no hako (1968)
  9. Nemuri Kyoshiro 12: Akujo-gari (1969)
  10. The Vampire Doll (1970)
  11. Lone Wolf and Cub: Baby Cart at the River Styx (Kozure Ōkami: Sanzu no kawa no ubaguruma, 1972)
  12. Yamaguchi-gumi San-daime (1973)
  13. Hissatsu shikakenin baian ari-jigoku (1975)
  14. Yami no karyudo (1979)
  15. The Battle of Port Arthur (1980), Empress Shōken
  16. Shogun Assassin (1980)
  17. Seiha (1982)
  18. Kagi (1983)
  19. Tengoku ni ichiban chikai shima (1984)
  20. Tsuribaka nisshi 4 (1991)
  21. Paris Fantasy (Gensō no Paris), 1992)
  22. Tsuribaka nisshi supesharu (1994)
gollark: Say most/many people like a thing, but the unfathomable mechanisms of culture™ have decided that it's bad/shameful/whatever. In our society, as long as it isn't something which a plurality of people *really* dislike, you can probably get it anyway since you don't need everyone's buy-in. And over time the thing might become more widely accepted by unfathomable mechanisms of culture™.
gollark: I also think that if you decide what to produce via social things instead of the current financial mechanisms, you would probably have less innovation (if you have a cool new thing™, you have to convince a lot of people it's a good idea, rather than just convincing a few specialized people that it's good enough to get some investment) and could get stuck in weird signalling loops.
gollark: So it's possible to be somewhat insulated from whatever bizarre trends are sweeping things.
gollark: In a capitalistic system, people don't have to like me as long as I can throw money at them, see.
gollark: ...


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