Karin Jonzen

Karin Margareta Jonzen, née Löwenadler, (22 December 1914 – 29 January 1998) was a British figure sculptor whose works, in bronze, terracotta and stone, were commissioned by a number of public bodies in Britain and abroad.[1]

Karin Margareta Jonzen
Born
Karin Margareta Löwenadler

22 December 1914
London
Died29 January 1998(1998-01-29) (aged 83)
NationalityBritish
Education
Known forSculpture
Spouse(s)
  • Basil Jonzen (m. 1944 – divorced)
  • Ake Sucksdorff (m. 1972)

Biography

Karin Löwenadler was born in London to Swedish parents and attended the Slade School of Art from 1933 to 1936.[2] At the Slade she won prizes in both painting and sculpture and decided to abandon her original ambition to become a cartoonist and concentrate on sculpture.[3][4] Jonzen continued her studies at the Royal Academy Stockholm and at the City and Guilds Art School in Kennington during 1939.[2][5] That same year she won the Prix de Rome, but the beginning of World War II prevented her making use of the travelling scholarship it conferred.[3] During the war she worked as a Civil Defence ambulance driver until she developed rheumatic fever and was given a medical discharge.[6] While recovering Jonzen became convinced that modernism and abstract sculpture was not the way to advance her art and decided to focus on figurative works.[7]

The Gardener (1971), located by London Wall

After the war Jonzen's figures and sculptures were bought by some important art collectors, including Robert Sainsbury and Kenneth Clark, although otherwise commercial galleries showed little interest in her work.[1][7] In 1948 she won the Royal Society of British Sculptors' Feodora Gleichen Award for women artists.[3][4] A number of high-profile public commissions followed. The Arts Council commissioned her to produce a sculpture for the newly built Southbank Centre and the World Health Organization commissioned works from her for its centres in New Delhi and Geneva.[3] A standing figure was commissioned for the Festival of Britain in 1951.[8]

Jonzen entered three pieces for the 1968 Sculpture in the City exhibition which was part ot that year's City of London Festival.[9] This led to her receiving two commissions from the Corporation of the City of London including her 1972 group Beyond Tomorrow outside the Guildhall.[1] Jonzen was offered the commission on the basis of a small model and subsequently completed the full-size version but was in Sweden when the foundry casting was made. She was disappointed with the casting and had it re-cast, in bronze resin, at her own expense.[9] This version greatly impressed Lord Blackford, a member of the Corporation, to the extant that he paid for a new bronze casting which is the version displayed outside the Guidhall.[9] Jonzen's other commission from the Corporation was for The Gardiner, a piece designed to celebrate the work of the Corporation's Trees, Gardens and Open Spaces Committee.[9] The chair of that committee, Frederick Cleary, was also the Treasurer of the Samuel Pepys Club and in that role he commissioned Jonzen to produce a bust of Pepys for Seething Lane Garden.[9]

Jonzen's figurative skills were greatly suited to church sculpture and the College Chapel at Selwyn College in Cambridge, Guildford Cathedral and St Mary-le-Bow in London all have figures by Jonzen.[3] Subjects of her portrait busts include Paul Scofield, Max Von Sydow, Malcolm Muggeridge and Dame Ninette de Valois, as well as Sir Hugh Casson and Sir A. P. Herbert.[3][10] The National Portrait Gallery in London holds her bronze bust of Learie Constantine, while the Tate collection includes her 1947/1948 terracotta Head of a Youth.[11][12] Other works by Jonzen are also held by art galleries in Bradford, Glasgow, Brighton, Southend and in Melbourne, Australia.[13]

Jonzen exhibited on a regular basis at the Royal Academy, with the London Group, the New English Art Club and at the Royal Society of British Artists.[2][13] She lectured, part-time, on art and art appreciation for the extra-mural department of London University from 1965 to 1970, and at the Camden Arts Centre between 1968 and 1972.[4] Solo exhibitions were held at the Fieldbourne Gallery in London in 1974 and at David Messum Fine Art in 1994.[3][1] Jonzen was married twice, firstly to Basil Jonzen, a well-regarded artist and art collector in his own right, whom she married in 1944 and with whom she ran a successful art gallery for a time. After they divorced she married a former boyfriend, a poet called Ake Sucksdorff who she had first met in 1938.[6][8]

Selected public artworks
Image Title / subject Location and
coordinates		 Date Type Designation Notes
Mother and Child Sydenham Hill Estate, London 1961 Statue A commission by the London County Council, situated outside a community centre, where a mother and baby clinic was held. In 1970 the work was reported stolen.[14][7]

More images		 The Gardener London Wall, City of London

51.5172°N 0.0925°W / 51.5172; -0.0925 (The Gardener)		 1971–1972 Statue [9]

More images		 Beyond Tomorrow Guildhall Piazza, City Of London

51.5161°N 0.0919°W / 51.5161; -0.0919 (Beyond Tomorrow)		 1972 Sculptural group [9]
Pieta The Church of Sweden, London 1975 Bronze resin statue [8]
Young Girl Sloane Gardens, London 1980 Bronze statue
Samuel Pepys Seething Lane Garden, London 1983 Bust [9]
St. Tarcisius Corpus Christi Roman Catholic Church, Maiden Lane, London Statue
St. Anne and Mary St. Anne's Church, Lewes 1990 Statue
Mother and Child St Mary-le-Bow , City of London Statue
Young Women Contemplating The Church of Sweden, London Statue
gollark: Hash it plus a random salt. Release the guesses and salt later.
gollark: https://arxiv.org/abs/1811.11041
gollark: Okay, yes, I am wildly stereotyping very incorrectly, bipolar is over days to weeks.
gollark: You are unique in being very annoyed then regretting it, however.
gollark: Probably not though, lots of people are annoyed by me.

References
  1. Bénézit Dictionary of Artists Volume 7 Herring–Koornstra. Editions Grund, Paris. 2006.
  2. Grant M. Waters (1975). Dictionary of British Artists Working 1900–1950. Eastbourne Fine Art.
  3. Alicia Foster (2004). Tate Women Artists. Tate Publishing. ISBN 1-85437-311-0.
  4. University of Glasgow History of Art / HATII (2011). "Karin Margareta Jonzen (1914–1998)". Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951. Retrieved 28 August 2018.
  5. James Mackay (1977). The Dictionary of Western Sculptors in Bronze. Antique Collectors' Club.
  6. Edward Lucie-Smith (2 February 1998). "Obituary: Karin Jonzen". The Independent. Retrieved 28 August 2018.
  7. Terry Cavanagh (2007). Public Sculpture of Britain: Public Sculpture of South London. Liverpool University Press. ISBN 978 184631 063 8.
  8. Alan Windsor (2003). British Sculptors of the Twentieth Century. Routledge. ISBN 1 85928 4566.
  9. Philip Ward-Jackson (2003). Public Sculpture of Britain Volume 7: Public Sculpture of the City of London. Liverpool University Press / Public Monuments & Sculpture Association. ISBN 0 85323 977 0.
  10. David Buckman (2006). Artists in Britain Since 1945 Vol 1, A to L. Art Dictionaries Ltd. ISBN 0 953260 95 X.
  11. "Karin Jonzen (1914–1998), Artist". National Portrait Gallery. Retrieved 28 August 2018.
  12. "Karin Jonzen (1914–1998), Head of a Youth". Tate. Retrieved 28 August 2018.
  13. Frances Spalding (1990). 20th Century Painters and Sculptors. Antique Collectors' Club. ISBN 1 85149 106 6.
  14. Help Find Our Missing Art, Historic England, retrieved 21 March 2019
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