Julianne Swartz

Julianne Swartz (born April 29, 1967) is a New York-based artist who works with sound, kinetics, and other materials to make sculpture, installations and photographs. Swartz uses optics, magnetism, and the concepts of space and time in her body of work. Swartz uses lights, mirrors, magnets, periscopes, and the concepts of space and time in her body of work, which has been exhibited at the Brooklyn Museum of Art, MoMA PS1, New Museum, Indianapolis Museum of Art, and the 2004 Biennial exhibition at the Whitney Museum.[3] Her awards include the Joan Mitchell Foundation Painters and Sculptors Award (2008) and the American Academy of Arts and Letters Academy Award in Art (2010).[1]

Julianne Swartz
Born
Julianne Swartz

April 29, 1967
Phoenix, Arizona
NationalityAmerican
EducationBard College, Skowhegan School of Painting and Sculpture, University of Arizona[1][2]
Known forNew Media, Sound Art, Sculpture,
Notable work
Line Drawing, Somewhere Harmony, Digital Empathy, Surrogates, Stability Studies, How Deep is Your
MovementSound Art

Installation

Line Drawing

In Line Drawing (2003), Swartz created a flowing line drawing in front of and inside gallery walls using blue tape. She cut holes in the gallery wall, inviting viewers to follow the line through the inaccessible spaces with the help of hidden lights and mirrors.[4]

Somewhere Harmony

In 2004, Swartz created Somewhere Harmony for the Whitney Museum of American Art in New York City. Utilizing the museum's six-story staircase, Swartz created a series of plexiglass pipes resembling exposed plumbing. The pipes, connected to speakers, carried unprofessional voices singing “Over the Rainbow” through floors of the staircase.[5]

Digital Empathy

Digital Empathy, a 2011 public art installation, uses sound effects in the architectural features of the High Line, such as elevators and drinking fountains. When the user interacts with an object marked with an icon, a pre-recorded, message plays. The messages, spoken by computer-generated voices, range from false advertisements to motivational sayings.[6]

How Deep Is Your

Swartz, known widely for her PVC installations that warp sound and sight,[5] created How Deep is Your in 2003 at PS1/MOMA, Queens, NY. She revised the piece in 2012 at the DeCordova Museum and Sculpture Park in Lincoln, Massachusetts. Hundreds of feet of PVC pipe carried the faint recordings of "Love" by John Lennon and "How Deep Is Your Love" by the Bee Gees, throughout the museum. Intentional leak in the pipe let viewers listen along the route. The pipe line ends in a sound amplifying funnel which a viewer could insert his head and look into a mirror.[7]

Sculpture

Surrogates

Surrogates is a set of three sculptures, made by Swartz in 2012. Surrogate (JS), Surrogate (KRL), and Surrogate (ARL) are carefully balanced stacks of concrete blocks, accompanied by a faint ticking noise from hundreds of clock motors within. Each compositions resembles a specific person; Swartz's husband, child, and Swartz herself.[8]

Stability Studies

In Swartz's 2012 sculpture, Stability Study (table), she utilizes carefully balanced structures to seemingly defy gravity. The weight of a rock allows an unsteady, tall, table to stand on its own, despite having three legs. Other sculptures in the series utilize weight and precarious balancing.[8]

gollark: According to my calculations, you see, that would be bad.
gollark: I wonder if the neural networks trained for image recognition and stuff have similar types of weird glitch (obviously not exactly the same problems, but similar classes of thing).
gollark: The take-home lesson is probably just that our brains' visual processing is weirdly messed up in some ways.
gollark: Why would you use Flash? Does anything actually still let you run that?
gollark: - https://esolangs.org/wiki/Brainfuck,_but_every_%2B_is_replaced_with_the_bee_movie_script- https://esolangs.org/wiki/Unary- https://esolangs.org/wiki/And_then"Hello I would like to print Hello World please"THEY HAVE PLAYED US FOR ABSOLUTE FOOLS

References
  1. "Julianne Swartz". Julianne Swartz. Retrieved 09/3/2014. Check date values in: |accessdate= (help)
  2. Bard College. "Bard Faculty/ Julianne Swartz". Bard administration. Retrieved 25 September 2014.
  3. Deborah, S.S (30 December 2005). "Arts and Culture". Jewish News of Greater Phoenix: 1–15.
  4. "Julianne Swartz - Line Drawing". Julianne Swartz. Retrieved 09/03-2014. Check date values in: |accessdate= (help)
  5. Schwendener, Martha (February 2005). "Julianne Swartz: Josee Bienvenu". Artforum International. 43 (6): 172.
  6. Browne, Alix. "High Notes | New Art on the High Line". New York Times.
  7. Carlock, Marty (January 2013). "Julianne Swartz". Sculpture. 32 (1): 70–71.
  8. Kalb, Peter R. (February 2013). "LINCOLN, MASS. JULIANNE SWARTZ deCordova Sculpture Park and Museum". Art in America. 101 (2): 108.
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