Julián Soler
Julián Soler (born Julián Díaz Pavía; 17 February 1907 – 5 May 1977) was a Mexican film director, actor, and screenwriter of the Golden Age of Mexican cinema. In his career spanning half a century, Soler received two Ariel Award nominations.
Julián Soler | |
---|---|
Born | Julián Díaz Pavía 17 February 1907 Ciudad Jiménez, Chihuahua, Mexico |
Died | 5 May 1977 70) Mexico City, Mexico | (aged
Occupation | Film director actor screenwriter |
Years active | 1928–1977 |
Early life
Julián Soler was born in Ciudad Jiménez, Chihuahua, as Julián Díaz Pavía on 17 February 1907 to Domingo Díaz García and Irene Pavía Soler. He was the elder brother of Mercedes Soler and the younger brother of Fernando Soler, Andrés Soler, and Domingo Soler. His family is known as the Soler Dynasty.[1]
Selected filmography
Actor
- Cruz Diablo (1934)
- Por mis pistolas (1938)
- The Coward (1939)
- The Whip (1939)
- Simón Bolívar (1942)
- Doña Bárbara (1943)
- Michael Strogoff (1944)
- The Two Orphans (1944)
- Amok (1945)
- He Who Died of Love (1945)
- Rostros olvidados (1952)
Director
- Una gallega en México (1949)
- La miel se fue de la luna (1951)
- A Gringo Girl in Mexico (1951)
- A media luz los tres (1958)
- The Castle of the Monsters (1958)
- The Miracle Roses (1960)
- My Mother Is Guilty (1960)
- If I Were a Millionaire (1962)
- Casa de Mujeres (1966)
- El Jibarito Rafael (1969)
gollark: You could... profit off the crash, trying to mostly take rich people's money, and then donate your newly obtained wealth to the poor?
gollark: If you actually believe that, you could make money off it when it happens.
gollark: You're talking about one *in the next 20 years*, which hasn't.
gollark: 1. that hasn't *happened* yet. You're generalizing from a literally nonexistent example.2. I think their regulation kind of goes in the wrong directions.
gollark: Anyway, my original meaning with the question (this is interesting too, please continue it if you want to) was more like this: Phones and whatnot require giant several-billion-$ investments in, say, semiconductor plants. For cutting-edge stuff there are probably only a few facilities in the world producing the chips involved, which require importing rare elements and whatnot all around the world. How are you meant to manage stuff at this scale with anarchy; how do you coordinate?
References
- Gutiérrez, Estephanie (24 May 2018). "Dinastía Soler, los reyes de la Época de Oro del Cine Mexicano". De10 (in Spanish). Retrieved 16 August 2018.
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