John W. Mosley

John W. Mosley (1907-1969) was a self-taught photojournalist who extensively documented the everyday activities of the African-American community in Philadelphia, Pennsylvania[2] for over 30 years, a period including both World War II and the civil rights movement.[3] His work was published widely in newspapers and magazines including The Philadelphia Tribune,[4] The Pittsburgh Courier[5] and Jet magazine.[6]

This article is about the photojournalist. For the football player and soldier, see John Mosley.
John W. Mosley
Born
John W. Mosley

(1907-05-19)May 19, 1907
Lumberton, North Carolina[1]
DiedOctober 1, 1969(1969-10-01) (aged 62)
Reading, Pennsylvania
NationalityAmerican
Known forPhotography

Mosley has been called a "cultural warrior" for preserving a record of African American life in Philadelphia and Pennsylvania,[7] one which combats "negative stereotypes and false interpretations of African American history and culture".[7] More than 300,000 of Mosley's photographs are included in the Charles L. Blockson Afro-American Collection at Temple University. Exhibitions of his work have been shown at the Philadelphia International Airport and the Woodmere Art Museum.

Early life

John W. Mosley was born in 1907 in Lumberton, North Carolina. His father was a Baptist minister and a barber.[8] Mosley played football in high school.[9] He began teaching himself photography with a simple box camera in the 1920s.[1] He studied at Johnson C. Smith University in Charlotte, North Carolina.[8]

In 1934, Mosley moved to Philadelphia as part of the Great Migration.[6] There, he obtained a job as a professional photographer at Barksdale Photography Studio.[1] He later had a darkroom and photographic studio at the Christian Street YMCA.[6]

Photography
External video
“A Million Faces: The photography of John W. Mosley”, Woodmere Art Museum

Mosley flourished in his career as a photographer from the 1930s to the 1960s. He was known to photograph as many as four events a day, seven days a week.[2] He traveled around Philadelphia on public transit, carrying his cameras and other equipment.[3]

Mosley shot in black and white film. He used a large-format Graflex Speed Graphic camera.[5] and a medium-format Rollieflex.[6]

Proud of his heritage, Mosley chose to portray the black community positively at family, social, and cultural events that were part of daily life.[2] He photographed individuals and families at weddings, picnics, churches, segregated beaches, sporting events, concerts, galas, and civil rights protests.[3] During a time of racism and segregation, he emphasized the achievements of black celebrities, athletes, and political leaders.[2][3]

Among those he photographed were bandleader Duke Ellington, trumpeter Cootie Williams, basketball player Wilt Chamberlain, tennis player Ora Washington,[10] Paul Leroy Robeson, Billy Eckstine, Billie Holiday,[7] Martin Luther King, Jr., Cecil B. Moore,[5] Marian Anderson, Eleanor Roosevelt,[11] and President Richard Nixon,[1] to name only a few.

Locations he captured included Nixon's Grand Theatre at Broad Street and Montgomery Avenue; the Earle Theatre at 1049 Market Street; Chicken Bone Beach in Atlantic City, Glamour Row, and Club Harlem.[7] The Pyramid Club was one of many centers of African-American culture and life in Philadelphia which he documented,[12][7] working as the club's staff photographer for many years.[6] He published an annual album of photographs for the club, the Pictorial Album of the Pyramid Club.[9] He was also the official photographer of the First African Presbyterian Church in Philadelphia.[13][14]

Mosley was one the first black Americans to be a syndicated photographer.[15] His work was widely published in East-coast African-American newspapers such as The Philadelphia Tribune[4] the Philadelphia Evening Bulletin,[6] and The Pittsburgh Courier[5] and appeared in Jet magazine.[6]

Legacy

The Charles L. Blockson Afro-American Collection at Temple University contains more than 300,000 photographs taken by Mosley.[7][8] Blockson's private collection of materials relating to the history and culture of those of African descent was one of the largest in the United States.[2] Blockson acquired the Mosley photos from Clarence Still and Teresa Still Mosley, John W. Mosley's wife, in 1985.[1][7]

The curator of the Blockson Collection, Diane Turner, emphasizes the importance of Mosley's work in combating "negative stereotypes and false interpretations of African American history and culture in Philadelphia and Pennsylvania":[7]

John W. Mosley was documenting the African-American community during a period from the 1930s through the 1960s when there were many stereotypical images of African Americans, ... the Mosley photographs ... represented an accurate record of Black Philadelphia.[7]

Charles L. Blockson wrote a biography of Mosley's life, The journey of John W. Mosley (1992).[12]

The exhibition A Celebration of African-American Life in Philadelphia, 1930's - 1960's: Selected Photographs by John W. Mosley was shown at the Philadelphia International Airport in 2012.[7][2]

A retrospective of Mosley's work, A Million Faces: The Photography of John W. Mosley, appeared at the Woodmere Art Museum in Philadelphia in 2016.[16]

Resources
  • Blockson, Charles L. (1992). The journey of John W. Mosley. Philadelphia: Quantum Leap Publisher. ISBN 978-0962716171.
gollark: Odd specificity indeed.
gollark: Paper isn't that tasty...
gollark: Now to figure out what to do with my large pile of unbreedables.
gollark: Are bakikals or whatever rare? They seem to be in high demand.
gollark: The market prizes thread continues to be a bit of a salt inferno.

References
  1. Edmonds, Arlene (11 February 2017). "Mount Airy United Fellowship Church hosts collection of photographs by photographer John W. Mosley". The Philadelphia Sunday Sun. Retrieved 5 March 2018.
  2. "John W. Mosley:Photographs of Philadelphia's African-American Community Between Terminals E and F November 1, 2011 - September 4, 2012". Philadelphia International Airport. Retrieved 5 March 2018.
  3. Woodmere Art Museum. "A Million Faces". Arts in Philly. Retrieved 5 March 2018.
  4. "Black Philadelphia, 1930's-1960's: John W. Mosley's photographs of 'A Million Faces'". Vin de Vie Wine of Life. October 1, 2016. Retrieved 2 March 2018.
  5. Booker, Bobbi (September 17, 2016). "John W. Mosley photos to make public debut". Pittsburgh Tribune. Retrieved 5 March 2018.
  6. Bixler, Michael (September 30, 2016). "A Million Faces Celebrates The Photography Of John Mosley". Hidden City Philadelphia. Retrieved 2 March 2018.
  7. Jelesiewicz, Eryn (June 13, 2012). "Blockson Collection Photos give inside view of African-American life from 1930s to 1960s". Temple Now. Retrieved 2 March 2018.
  8. "John W. Mosley Photographs". Temple University Libraries. Retrieved 2 March 2018.
  9. "Black Philadelphia through the lens of John W. Mosley". Auction Finds. Retrieved 5 March 2018.
  10. Niven, Steven J. "Queen of the Courts". The Root. Retrieved 5 March 2018.
  11. "Marian Anderson and Eleanor Roosevelt at the Pyramid Club, Philadelphia". Woodmere Art Museum. Retrieved 5 March 2018.
  12. Blockson, Charles L. (1992). The journey of John W. Mosley. Philadelphia: Quantum Leap Publisher. ISBN 978-0962716171.
  13. "The Home of African American Presbyterianism". Historical Society of Pennsylvania. 2014-03-31. Retrieved 5 March 2018.
  14. "First African Presbyterian Church (Philadelphia, Pa.) records". PACSCL Finding Aids. Retrieved 5 March 2018.
  15. Wellington, Elizabeth (October 24, 2016). "A Million Faces: This John W. Mosley exhibit will leave Philadelphians reminiscing". The Inquirer. Retrieved 2 March 2018.
  16. Hine, Thomas (December 4, 2016). "John Mosley's photos at Woodmere: The Philly African American world at midcentury". The Inquirer. Retrieved 2 March 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.