John D. Lamond

John D. Lamond (1947 – 24 October 2018) was an Australian film director, producer and screenwriter.[1][2] He was best known for directing such films as Felicity,[3] A Slice of Life, Breakfast in Paris and Nightmares.[4][5]

John D. Lamond
Born1947
Melbourne, Victoria, Australia
Died24 October 2018 (age 71)
Occupation
  • Film director
  • producer
  • screenwriter

Before becoming a director he worked in distribution for Roadshow.[6]

He was featured in the documentary Not Quite Hollywood: The Wild, Untold Story of Ozploitation![7][8]

Career

Early career

Lamond began working in the industry at Channel O in Melbourne in the props department. He later became a film editor and worked for several companies, mostly making TV ads at places such as Ajax Studios.

Distribution

In 1969 he moved into the feature film industry when he was hired by Terry Turtle to help with the roadshow release of This Year Jerusalem. After that he became involved in the release of The Naked Bunyip (1970), showing it around the country, which led to him performing a similar function on The Adventures of Barry McKenzie before Roadshow took over the release of the film.[9]

Turtle then hired Lamond to handle the Australian release of Dynamite Chicken. He designed a poster of a nun in a compromising position which caused a great deal of controversy, earning the ire of then-Minister for Customs, Don Chipp, and got Lamond a job offer from the Roadshow organisation to work in distribution.[10]

Lamond stayed with Roadshow for six months, working on the release of Alvin Purple and a number of other films, then he took a trip around the world with Byron Kennedy looking at various production and distribution set ups.

He produced a short documentary with Kennedy, The Devil in Evening Dress (1974), which was an early directorial effort from George Miller.

Australia After Dark and The ABC of Love and Sex

He came back keen to make his first film and made the documentary Australia After Dark (1975). The movie was very successful and for the next few years Lamond alternated between making films and working for Roadshow's publicity department, making trailers and radio and TV spots. He would go away for eight weeks to make the movie then promote it while also working at Roadshow. He did this for The ABC of Love and Sex: Australia Style but stopped it in 1977 when it became too time consuming and Lamond became a full-time filmmaker.[10]

Feature films

Lamond's dramatic feature film debut was Felicity (1979), an erotic - some would say 'sexploitation' flick, that turned out to be popular worldwide. Lamond hoped to make a sequel, but could not raise the requisite financing.

He then did a sex comedy in the vein of the "Carry On" films, Pacific Banana (1980), written by Alan Hopgood. The intention was to launch a series but the film was not a financial success. It was partly funded by the South Australian Film Corporation – who were criticised in Parliament for financing a sexually explicit film.

Lamond moved into slasher films with Nightmare (1980). He made a romantic comedy, Breakfast in Paris (1982), then did another broad comedy with Hopgood, A Slice of Life (1983).[11]

Lamond produced and edited an action adventure film, Sky Pirates (1985). He also helped provide the story for what became the melodrama Backstage (1986).

Asia

After Sky Pirates, Lamond stopped making movies in Australia and started making them in South East Asia. He later said.

It’s actually a lot of fun making a film overseas if you can get the money together. There’s no Film Commission trying to control your money, you know, if it’s made in Singapore “it has to be Singaporean”. It’s more of the real world... I don’t like unions, and I don’t like to not work on weekends. And I like one day off, but I don’t feel the necessity to finish at 5 or 6 at night. Two days off and have coffee breaks and all that sort of thing.[10]

He produced The Sword of the Bushido (1990) with Richard Norton, wrote and directed North of Chiang Mai (1992) with Sam Bottoms, and True Files (shot in 1997, released in 2002), with Sam Bottoms. He produced Killing Time (24/7) (2006) in Thailand, directed by his son John Lamond Jr.

In 2012, he announced plans to make several movies in Australia.[12] However no films resulted.

Lamond died, aged 71, from Parkinson's disease on 24 October 2018 at a nursing home on the Gold Coast, Queensland.[13]

Select filmography

gollark: In that case, pigeon neck armour.
gollark: 🦀 praise our pigeon overlords 🦀
gollark: I, for one, submit to our pigeon overlords.
gollark: > they'd pick up on switching being better, tooThey might just insist that the obvious mathematical answer is right and refuse to update.
gollark: Correction: they made the pigeons press buttons which dispensed food.

References

  1. "John D. Lamond". The New York Times. Archived from the original on 3 November 2012.
  2. "Felicity". Cinephilia.net.au.
  3. Jane, Ian (27 July 2006). "Felicity". DVD Talk.
  4. "Breakfast in Paris". The New York Times. Archived from the original on 2 November 2012.
  5. "Nightmares". The New York Times. Archived from the original on 16 October 2007.
  6. Stratton, David (1980). The Last New Wave: The Australian Film Revival. Angus & Robertson. p. 270.
  7. Morris, Wesley (21 August 2009). "Not Quite Hollywood: An over-the-top look at films from down under". The Boston Globe.
  8. Bailey, Jason (24 October 2009). "Not Quite Hollywood". DVD Talk.
  9. Murray, Scott (October 1978). "John Lamond". Cinema Papers (157): 95–98.
  10. Interview with John Lamond, Mondo Stumpo, early 2002 accessed 14 October 2012
  11. "Pete Smith". The Australian Women's Weekly. 49 (36). Australia, Australia. 24 February 1982. p. 122. Retrieved 12 August 2018 via National Library of Australia.
  12. John Lamond plots a comeback Don Groves, SBS, 26 March 2012 accessed 28 July 2013
  13. "Vale John D. Lamond, Ozploitation pioneer". IF Magazine. 24 October 2018. Retrieved 24 October 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.