Joellyn Duesberry

Joellyn Toler Duesberry[1] (June 30, 1944 – August 5, 2016)[2] was a landscape artist who worked in oils.

She said that her paintings echo the work of John Marin and Milton Avery.[3] Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension."[4]

Early life and education

Joellyn Toler Duesberry was born on June 30, 1944 in Richmond, Virginia.[5] Growing up in rural Virginia instilled in her a love for the land. She said, "All my life I think I've unconsciously tried to re-create the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit--of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint."[1] She decided to start painting at age ten after being given a pair of red tennis shoes and walking on the beach, inspired by the colorful juxtaposition of sand, shadow, and shoe.[6] Soon thereafter she decided that "Women artists existed and she needed to be among them."[7]

She received a BA with Distinction, Phi Beta Kappa, in art history and painting, from Smith College in 1966.[8] In that year she was awarded a Woodrow Wilson Fellowship. While at Smith, she "honed her skills by making countless copies of masterworks."[9] She took her master's degree at New York University Institute of Fine Arts.[8] Despite her degrees, she is considered to be a self-taught artist.[9]

Work

Joellyn Duesberry was a plein air painter, who began "her canvases outdoors on an easel and finish[ed] them in the studio, frequently making monotypes in between."[9]

She moved to Denver in 1985, and embraced the Colorado landscape in her art.[5] In that year she received an Individual Painting Grant from the National Endowment for the Arts[5] to work with Richard Diebenkorn.[2]

In 1997, Duesberry won the Benjamin Altman Landscape Prize from the National Academy of Design.[8] While she had a World Views residency with the Lower Manhattan Cultural Council (LMCC) from 1998-1999, Duesberry painted city studies in studio space in some vacant offices of the World Trade Center's North Tower.[8] She says that, because of her connection to the World Trade Center, the tone of her painting saddened after 9/11.[8]

In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist.[3]

Her works are held by institutions such as Metropolitan Museum of Art[10] and Smith College Museum of Art.[11]

Publications
  • 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, ISBN 1555951562
  • 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, ISBN 978-0983368502

Personal life and death

In 1984, Duesberry met Dr. Ira Kowal, a Denver cardiologist, while at a dinner party in Vail. They married in 1986 and lived in Greenwood Village, Colorado.[12]

Duesberry died from pancreatic cancer, aged 72, on August 5, 2016. She was survived by her husband; a sister, Pat Washko; stepdaughters Rebekah Kowal and Jessica Kowal, and extended family.

gollark: ÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆ
gollark: Wait, does Discord guarantee consistent message ordering on all clients? Oh no.
gollark: And yet your message displays as AFTER mine.
gollark: Would you like us to replace Celeste with "bees"?
gollark: No, you got it the wrong way round.

References
  1. Nott, Robert (August 2002). "Rendering fear into bliss". Pasatiempo.
  2. Plein air painting took Joellyn Duesberry — and her viewers — on grand adventures
  3. Duesberry, Joellyn. "About". Joellyn Duesberry.
  4. Voelz Chandler, Mary (August 11, 2004). "Behind the finish: painter's brush finds bones beneath her vistas". Rocky Mountain News, Denver, Colorado. Archived from the original on April 2, 2015. Retrieved March 12, 2015.
  5. Brawley Hill, Mary (June 1988). "Joellyn Duesberry". Gerald Peters Gallery, Dallas, Texas.
  6. Jessen, Kenneth. "Artist Joellyn Duesberry makes ordinary landscapes extraordinary". Loveland Reporter-Herald. Retrieved 5 March 2020.
  7. Schimmel, Julie (1986). Introductory Essay: Joellyn Duesberry. Dallas, Texas: Gerald Peters Gallery. p. 2.
  8. Thompson, Ruthe (November 2002). "The Nature of Abstraction". American Artist: 26–27.
  9. "The Landscape Come to Life « - Smith College Office of Alumnae Relations Smith College Office of Alumnae Relations". alumnae.smith.edu. Retrieved 2020-03-05.
  10. "Rainy Morning in Maine II". www.metmuseum.org. Retrieved 2020-03-06.
  11. "Collections Database". museums.fivecolleges.edu. Retrieved 2020-03-06.
  12. "Plein air painting took Joellyn Duesberry — and her viewers — on grand adventures". The Denver Post. 2016-08-15. Retrieved 2020-03-05.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.