Joan of Arc (band)

Joan of Arc is an American indie rock band from Chicago, Illinois named after the French saint Joan of Arc. They formed in 1995, following the breakup of Cap'n Jazz.[1]

Joan of Arc
Joan of Arc, c. 2016
Background information
OriginChicago, Illinois, United States
GenresPost-rock, experimental rock, indie rock
Years active1995–present
Labels
WebsiteJoanfrc.com
MembersTim Kinsella
Bobby Burg
Melina Ausikaitis
Jeremy Boyle
Theo Katsaounis
Past membersSam Zurick
Mike Kinsella
Nate Kinsella
Amy Cargill
Ben Vida
Cale Parks
Matt Clark
Todd Mattei
Victor Villareal
Erik Bocek

Singer Tim Kinsella has been the only permanent member of the group; he has also recorded as a solo artist.[2]

Joan of Arc are known for their use of electronics, samples, and multi-track recording in their songs; some songs on The Gap contained over 100 tracks.

Joan of Arc's lyrics and cover art are often intentionally misleading, humorous, or confusing. For example, the album Live in Chicago 1999 is not a live album, but a reference to the fact that the band lived in Chicago in the year 1999.

Members of Joan of Arc have been in many other bands including Friend/Enemy with Califone's Tim Rutili; American Football with Kinsella's brother Mike; Owls, a Cap'n Jazz reunion; Ghosts and Vodka; Everyoned, Love of Everything, Aitis Music, Hydrofoil and Make Believe.

Biography

Formation/Jade Tree Records (1995-2003)

Joan of Arc began as a band named Red Blue Yellow.[3] They broke up after their first show, threw away all of their old material, and started afresh with new songs and a new name. Three months later, Joan of Arc had their first show at Autonomous Zone in Chicago. After two promising 7" singles, the band recorded their debut album A Portable Model Of ... on the Jade Tree label.

A Portable Model Of ... introduced JOA's signature sound: a fondness for stark acoustic songs combined with subtle electronics. The debut album also included some harder material and collaborations with former Cap'n Jazz guitarist and The Promise Ring singer Davey von Bohlen and Euphone's Ryan Rapsys, who would later drum for Owls following the departure of Mike Kinsella.[4]

In 1998, Joan of Arc released How Memory Works. The album included what would become a hallmark of Joan Of Arc's subsequent output: interludes of synthetic noises cut with vocal samples and off-beat instrumentation.[5] As always, Kinsella's lyrics were cryptic and oblique, though the song 'This Life Cumulative' made reference to the media alienation of singer/songwriter Fiona Apple. Significant to this shift was the influence of member Jeremy Boyle, whose work with laptop and various software and hardware was a part of his broader multimedia artistic training at the University of Illinois-Chicago's School of Art and Design.[6]

Following the departure of Mike Kinsella, Erik Bocek, and the addition of Todd Mattei, Joan Of Arc found themselves thrust unwillingly into the spotlight by the sudden success of a Jade Tree retrospective by Kinsella's former band Cap'n Jazz. Despite being heralded as a pioneer of a diverse genre known as 'emo' (a term rejected by Kinsella), Joan of Arc's next album was a reaction to this unwelcome classification. The songs on the album were slower and contained more spacious arrangements thanks to a newly found fondness for studio trickery. The album's artwork depicted recreated scenes from Jean-Luc Godard's 1967 film Weekend. The release of Live in Chicago also marked the increasing media perception of Joan Of Arc as a 'difficult' band, an impression that would dog Kinsella in particular throughout the band's existence.

Negative critical reaction to Joan of Arc would become especially apparent after the release of The Gap in 2000. Completely eschewing past convention, JOA created one long ebbing piece of music, with only occasionally recognizable songs. This increasingly progressive studio-heavy approach — mostly of clattering, incidental percussion and background noise — found some favor among band loyalists, but baffled the music press.[7] As a result, growing tensions within the group, indifference from their label, and a poorly-received follow-up EP led to Joan Of Arc's breakup[8][9] in May 2001.[10]

Tim Kinsella then formed a group called Owls, a reincarnation of the original Cap'n Jazz lineup. After recording the album with Steve Albini in 2001, the departure of Mike Kinsella and Victor Villareal led to the Owls' breakup. Left without a band once again, Tim Kinsella started working on songs for a solo album. After completing the album with help from Sam Zurick and Mike Kinsella, Tim Kinsella decided that since all three had played in Joan Of Arc, it should bear the name Joan of Arc. The album, much different from the conceptual madness of The Gap, instead consisted of guitar-driven tracks with journal-like observation from Tim Kinsella. Heralded as a return to form, So Much Staying Alive And Lovelessness became the band's last on Jade Tree.[11]

Later that year, Joan Of Arc released In Rape Fantasy And Terror Sex We Trust on Perishable Records, featured collaborations with Califone's Tim Rutili and Ben Massarella, and was produced by Califone. Although the songs had been recorded during the same sessions as ... Lovelessness, they were darker and more collage-based. According to the website AllMusic, on In Rape Fantasy And Terror Sex We Trust "Joan of Arc ... once more surpassed themselves as artists".[12]

Reformation/Polyvinyl (2004-2017)

To tour the albums in 2003, Tim Kinsella organised a new lineup including Bobby Burg, Nate Kinsella (Tim's cousin) and Sam Zurick, who would also double as his side-project Make Believe. After a live album recorded in Germany and a split EP with Bundini Brown (of Tortoise and Gastr Del Sol), the band assembled a huge team of collaborators for 2004's Joan of Arc, Dick Cheney, Mark Twain on Polyvinyl Records. This effort was largely well-regarded and a significant step forward for a new incarnation of Joan of Arc.

For the album Presents Guitar Duets (Polyvinyl Records), Tim Kinsella rounded up ten former members of Joan Of Arc and others like Tim Rutili. Each was paired off with a partner by pulling names from a hat. Each pair then had to record a guitar duet together, and the styles vary from standard acoustic plucking to droning, looped soundscapes. The track-names are identified only by the faces of the pair who play on the track.

In 2006 Joan of Arc released a compilation of rarities entitled "The Intelligent Design Of ..." which compiles songs from singles, splits, and compilation released from the band's career up until that point. Shortly after Joan of Arc released "Eventually All at Once", which is largely acoustic, and features members that have been involved throughout the history of Joan of Arc, which was coupled with an EP entitled "Many Times I've Mistaken". This EP features two songs from Eventually All at Once but with full bands, and slightly differed arrangements, which continues to showcase the band's eclectic style. In 2007 the "Orchard Vale" soundtrack was released, which was another experimental release for the band, and is also directed by Kinsella.[13]

In 2008 Joan of Arc Released "Boo! Human" on Polyvinyl Records. It is a more cohesive album than many of their others, and uses 14 musicians to help create this soundscape.[14] The band's next effort, "Flowers", partially abandons the more straightforward song writing from Boo Human, and favors a more experimental setting. The next two releases were in the form of "Joan of Arc Presents ..." which indicates an even more loose collective of people that create the album, while Tim Kinsella serves as chief instrumentalist and songwriter. One of the two, titled "Don't Mind Control", features songs from nearly every artist that is associated with Joan of Arc, and was couple with the Don't Mind Control showcase which featured many of the bands in a live setting.[15]

"Oh Brother" featured an eclectic ensemble as well, but with the format of four nearly twenty-minute songs that form a collage of sound. In contrast to Joan of Arc's next release, Life Like, these albums are completely different. "Life Like" marks a point of returning to basics of a sort, with a four-piece band, and is coupled with more regular touring than any recent incarnations of the band.

Present day
Joan of Arc, Cassette Tape Boxed Set (Joyful Noise Recordings, 2010)

In September 2010, Joyful Noise Recordings released a JOA 10-album complete cassette box set. Contained in this collection are the 10 full-length studio albums from JOA, beginning with 1997's "Portable Model Of" Jade Tree and ending with 2009's "Flowers" Polyvinyl.

Though JOA continued to release full-length LPs with Polyvinyl, Tim Kinsella began releasing his more bizarre, amorphous, experimental work through Joyful Noise Recordings, beginning in 2011 with "Oh Brother" described as a "combination of four distinct albums embarked upon but never completed by Joan of Arc,"[16][17] with collaborative personnel ranging from Zach Hill (Death Grips, Hella, Face Tat), Rob Lowe (Pinback, Goblin Cock) and others in a sprawling, ambient instrumental, double-LP.

Other solo & experimental work has work appearing on Joyful Noise Recordings, quickly followed including Lightbox,[18] Joan of Arc Presents Joan of Arc,[19] the self-titled album (known colloquially as the 'Elephant Man Album'),[20] Pinecone, Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen and other projects.

Kinsella was awarded an artist residency at Joyful Noise in 2015. His residency boxed-set included: Issues EP, Firecracker in a Box of Mirrors LP, Joan of Arc's Greatest Hits 7", JOA 99 LP, Hunky Dory TK, and the book All Over and Over.[21]

Hunky Dory TK was an electronic collage composed entirely of samples from David Bowie's classic, orchestral pop album, Hunky Dory, performed as part of the Museum of Contemporary Art in Chicago's 2015 exhibition "David Bowie Is".[22]

In 2017, Joan of Arc released their full-length studio LP He's Got the Whole This Land Is Your Land in His Hands on Joyful Noise Recordings. Though provoking controversy or critical dismissal in some quarters,[23] it is widely considered to be among JOA's most ambitious and most nearly fully realized "grand experiment."[24][25]

In 2018, Joan of Arc released their 20th album, 1984. Unusually for a Joan of Arc album, Melina Ausikaitis stands in for Tim Kinsella as lead vocalist. "We were thinking of it as a [late period] Black Flag record, where Melina would sing a song, then the next song was a jam," said Kinsella, describing the structure and sequencing of the material appearing on the album.[26]

In honor of the album's release, Joyful Noise Recordings produced a version of George Orwell's dystopian novel of the same name, Nineteen-Eighty-Four, that substituted the names of the Joan of Arc band members for all of the major characters (Winston Smith -> Tim Kinsella, O'Brien -> Bobby Burg, etc.) and set the story in Chicago (instead of London), posting the revision on 1984.com for a limited time.[27]

Band members

Current contributors

  • Tim Kinsella – lead vocals, guitar (1995–present)
  • Jeremy Boyle – guitar (1995–2001; 2016–present)
  • Theo Katsaounis – drums, percussion (2008–present)
  • Bobby Burg – bass (2004–present)
  • Melina Ausikaitis - guitar, vocals (2012–present)

Timeline

Discography

Studio albums

Live albums

  • Live in Muenster, 2003 (2004)

EPs

  • How Can Any Thing So Little Be Any More? (2001)

7"/Singles/Splits

  • Method And Sentiment 7" (1996)
  • Busy Bus/Sunny Sun 7" (1997)
  • Rabbit Rabbit Split 7" (2003)
  • Bundini Brown Split 12" (2004)
  • Many Times I've Mistaken (2007)
  • My Summer-Long High Wipeout 7" (2008)
  • Meaningful Work 7" (2010)
gollark: Good idea.
gollark: Still, open-sourcing a few things is a start.
gollark: True, true; the whole thing is a fiendishly complex multi-layer system, and much of it never will be.
gollark: Oh, you mean generally, on my computer?
gollark: Well, why not?

References
  1. "A Pleasant Afternoon Being Hungover with Tim Kinsella". Noisey. 2017-12-05. Retrieved 2018-05-29.
  2. "The Reluctant Survivor: Tim Kinsella on a Prolific, Polarizing Career at the Art-Rock Margins". Spin. 2013-12-16. Retrieved 2018-05-29.
  3. "Joan of Arc". Retrieved 2018-05-29.
  4. "Tim Kinsella". Talkhouse. Retrieved 2018-05-29.
  5. Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2002). All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul. Hal Leonard Corporation. ISBN 9780879306533.
  6. "About". Jeremy Boyle. Retrieved 2018-05-29.
  7. "Joan of Arc: The Gap Album Review | Pitchfork". pitchfork.com. Retrieved 2018-05-29.
  8. "Joan of Arc: How Can Any Thing So Little Be Any More EP Album Review | Pitchfork". Pitchfork.com. Retrieved 2018-05-29.
  9. Tim Kinsella commenting on his inability to stop making Joan of Arc records:
    SPIN:Early on with Joan of Arc, especially during times when you were getting a lot of attention, you were really flummoxed by what the world expected of you as a band. It was never a game you seemed interested in playing. At least, not by the rules that were presented to you.
    TIM KINSELLA: This is going to sound stupid, but I'm not proud of any of this stuff. I'm almost embarrassed. I think people think being prolific is a virtue, but I think it's nuts! I don't want to make any of this stuff! It just keeps happening. I love my life, and I love doing it, but it's not like, "Oh, I need this new thing." I don't do anything else with my life. I wake up early every day to get to work on it.
    Quoted from "Reluctant Survivor" see footnote 2 above.
  10. "News". Jade Tree. Archived from the original on June 15, 2001. Retrieved July 2, 2020.
  11. "Tim & Mike Kinsella You Can't Miss What You Forget". exclaim.ca. Retrieved 2018-05-29.
  12. "In Rape Fantasy and Terror Sex We Trust - Joan of Arc - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 1 June 2018.
  13. "Archived copy". Archived from the original on 2012-03-26. Retrieved 2012-05-01.CS1 maint: archived copy as title (link)
  14. "Polyvinyl Store". Polyvinylrecords.com. Retrieved 1 June 2018.
  15. "Archived copy". Archived from the original on 2010-08-15. Retrieved 2012-05-01.CS1 maint: archived copy as title (link)
  16. "Joan of Arc | Oh Brother | Joyful Noise Recordings". Joyfulnoiserecordings.com. Retrieved 2018-05-30.
  17. "Album Review: Joan of Arc – Oh Brother". Consequence of Sound. 2011-02-14. Retrieved 2018-05-30.
  18. "Joan of Arc Lightbox Orchestra light up Chicago's Hideout (2/6)". Consequence of Sound. 2011-02-08. Retrieved 2018-05-30.
  19. "Performance and Screening: Joan of Arc Presents "Joan of Arc" | The Art Institute of Chicago". The Art Institute of Chicago. Retrieved 2018-05-30.
  20. "Album Review: Joan of Arc – Joan of Arc". Consequence of Sound. 2012-11-28. Retrieved 2018-05-30.
  21. "Tim Kinsella | 2015 Artist In Residence | Joyful Noise Recordings". Joyfulnoiserecordings.com. Retrieved 2018-05-30.
  22. "Tim Kinsella, Hunky Dory TK". MCA. Retrieved 2018-05-30.
  23. "Joan of Arc: He's Got the Whole This Land Is Your Land in His Hands Album Review | Pitchfork". pitchfork.com. Retrieved 2018-05-30.
  24. Anthony, David. "Joan Of Arc's new album achieves its grand experiment, for better or worse". Music. Retrieved 2018-05-30.
  25. "Joan of Arc: He's Got the Whole This Land Is Your Land in His Hands". PopMatters. 2017-01-18. Retrieved 2018-05-30.
  26. "Tim Kinsella Ranks (Most of) Joan of Arc's Big, Misunderstood Discography". Noisey. 2018-05-31. Retrieved 2018-06-03.
  27. "JOA - 1984". 1984.com. Retrieved 2018-06-03.
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