Jesse Damiani

Jesse Damiani (born 1989) is an American writer, producer, and entrepreneur. He is best known for his association with virtual reality, augmented reality, and new media art.[1][2][3] He is a Forbes Contributor covering emerging technologies.[4][5][6]

Early life and education

Damiani was born in Gainesville, Florida. He received Bachelor of Arts degrees in Media Production and Creative Writing at Florida State University (2011).[7] He received a Master of Fine Arts in Creative Writing from University of Wisconsin–Madison (2013). He was the 2013-2014 Halls Emerging Artist Fellow at the Wisconsin Institute for Creative Writing.[8]

Career

Early career

In 2012, Damiani founded Best American Experimental Writing with Seth Abramson.[9] From 2013-2017, he wrote about topics in film, television, culture, and digital media as an IndieWire columnist and HuffPost contributor.[10][11][12]

At Toy Box Entertainment,[13] Damiani worked as a copywriter on the teams that won a Golden Trailer Award for Disneynature's Monkey Kingdom,[14] a Gold Clio Award for Ice Age: Collision Course,[15] and a Bronze Clio Award for Alice Through the Looking Glass.[16]

Emerging technologies

Damiani's coverage of emerging technologies has appeared in outlets including Adweek, Billboard, Entrepreneur, Forbes, Quartz, and The Verge.[4][17][18][19][20][21][22]

Through his writing on immersive storytelling, Damiani introduced the concept of the “Builder-Participator Paradigm” to describe the storytelling paradigm created through the “narrative potential” of immersive environments.[23][24][19][25][26][27][28] His Forbes article, “VR And AR Mark The Greatest Revolution In The History Of UX/UI Design,” inspired the creation of the Kendall College of Art and Design/Th3rd Coast Emerging Tech Innovation Lab.[29]

Damiani's insights have been included in industry reports from the Anti-Defamation League, Associated Press, Columbia Journalism Review, Hyper Island, Institute for the Future, and the Knight Foundation/Tow Center for Digital Journalism at Columbia University.[30][31][32][33][34][35][36] On June 16, 2017 at the VRTO conference, he became one of the 18 ratifiers of the Code of Ethics on Human Augmentation, which was originally introduced by Steve Mann in 2004 and further refined with Ray Kurzweil and Marvin Minsky in 2013.[37][38][39]

In March 2019, AltspaceVR, the SocialVR platform owned by Microsoft, announced TECH TOCK, a live VR talk show, which Damiani would host.[40][41][42] In June 2019, Damiani hosted a limited-run, three-episode series with Syfy.[43][44]

Curation and producing

Damiani curates and produces immersive and new media art exhibitions.[45][46]

In September 2018, sp[a]ce gallery announced the XR exhibition, Spatial Reality, which Damiani curated and produced.[47] Spatial Reality was the largest XR art exhibition in history, featuring over 30 different pieces of immersive art from artists including Bill Barminski, Nancy Baker Cahill, Jorge R. Gutiérrez, Drue Kataoka, Zachary Lieberman, Kevin Mack, Taryn Southern, and Nicola Verlato.[48][49][50][51][52]

Damiani and Britt Salvesen co-curated Virtual Futures, which was presented by LACMA at LA Art Show.[53][54][55]

With Nancy Baker Cahill, Damiani co-produced BATTLEGROUNDS, a citywide AR public art exhibition in New Orleans.[56] According to the Los Angeles Times, in BATTLEGROUNDS, 24 New Orleans-based artists, including Keith Calhoun and Chandra McCormick, were asked to “choose a location that they felt was contested, a battleground of sorts…then asked...to pair one of their artworks — drawing, painting, sculpture, video art and photography — with their chosen site to ‘activate, illuminate or further augment its meaning or history.’"[57]

Damiani worked as Producer on the Spider-Man: Into the Spider-Verse AR Tunnel, which was created by Sutu and sponsored by Sony Pictures Animation, in collaboration with DesignerCon.[58][59]

Damiani is currently the curator of the XR For Change Summit at Games For Change.[60][61][62][63][64]

Bibliography
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References
  1. Laden, Tanja M. (2018-10-10). "The Future of XR Is Now". LA Weekly. Retrieved 2019-11-27.
  2. Annunziata, Marco. "The Future Of Digital Is Analog: Art And Augmented Reality At Adobe's Festival Of The Impossible". Forbes. Retrieved 2019-11-27.
  3. "Home". virtualiteach. Retrieved 2019-11-27.
  4. "Jesse Damiani". Forbes. Retrieved 2019-11-27.
  5. "Jesse Damiani | VRScout Journalist | Muck Rack". muckrack.com. Retrieved 2019-11-27.
  6. "Netflix's interactive format for films like Bandersnatch makes content harder to pirate, increases viewer engagement, and generates insightful data about users". Techmeme. Retrieved 2019-11-27.
  7. "Jesse Damiani". Florida State University News. 2011-08-01. Retrieved 2019-11-27.
  8. "WI Institute for Creative Writing Fellows". WI Institute for Creative Writing. Retrieved 2019-11-27.
  9. Foundation, Poetry (2019-11-27). "Best American Experimental Writing Anthology Announced by Harriet Staff". Poetry Foundation. Retrieved 2019-11-27.
  10. "The Americans Recap: Marriage Is Not for Sissies". Vulture. Retrieved 2019-11-27.
  11. "Kelly's Curated Internet: "Mood Indigo," the History of TMZ, and the Kim Kardashian Game". Tribeca. Retrieved 2019-11-27.
  12. Atkins, Ashley (2019-01-02). "Black Lives Matter or All Lives Matter? Color-blindness and Epistemic Injustice*". Social Epistemology. 33 (1): 1–22. doi:10.1080/02691728.2018.1483879. ISSN 0269-1728.
  13. FM, Player. "Episode 14 (S2 E1) With Jesse Damiani Super Hungry The podcast". player.fm. Retrieved 2019-11-27.
  14. "2015 Golden Trailer Awards Winners Revealed". /Film. 2015-05-07. Retrieved 2019-11-27.
  15. "Ice Age: Collision Course - The Science of It All". Clios. Retrieved 2019-11-27.
  16. "Alice Through The Looking Glass - 'Interview With Time'". Clios. Retrieved 2019-11-27.
  17. Damiani|March 27, Jesse; 2018. "4 Things Agencies Should Know About Creating Successful AR Integrations". www.adweek.com. Retrieved 2019-11-27.CS1 maint: numeric names: authors list (link)
  18. "How Augmented Reality Audio Will Let You Soundtrack Your Life". Billboard. Retrieved 2019-11-27.
  19. Damiani, Jesse (2018-03-08). "This Vital Storytelling Principle Is the Key to Producing Great VR and AR Content". Entrepreneur. Retrieved 2019-11-27.
  20. "Jesse Damiani | HuffPost". www.huffpost.com. Retrieved 2019-11-27.
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  22. Damiani, Jesse (2019-01-02). "Black Mirror: Bandersnatch is Netflix's Trojan horse to profit". The Verge. Retrieved 2019-11-27.
  23. Damiani, Jesse; Galatea, ContributorCEO of; Writing, Series Editor of Best American Experimental; VRScout, Editor-at-Large of (2016-07-19). "Sure, VR Is A Storytelling Revolution... But How?". HuffPost. Retrieved 2019-11-27.CS1 maint: extra text: authors list (link)
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  25. Alexander, Bryan (2017-07-20). The New Digital Storytelling: Creating Narratives with New Media--Revised and Updated Edition, 2nd Edition. ABC-CLIO. ISBN 978-1-4408-4961-9.
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  55. "L.A. Art Show, the most important fair of the west coast of the USA, chooses the Latin American art in 2018". Retrieved 2019-11-27.
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