Jean-Louis Laya

Jean-Louis Laya (4 December 1761, Paris – 25 August 1833, Meudon) was a French playwright. He wrote his first comedy in collaboration with Gabriel-Marie Legouvé in 1785. The piece, however, though accepted by the Comédie française, was never represented. In 1789 he produced a plea for religious toleration in the form of a five-act tragedy in verse, Jean Calas. In his next work, the injustice of the disgrace cast on a family by the crime of one of its members formed the theme of Les Dangers de l'opinion (1790).

It is by his Ami des lois (1793) that Laya is best remembered. This energetic protest against mob rule, with its scarcely veiled characterizations of Robespierre as Nomophage and of Marat as Duricrne, was an act of the highest courage, for the play was produced at the Théâtre Français (temporarily Théâtre de la Nation) only nineteen days before the execution of Louis XVI.

Ten days after its first production the piece was prohibited by the Commune, but the public demanded its representation; the mayor of Paris was compelled to appeal to the National Convention, and the piece was played while some 30,000 Parisians guarded the hall. Laya went into hiding, and several persons convicted of having a copy of the obnoxious play in their possession were guillotined.

At the end of the Terror Laya returned to Paris. In 1813 he replaced Delille in the Paris chair of literary history and French poetry; he was admitted to the Académie française in 1817. Laya produced in 1797 Les Deux Stuarts, and in 1799 Falkland, the title-role of which provided Talma with one of his finest opportunities. Laya's works, which chiefly owe their interest to the circumstances attending their production, were collected in 1836-1837. His son, Léon, was also a playwright.

Works

Theatre
  • 1790: Les Dangers de l'opinion, drama in 5 acts, in verse, Théâtre de la Nation, 19 January
  • 1790: Jean Calas, tragedy in 5 acts and in verse, Paris, Théâtre de la Nation, 18 December
  • 1793: L'Ami des lois, comedy in 5 acts in verse, Paris, Théâtre de la Nation, 2 January.read online on Gallica
  • 1798: Falkland, ou La conscience, drama in five acts in prose, Paris, Théâtre-Français, 25 May
  • 1799: Une Journée du jeune Néron, comedy burlesque in 2 acts and in verse, Paris, Théâtre de l'Odéon, 15 February

Trivia
  • 1789: Voltaire aux Français, sur leur constitution (1789)
  • 1789: La Régénération des comédiens en France, ou leurs droits à l'état civil (1789)
  • 1793: Almanach sur l'état des comédiens en France, ou leurs droits défendus comme citoyens, par l'auteur de « L'Ami des lois »
  • 1836: Œuvres complètes. Études sur l'histoire littéraire de l'antiquité grecque et latine, et sur les premiers siècles de la littérature française
gollark: Wow, the standard library sqlite thing is awful utterly!
gollark: I seë.
gollark: What IQ did it need previously?
gollark: https://vlang.io/compare#goDid they just shove in all the features they heard were trendy (but not actually implement them properly, most likely)?
gollark: It seems like they essentially went for "compiled metaprogramming-capable python" which is okayish with me.

References
  •  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Laya, Jean Louis". Encyclopædia Britannica. 16 (11th ed.). Cambridge University Press. pp. 310–311.
  • Notice biographique sur J. L. Laya (1833)
  • Charles Nodier, Discours de reception, (December 26, 1833)
  • Welschinger, Théâtre de la revolution (1880).
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