Jane Kahan Gallery

Jane Kahan Gallery is an art gallery located in New York City that specializes in modern art. The gallery is regarded for its collection of prints, monotypes, and multiples, including ceramics and works on paper by Pablo Picasso,[1][2] and tapestries[3][4] by artists such as Romare Bearden, Alexander Calder, Marc Chagall, Sonia Delaunay, Roberto Sebastián Matta, and Fernand Léger. Established by art dealer and collector Jane Kahan in 1973 following graduation from Mount Holyoke College, the gallery initially operated as Kahan Esikoff Fine Arts prior to changing the name to Jane Kahan Gallery.[5][6][7] The gallery maintains its original space on the Upper East Side and an exhibition space in Lower Manhattan.

In addition to works by 19th and 20th century "Modern Master" artists, the gallery has been known to represent select contemporary artists including Hungarian-born French hyperrealist painter Istvan Sandorfi.

The gallery is a member of the Fine Art Dealers Association (FADA), CINOA, and a founding member of the International Fine Print Dealers Association.[8]

Tapestries

Representing the French tradition of tapestry production, the gallery deals with works by prominent 20th century weavers such as Yvette Cauquil-Prince,[9] Marie Cuttoli, Jacqueline de la Baume-Dürrbach, and Jean Lurçat.[10] These master cartoonists created their plans in collaboration with many modern artists such as Joan Miró,[11] Fernand Léger, and Victor Vasarely.

Modern art tapestries were often woven in the French workshops of Aubusson and Gobelins origin. These French houses of manufacture achieved great fame for their technically skilled textiles popular with 17th century collectors and heads of state throughout Europe. Many of these workshops produced a number of modern tapestries before closing in the late half of the 20th century, following WWII. Houses like Pinton remain in practice of centuries of manufacturing knowledge, and continue to collaborate with artists like Peter Sis in their series Art for Amnesty-Sis-Atelier Pinton.[12]

Collectors of mid-20th century modern art in the United States interested in tapestry worked with designers such as, Gloria Ross, who established the Gloria F. Ross Center in 1997, later becoming the Gloria F. Ross Tapestry Program at the University of Arizona.[13] This marks an important continuation of the European tapestry tradition globally. Another example of this can be found in Pablo Picasso's tapestry reproduction of Guernica, commissioned by Nelson Rockefeller in 1955, and placed on long-term loan in 1985 to the Headquarters of the United Nations. For a brief period in 2009, during planned renovations to the United Nations building, the tapestry was exhibited at the Whitechapel Gallery in London. In 2012 the tapestry was loaned to the San Antonio Museum of Art in the U.S. State of Texas, and returned to the United Nations in 2015.[14]

gollark: I wonder if packing a max-size reactor with my design would work.
gollark: ... what are you trying to use this madness with?
gollark: (My coffee machine is built from a compact machine and makes marshmallows, fish, coffee and baguettes, plus coffee cups)
gollark: Oh cool, if I build the HEN-236 reactor I'll be able to make plutonium RTGs to power my coffee machine.
gollark: There should be a way to convert corium into diamond blocks.

References
  1. Ramié, A. (1988). Picasso: Catalogue of the edited ceramic works: 1947-1971. Vallauris: Galerie Madoura. Jane Kahan Gallery cited under Exhibition Credits
  2. http://janekahan.com/picasso/
  3. Baal-Teshuva, Jacob. Tapisserien: Hommage an Die Meisterweberin Yvette Cauquil-Prince Und Sammlung Jane Kahan, N.Y., Tapisserien Aus Dem Atelier Pinton, Aubusson: KunstHausWien, 10. Februar-14. Mai 2000. Museums Betriebs Gesellschaft, 2000.
  4. Hedlund, Ann Lane, "Tapestry Translations in the Twentieth Century: The Entwined Roles of Artists, Weavers, and Editeurs" (2004). Textile Society of America Symposium Proceedings. p. 308. https://digitalcommons.unl.edu/tsaconf/462
  5. Gilbert, Ruth, editor. “In and Around Town: Art.” NEW YORK MAGAZINE, 12 Nov. 1973, pp. 36–38. Google Books Link
  6. “THE PCN DIRECTORY.” The Print Collector's Newsletter, vol. 5, no. 6, 1975, p. 163. JSTOR, https://jstor.org/stable/44129858
  7. HANDMADE PAPER: PRINTS AND UNIQUE WORKS, Organized by Richard Marshall, The Museum of Modern Art, New York. June 28 – Sept 12, 1976. See master checklist for artwork credit lines thanking Kahan Esikoff Fine Arts. https://www.moma.org/documents/moma_master-checklist_327001.pdf
  8. http://www.ifpda.org/dealer/2540
  9. File:Dr. Alain Marty--Yvette Cauquil-Prince--Jane Kahan--Meret Meyer-Graber--Sarrebourg 2005.jpg
  10. http://www.aubussontapestry.com/modern-aubusson-tapestries/leger-tapestry-and-tapestries/
  11. Wood, G. (2007). Surreal things: Surrealism and design. London: V & A Publications. Jane Kahan Gallery cited under Object Credits
  12. https://www.pinton1867.com/maison-pinton-1867/?lang=en
  13. "The Gloria F. Ross Center for Tapestry Studies".
  14. https://www.texasmonthly.com/articles/guernica-tapestry-san-antonio/

Bibliography

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