Jagger: Rebel, Rock Star, Rambler, Rogue
Jagger: Rebel, Rock Star, Rambler, Rogue is a biography and cultural examination of The Rolling Stones' frontman Mick Jagger's spectacular life and the cultural revolution he led. The book was written by Marc Spitz and originally released on September 8, 2011 by Gotham Books.
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| Author | Marc Spitz |
|---|---|
| Country | United States |
| Language | English |
| Subject | Biographies & Memoirs, Music |
| Publisher | Gotham Books |
Publication date | September 8, 2011 |
| Media type | Print (Hardcover) |
| Pages | 320 |
| ISBN | 978-1-59240-655-5 |
| Preceded by | BOWIE: A Biography |
Synopsis
As the Rolling Stones' legendary front man Mick Jagger remains an enigma. He hasn't given an in-depth interview for a decade and a half and never commented on his friend and partner, Keith Richard's often critical biography. Drawing on firsthand recollections from rockers, filmmakers, writers, radicals, and other artists who have been transformed by Mick Jagger's work, acclaimed music journalist Marc Spitz has created a unique examination of the Jagger legacy, debunking long held myths and restoring his status as a complicated artist. Combining biography with cultural history, Jagger unfolds like a captivating documentary, a series of episodes tracing the icon's rise from his childhood in middle-class postwar London to his status as a jet-setting knight.
A culturally astute, often funny, and painstakingly researched read, Jagger offers a far richer portrait than biographies published previously. The book reveals much about his relationships (with Marianne Faithfull and ex-wives Bianca Jagger and Jerry Hall); his complex, creative partnership with Keith Richards; his friends like John Lennon and David Bowie; and enemies like Hells Angels leader Sonny Barger. Spitz goes even deeper, exploring Jagger's many roles: an authentic soul man; powerful social commentator; sexual liberator; would-be movie star; and yes, sometimes, a shrewd businessman with an enthusiasm for much younger women. The myth of Mick is examined and rebooted for the twenty-first century.
Unfortunately, reviews like that of "The New York Times" dismissed this book as "hagiography" and a hatchet job against Richards, saying the author was "out to settle scores" of perceived sleights of Jagger.