Jacob Pynas

Jacob Symonsz. Pynas (1592, Haarlem 1650, Delft), was a Dutch Golden Age painter.

Jan Pynas, The Raising of Lazarus, Philadelphia Museum of Art, Philadelphia, 1615

Biography

According to Houbraken, Rembrandt studied with him in his workshop a few months after his six-month apprenticeship with Pieter Lastman, before he opened his own workshop in Leiden.[1]

According to the RKD he was the brother of Jan Pynas who travelled to Italy.[2] Their sister Meynsge married the artist Jan Tengnagel in 1611.[3] Though Jacob is known for scenes of Italy, these paintings could have been based on sketches brought back by his brother Jan and it is not certain that Jacob travelled to Italy.[2] He influenced Rembrandt and became a member of the Delft Guild of St. Luke in the years 1632-1639.[2] He became the teacher of Bartholomeus Breenberg.[2]

The Pynas brothers were grouped within Dutch artists called the Pre-Rembrandtists. Their work is close in style to the painter Adam Elsheimer, and there has been a history of mis-attribution between the three, where the Pynas brothers are known to have signed their works "J. Pynas."[4]

Jan died in Amsterdam; Jacob survived him by many years and is thought to have died in Delft.

Selected works

  • 1618 - Mercury and Herse, Oil on Copper, (Uffizi Gallery, Florence)
  • 1618 - Landscape with Mercury and Battus, Oil on Canvas, (Wiener collection, New York)
  • 1628 - Mountain Landscape with Narcissus, Oil on Wood, (National Gallery, London)
  • 17th century - Paul and Barnabas at Lystra, Oil on Wood, (Metropolitan Museum of Art, New York City)
  • 17th century - Sacrifice of Isaac, Pen, ink and watercolour on paper, (Courtauld Institute of Art, London)
  • 17th century - Sacrifice of Gideon, Watercolour and chalk on paper, (Courtauld Institute of Art, London)
  • 17th century - Christ and the lawyer, Chalk on paper, (Courtauld Institute of Art, London)
  • 17th century - Apollo and Daphne, Pen and Ink on paper, (Courtauld Institute of Art, London)
  • 17th century - The Good Samaritan, Oil on Copper, (Louvre, Paris) du Musée Jeanne d'Aboville de La Fère, dans l'Aisne.
  • 17th century - The Flight into Egypt, Oil, (Louvre, Paris)
  • 17th century - The Canaanite woman kissing the bottom of Jesus's robe, drawing, (Louvre, Paris)
  • 17th century - Landscape with Juno, Minerva, Venus, Paris and Cupid, Ink drawing, (Louvre, Paris)
gollark: Yes, the Quebecois apioforms really do eviscerate dragons nowadays. It's quite worrying.
gollark: We already know how they work.
gollark: Good ones.
gollark: I think in our infinite-dimensional spaces we just use hashmaps, or sometimes just infinite lists.
gollark: Why would we rotate them with *Euler angles*?

References

  1. (in Dutch) Jak. Pinas in Rembrandt Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature
  2. Jacob Symonsz. Pynas in the RKD
  3. Entry on Pynas Family in the Grove Dictionary of Art at www.artnet.com
  4. Kren and Marx, Comments on Landscape with Mercury and Battus at the Web Gallery of Art
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.