Jacob Eichholtz

Jacob Eichholtz (1776–1842) was an early American painter, known primarily for his portraits in the Romantic Victorian tradition. Born in Lancaster, Pennsylvania in a family of prosperous Pennsylvania Germans, he spent most of his professional life in Philadelphia. A coppersmith by trade, he turned to painting and achieved both recognition and success despite being mainly self-taught as an artist.[1] He is known to have painted over 800 portraits over the course of 35 years. Hundreds of his works are housed in art museums, historical societies, and private collections throughout the United States.[2]

Jacob Eichholtz's self-portrait, 1810

Early life
Leonard Eichholtz, portrait by Jacob Eichholtz. The painting was a gift to Jacob's brother. (Original owned by Dorothy Hartlieb.)

He was born to Leonard and Catharine Eichholtz, who owned and run the Bull's Head Tavern on East King Street in Lancaster; his father took part in the American Revolutionary War. At age 11, Jacob with his brothers attended the English School at Franklin College in Lancaster where he learned the three Rs — reading, 'riting and 'rithmetic. He also took lessons from a sign painter since his parents noticed his inclination to draw, but eventually he was apprenticed as a coppersmith. After his apprenticeship ended, he started as a tinsmith working with sheet iron. By 1805, Eichholtz opened his own shop in Lancaster where he, "mended sugar boxes, tinned copper kettles, and made coffee pots, wash basins, lanterns, stills, and funnels."[3]

Eichholtz married Catharine Hatz Michael (1770–1817), a young widow with two children; they had four children of their own, Caroline, Catharine Maria, Rubens Mayer, and Margaret Amelia. In 1818, he married Catharine Trissler of Lancaster, and they had nine children, Edward, Anna Maria, Elizabeth Susanna, Benjamin West, Angelica Kauffman, Rebecca, Henry, Robert Lindsay, and Lavallyn Barry.[4][5]

From tinsmith to painter

From 1808 to 1812, Eichholtz hired several workers to work in the shop, and devoted most of his time to offering his fellow Lancastrians, at first, painted tinware, and then, small profile portraits on wood panels, in order to diversify his business and satisfy his passion for drawing. After developing his abilities as profile painter and gaining enough clients to sustain his family,[6] Eichholtz decided to make painting his main vocation. In 1808, Eichholtz advertised that he "executes Portraits and Profile paintings" in the Lancaster's Intelligencer and Weekly Advertiser.[3] In his own words, "I commenced the coppersmith business on my own account, with pretty good luck; still the more agreeable love of painting continually haunted me."[7]

Two already established painters, James Peale and Thomas Sully, influenced Eichholtz. In 1808, James Peale visited Lancaster and became acquainted with Eichholtz, who commissioned Peale his portrait. Thomas Sully befriended Eichholtz when he was visiting Lancaster on business and accepted his invitation to work in his painting room. At that time, Sully was not impressed by Eichholtz's attempts in painting calling them hideous; however, he left him his brushes as a gift before leaving Lancaster.[7] Later, Sully wrote that he was surprised and gratified to see how much Eichholtz's painting skills improved, and that, "Eichholtz would have made a first-rate painter had he began early in life with the usual advantages."[7] During the winter of 1811–1812, Eichholtz traveled to Boston where he spent several weeks at the studio of Gilbert Stuart copying his works under Stuart's supervision. Stuart encouraged Eichholtz to continue painting. In 1815, Eichholtz sold his business and turned to painting. In 1820, he visited Baltimore to fulfill portrait commissions; he also worked in Pittsburgh and Delaware.[4]

In 1823, Eichholtz moved to Philadelphia where he, as he later wrote, faced both, "an incessant practice of ten years, and constant employment."[7] He was exhibiting with the Society of Artists at the Pennsylvania Academy of the Fine Arts.

Later life and death

Eichholtz relocated back to Lancaster in 1830 where he died in 1842. He and his family were originally interred at Holy Trinity Lutheran Church on South Duke Street in Lancaster, Pennsylvania.[2] In the early 1850s, Holy Trinity Church sought to expand its churchyard, so the church relocated the majority of gravestones and the remains to the new Woodward Hill Cemetery, Lot 33 of Area B, including the remains of Eichholtz and his family.[2] Eichholtz was reburied in the same grave together with both of his wives and their children.[2] By 2014, Eichholtz's gravestone, which was made of marble, had deteriorated due to age and acid rain, rendering the inscription illegible.[2] Local historians have called for the restoration of his headstone, as well as the installation of a brass plaque at the grave site to mark his achievements.[2]

Recognition

For decades the artistic legacy of Jacob Eichholtz was overlooked.[8] As time passed, a reassessment of the significance of his achievements took place and "his portraits of Thaddeus Stevens and James Buchanan are generally accepted as the best that were done of these statesmen."[9]

Portraits by Jacob Eichholtz
  • Julianna Hazelhurst, National Gallery of Art
  • James P. Smith, National Gallery of Art
  • The Ragan Sisters, National Gallery of Art
  • Mrs. Pierre Louis Laguerenne, El Paso Museum of Art
  • Elliott Tole Lane, Los Angeles County Museum of Art
  • Lydia R. Bailey, Lancaster County Historical Society
  • Thaddeus Stevens, Gettysburg College
  • James Buchanan, Smithsonian American Art Museum
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References
  1. Thomas R. Ryan. (2003). The Worlds of Jacob Eichholtz: Portrait Painter of the Early Republic. University Park: Pennsylvania State University Press.
  2. Brubaker, Jack (2014-10-31). "Noted portrait painter Eichholtz deserves grave recognition". Lancaster Online. Retrieved 2014-11-08.
  3. Thomas R. Ryan. Jacob Eichholtz (1776-1842), Lancaster County Historical Society
  4. Hensel, W. U. Jacob Eichholtz, Painter: Some "loose Leaves" from the Ledger of an Early Lancaster Artist. An Address Delivered at the Opening of an Exposition of the Evolution of Portraiture in Lancaster County, Pennsylvania, Under the Auspices of the Lancaster County Historical Society and the Iris Club. Lancaster, Pa: Press of the Brecht printing Co, 1912.
  5. Note: Eichholtz's great-granddaughter Rebecca Beal identified and catalogued eighty-three Eichholtz's profile paintings; seventy-nine are pre-1817. See: Rebecca Beal. Jacob Eichholtz, 1776–1842, Portrait Painter of Pennsylvania. Philadelphia: Historical Society of Pennsylvania, 1969.
  6. Dunlap, William. A History of the Rise and Progress of the Arts of Design in the United States, 3 vols. Volume 2. New York, 1834, p. 385-386. (Reprinted with additions, Boston: C. E. Goodspeed & Co., 1918.)
  7. Richardson, E. P. Portraits by Jacob Eichholtz (1776-1842), Art in America, v. 27: 1939, 14-22.
  8. Edgar P. Richardson, Director, Detroit Institute of Arts. Jacob Eichholtz: Introduction, Pennsylvania History, vol. 26, No. 2, April 1959.

Further reading
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