Jack Rose (guitarist)

Jack Rose (February 16, 1971 – December 5, 2009) was an American guitarist originally from Virginia and later based in Philadelphia, Pennsylvania. Rose is best known for his solo acoustic guitar work. He was also a member of the noise/drone band Pelt.

Jack Rose
Rose at The Luminaire in London, 2007
Background information
Also known asDr. Ragtime
Born(1971-02-16)February 16, 1971
Fredericksburg, Virginia, U.S.
DiedDecember 5, 2009(2009-12-05) (aged 38)
Philadelphia, Pennsylvania, U.S.
GenresAmerican primitive guitar, ragtime, blues, folk, country blues, drone, noise, raga, experimental
Occupation(s)Musician
InstrumentsGuitar, Twelve-string guitar, Lap steel guitar, Vocals
Years active1993–2009
LabelsEclipse, VHF, Tequila Sunrise, Sacred Harp Library, Beautiful Happiness, Three Lobed, Klang Industries, Time-Lag, Locust, Bastet, Thrill Jockey, Life is Hard
Associated actsPelt

Career

Pelt and beyond

In 1993, Jack Rose joined the noise/drone band Pelt with Michael Gangloff and Patrick Best. Then influenced by punk and rock and roll initially, the trio, sometimes joined by friends including Mikel Dimmick and Jason Bill (also of Charalambides), released their first album in 1995. Rose continued from that point as both a solo act as well as a member of Pelt, who continued to put out more than a dozen albums and a handful of minor releases primarily on the VHF Records and Eclipse labels as well as the band's own Klang imprint. The group toured steadily in the U.S. and referenced the work ethic of the Grateful Dead in the title of their album Rob's Choice. Notable tourmates included Harry Pussy, Charalambides and Sonic Youth. In Pelt, Rose played a variety of instruments, primarily electric guitar. During the late 1990s, Pelt began to play more folk-derived material, with Rose switching to acoustic guitar. Byron Coley wrote a feature on the group for the magazine The Wire, calling them "the Hillbilly Theatre of Eternal Music." In late 1999, after Rose had been fired from his job at a coffee shop and was able to collect unemployment benefits, he concentrated on acoustic guitar and his technique developed rapidly. He first released two CD-Rs, Hung Far Low, Portland, Oregon and Doctor Ragtime, which featured a mix of country blues and ragtime. These releases were composed of original and traditional songs, including covers of songs by fingerpicking guitarists John Fahey and Sam McGee . His first proper full-length, Red Horse, White Mule, (named after brands of moonshine mentioned on a best-selling sermon of the late 20s, "The Black Diamond Express Train to Hell" by Reverend A. W. Nix) was released on vinyl by Eclipse Records in 2002.

Solo work

Jack Rose was a prolific recording artist in his relatively short solo career, with albums, EPs, and compilation tracks on no fewer than ten record labels. He gained a new level of public exposure upon his inclusion on Devendra Banhart's sold-out Golden Apples of the Sun compilation in 2004.

Rose's first three consecutive releases on Eclipse Records—Red Horse, White Mule (2002), Opium Musick (2003), and Raag Manifestos (2004)—were met with praise by critics and contemporaries alike. "Finally," said Ben Chasny of Six Organs of Admittance, referring to Opium Musick in an interview with Pitchfork, "somebody has something to say on the acoustic guitar that hasn't been said before." [1]

Raag Manifestos was named one of 2004's "50 Records of the Year" by the UK avant garde music magazine The Wire in January 2005,[2] following a feature on him in issue #241.[3] Rose's rise in popularity in the UK during that time coincided with his Peel Session on May 20, 2004.[4]

In 2005 he released Kensington Blues on Tequila Sunrise records. Featuring ragtime, ragas, country blues and lap steel, the record earned high marks from Pitchfork[5] and Dusted Magazine.[6] "Kensington Blues is a really hard record to live up to," Rose told Foxy Digitalis in a 2007 interview.[7] He went on to express doubts about some of his other material released around that period of time. "With everyone putting out so much stuff, I mean you've gotta have new product all the time, it's kind of a drag," he continued. "I hate to sound like a total capitalist here... but when you're on tour you need to have something to sustain you."

His recorded collaborators outside of Pelt were infrequent but include Jason Bill of Charalambides, Donald Miller of Borbetomagus, Glenn Jones of Cul de Sac, Ian Nagoski and Keenan Lawler. In 2008, he reunited with Pelt members and other musicians including Micah Blue Smaldone on his album Dr. Ragtime and His Pals.

He released two live LPs on Three Lobed Recordings, I Do Play Rock And Roll (2008) and The Black Dirt Sessions (2009), receiving positive reviews from Brainwashed[8] and Pitchfork.[9] The Wooden Guitar compilation on Locust Music was issued on vinyl for the first time in 2009 and almost immediately went out of print.

With the exception of his first two CD-R releases, all of his music has been available on vinyl, often in limited editions. His Dr. Ragtime 78, for example, was produced in an edition of only 6 copies, with one selling for $500 as part of a benefit auction on eBay.[10] Some of his more popular releases such as Kensington Blues have been re-pressed on vinyl in open editions.

Jack Rose and The Black Twig Pickers, his ninth LP, was released in May 2009. An appearance on the 7" compilation Meet the Philly Elite and a tour-only 7" on the Great Pop Supplement followed.

Style
In 2006, Rose playing lap steel guitar at the Buffalo Bar in London

Rose's compositions were mostly for 6-string guitar, 12-string guitar, and Weissenborn-style lap steel guitar. He often employed open tunings when playing.

He was compared to guitarists on the Takoma label from the 1960s, including American primitive guitarist John Fahey, Robbie Basho and former Vanguard recording artist and eventual touring partner Peter Walker.[11][12]

Rose cited Charley Patton, Blind Blake, John Fahey, Robbie Basho, Zia Mohiuddin Dagar and, in later years, Link Wray as influences.[13]

Death and legacy

Rose died of an apparent heart attack in Philadelphia, at the age of 38.[14] He was buried at West Laurel Hill Cemetery in Bala Cynwyd, Pennsylvania.[15]

Luck In The Valley, Rose's final LP, was released posthumously on February 23, 2010 by Thrill Jockey Records.[16] The record was the third installment of what Jack self-deprecatingly referred to as his "Ditch Trilogy." The album received an 8.2 on Pitchfork and featured Glenn Jones, Harmonica Dan, and pianist Hans Chew on most of the session.[17][18]

In late April 2010, Three Lobed Recordings curated and released the digital compilation Honest Strings: A Tribute To The Life And Work Of Jack Rose, with all proceeds going to Rose's estate.[19]

Rose's final recording, an electrified 4 song collaboration with D. Charles Speer & The Helix called Ragged and Right was released on June 15, 2010 as part of Thrill Jockey's singles club.[20] The EP was recorded at Black Dirt Studios with Jason Meagher.

Discography

Dr. Ragtime
  • Doctor Ragtime CD-R (2002) (Tequila Sunrise), ed. 50
  • Dr. Ragtime – "Buckdancer's Choice" b/w "Dark Was the Night, Cold Was the Ground" 7" EP (2005) (Sacred Harp Library), ed. 500
  • Dr. Ragtime "Alap" b/w "Flirtin' with The Undertaker" 78rpm EP (2005) (Life is Hard), ed. 6
  • Dr. Ragtime and His Pals LP (2008) (Tequila Sunrise), an edition of 100 for the Terrastock Festival, containing 4 extra songs from the final LP release, and an alternate cover silk-screened by Brooke Sietinsons of Espers
  • Dr. Ragtime and His Pals CD/LP (2008) (Beautiful Happiness/Tequila Sunrise), LP ed. of 1000

Jack Rose
  • Hung Far Low, Portland, Oregon CD-R (2001) (self-released/Klang Industries)
  • Red Horse, White Mule LP (2002) (Eclipse Records), ed. 500
  • Opium Musick LP (2003) (Eclipse Records), ed. 1000
  • Raag Manifestos LP (2004) (Eclipse Records), ed. 1000
  • Kensington Blues CD/LP (2005) (VHF Records/Tequila Sunrise), ed. 500. Open edition on VHF.
  • Untitled I & II 7" EP (2006) (Tequila Sunrise), ed. 500
  • Jack Rose CD/LP (2006) (aRCHIVE/Tequila Sunrise), ed. 1000
  • Split with Silvester Anfang 7" EP (2007) (Funeral Folk)
  • I Do Play Rock and Roll CD/LP (2008) (Three Lobed Recordings), LP ed. 938
  • Jack Rose and The Black Twigs 7" EP (2008) (The Great Pop Supplement), ed. 500
  • The Black Dirt Sessions LP (2009) (Three Lobed Recordings), LP ed. 2021
  • Jack Rose and The Black Twig Pickers LP (2009) (Klang Industries), ed. 1000
  • Jack Rose and The Black Twigs 7" EP (2009) (The Great Pop Supplement) ed. 400
  • Luck In the Valley CD/LP (2010) (Thrill Jockey) LP ed. 1500
  • Ragged and Right With D. Charles Speer & The Helix 12" EP (2010) ed. 500
  • 12.11.2009 CD-R (2010) (Unsound Recordings) ed. 230

Compilations
  • Klang VII CD-R (1999) (Klang Industries)
  • Wooden Guitar CD/LP (2003; 2008) (Locust Music)
  • Golden Apples of the Sun CD (2004) (Bastet)
  • Imaginational Anthem CD (2005) (Near Mint Records)
  • By the Fruits you Shall Know the Roots 3xLP (2005) (Eclipse/Time-Lag)
  • Less Self is More Self: Tarantula Hill Benefit 2CD (2006) (Ecstatic Peace!)
  • Meet the Philly Elite (with Meg Baird, Kurt Vile, and US Girls) 7" (Kraak)
gollark: It goes via JS, but you don't have to write that so it is irrelevant.
gollark: It's arguably horrible abuse to do this sort of thing for most applications and it produces giant WASM binaries. Although some languages produce less/more idiomatic JS.
gollark: You can, say, write a web frontend in Rust and have the JS/WASM binding bit autogenerated.
gollark: But you don't need to write it manually.
gollark: I'm aware you need bridge code.

References
  1. Chasny, Ben. "Guest List: Six Organs of Admittance: Ten Truths/Untruths", Pitchfork, February 1, 2005.
  2. "Wire: 2004 Rewind" The Wire, issue 251 (Jan 05), retrieved May 20, 2009
  3. "The Wire" The Wire issue 242, retrieved May 20, 2009
  4. BBC "BBC Radio One" Keeping it Peel – Jack Rose, retrieved May 20th 2009
  5. Baron, Zack. "Kensington Blues Review", Pitchfork, November 1, 2005. Retrieved May 14, 2009.
  6. Meyer, Bill. "Kensington Blues Review", Dusted Magazine, Oct 5 2005. Retrieved May 14, 2009
  7. Card, Cory. "Jack Rose Interview" Archived 2009-08-29 at the Wayback Machine, Foxy Digitalis, April 3, 2007.
  8. Schleicher, Lucas. "I Do Play Rock and Roll Review", Brainwashed, April 19, 2009. Retrieved May 14, 2009.
  9. Murphy, Matthew. "The Black Dirt Sessions Review", Pitchfork, April 27, 2009. Retrieved May 14, 2009.
  10. "Jack Rose Auction Archive", Popsike, retrieved May 14, 2005.
  11. Leggett, Steve. "Jack Rose Biography" Allmusic, retrieved May 14, 2009.
  12. VHF Records. "Jack Rose Reviews" Archived 2008-09-21 at the Wayback Machine retrieved August 26, 2008
  13. Rose, Jack. "Jack Rose" Jack Rose's Influences Listed on MySpace, retrieved Nov 17, 2009
  14. Keepnews, Peter (December 9, 2009). "Jack Rose, Versatile Master of the Guitar, Is Dead at 38". The New York Times. p. A41.
  15. "Archived copy". Archived from the original on May 5, 2012. Retrieved December 16, 2009.CS1 maint: archived copy as title (link)
  16. "Luck In The Valley". Thrill Jockey. Retrieved June 14, 2017.
  17. Masters, Marc. "Luck in the Valley Review", Pitchfork, February 24, 2010.
  18. Jurek, Thom. "Luck in the Valley Review", Allmusic
  19. "Musicians Celebrate Jack Rose With Mammoth Benefit Album". AllMusic. All Media Network. Retrieved June 14, 2017.
  20. "Jack Rose Artist Biography". Thrill Jockey. Retrieved June 14, 2017.
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