J. Wayne Stark Galleries
The J. Wayne Stark Galleries is an art museum on the campus of Texas A&M University in College Station, TX. It is run by the University Art Galleries Department, which is a part of the Division of Student Affairs. The art gallery is named after J. Wayne Stark, the first director of the Memorial Student Center.
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| Established | 1992 |
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| Location | Texas A&M University, College Station, Texas |
| Coordinates | 30.6127°N 96.3407°W |
| Director | Catherine Hastedt |
| Website | uart.tamu.edu |
Mission statement
The mission of the J. Wayne Stark Galleries is to provide educational opportunities in the visual arts and humanities for both campus and community as well as to engage in active stewardship of the art collections through research, interpretation, preservation and exhibition.
History
The program began in 1973 with the creation of the Office of University Art Collections and Exhibitions run by J. Wayne Stark, then Special Assistant to the President for Cultural Development. This office began to catalog the existing collections at the university as well as securing new acquisitions.
In 1990 construction began on the Stark Galleries, thanks to a generous seed gift by Sara and John H. Lindsey ‘44, of Houston. Additional funding for the structure came from other donors and the university. The Stark Galleries opened to the public in February 1992.
From 2009, the Memorial Student Center had been undergoing a major renovation and the Stark Galleries had been temporarily closed. The Stark Galleries received another generous contribution from Mary and James B. Crawley of Norman, Oklahoma for the renovation project. The gallery reopened on April 21, 2012 featuring about 10,000 sq. ft. of exhibition space in four galleries, catering facilities, and an education room. The Crawley Gallery and the Lindsey Gallery in Stark Galleries are named after the two biggest donors.
The programming activities for Stark Galleries are managed by the University Art Galleries Department.
About J. Wayne Stark
John Wayne Stark was born 16 December 1915 in Lamesa, Texas. After graduating from high school in the small west Texas town of Winters, Stark received a bachelor's degree in history from Texas A&M in 1939. He attended the University of Texas Law School but withdrew before graduating to serve in World War II.
In 1947, he returned to the Texas A&M campus to begin work overseeing the construction of the Memorial Student Center. He became the Texas A&M sponsor for Experiment in International Living in 1959. This program enabled approximately 400 A&M students to travel overseas to live and work. Stark served the University for 33 years before retiring in 1980, but his legacy has continued on campus and in the community.
As the founding director of Texas A&M’s Memorial Student Center, Stark worked to provide students with a well-rounded education, fusing academics with civic awareness by bringing museum-quality art to campus. The assembly of the Permanent Collection began under his leadership and vision. In 1992, the University officials named and dedicated the Stark Galleries in his honor for his commitment and belief in the arts.[1]
Art collections
Until the Stark Galleries were built, temporary exhibitions focusing on the arts and humanities were held in Rudder Exhibit Hall and other locations on campus. Presently, the collections include almost 10,000 objects. The majority of them focus on 19th and 20th century American art with a strong emphasis on Texas art and artists. However, as the collection has developed over the years primarily through donations, visitors can find other works ranging from Pre-Columbian pottery to 19th century German genre paintings.
Additionally, the Permanent Collection is home to sculpture and various other decorative arts. The Stark Galleries oversees the campus collection of 23 outdoor sculptures, including works by Pompeo Coppini, Lawrence Ludtke, Veryl Goodnight and Hans Van de Bovenkamp.[2]
Highlights
- The Permanent Collection of the Stark Galleries focuses on American paintings, prints, drawings and photographs of the 19th and 20th centuries. Some artists represented include Dawson Dawson-Watson, Julian Onderdonk, H.O. “Cowboy” Kelly, Peggy Bacon, Laura Gilpin, Charles Schorre and Dorothy Hood.
Harold Osman "Cowboy" Kelly (1884–1950): Kelly is considered one of the foremost primitive, or "folk," artists of the twentieth century. Though he created only a limited number of works in his lifetime, yet his pieces have become internationally renowned in the folk art genre. Born in Bucyrus, Ohio, nearly all of his works depict the Midwestern-based agrarian society he came to love as a young man, including reflections of his adult life in Texas. Some of his most well recognized works include “More Good People”, “Fourth of July Races”, “October- First Monday”, and “Hill Top Dance Hall”. The J. Wayne Stark Galleries houses the single largest collection of original works by "Cowboy" Kelly. 
Hill Top Dance Hall by Harold Osman "Cowboy" Kelly
Dorothy Hood (1919–2000): Born in Bryan, Texas, Hood was highly influenced by modern art, philosophy, poetry and early space exploration. Her work melds elements of abstract and geometric forms in fluid designs creating thoroughly unique images that reflect the artists wonder and curiosity about the universe and the world around her. Much of Hood’s work is represented in prestigious art collections, including twenty-three museums in the U.S., three in Switzerland and one in Mexico City. The J. Wayne Stark Galleries proudly boasts two of Hood’s original masterpieces in our permanent collection: “The Day the Mountain Thanked the Sea” and “Space Riders”. 
The Day the Mountain Thanked the Sea by Dorothy Hood
Dawson Dawson-Watson (1864–1939): Born in London, Dawson-Watson lived and painted all across Europe before moving to the United States, where he worked at prestigious art colleges, first in Connecticut as director, then in St. Louis as a teacher. Later he moved to San Antonio, Texas, where he began painting the flora of the southwest. His experiences in Texas eventually led him to paint a collection of scenes of the Grand Canyon, a series for which he is now most well-known. The J. Wayne Stark Galleries holds three of his landscape masterpieces. 
Landscape by Dawson Dawson-Watson
Edward M. "Buck" Schiwetz (1898–1984): Born in Cuero, Texas, Schiwetz studied architecture at Texas A & M University, though he never practiced his degree. An avid self-taught artist, upon graduation he moved to New York where he garnered a reputation for his skill in a variety of media. His notoriety grew and he eventually established his own advertising firm. Despite suffering major medical difficulties, he worked as an artist-in-residence for Texas A&M University's centennial celebration in 1976, during which time he produced a portfolio of scenes from Texas A & M University. Schiwetz was a prolific artist and his works are found in major museums both in the United States and around the world. The collection of his original works at The J. Wayne Stark Galleries is one of the largest held by a public museum. 
Texas A&M University, Academic Building by Edward M. "Buck" Schiwetz
Julian Onderdonk (1882–1922): Born in San Antonio, Texas, Onderdonk trained on the East Coast for several years before returning to his hometown to paint. His most widely recognized works are his "bluebonnet" landscapes, three of which graced the Oval Office at the White House during the George W. Bush administration. A gallery dedicated to his work can be found at the Dallas Museum of Art. Texas A&M University houses two of his works, “Miles and Miles of Bluebonnets” and “At the Edge of the Forest”. 
Miles and Miles of Bluebonnets by Julian Onderdonk
Campus sculptures
- Texas A&M University has 23 sculptures across the campus. Some of the sculptures are by prominent artists like Lawrence M. Ludtke, Pompeo Coppini, and Hans Van de Bovenkamp.[3]
James Earl Rudder by Lawrence M. Ludtke (1929–2007),located next to the Rudder Building. James Earl Rudder was the sixteenth president of Texas A&M University, and his vision, leadership and commitment to excellence prompted the University's doors to be opened to women. During his distinguished military career, Major General Rudder led the charge up the cliffs of Normandy during WWII. 
James Earl Rudder sculpture by Lawrence M. Ludtke
Twelfth Man by George E. "Pat" Foley (1922–1998), located in front of Kyle Field. A gift of the Class of '80, this statue portrays E. King Gill, a Texas A&M football player during the 1920s. In 1922, during a post-season game, Gill was called from the stands to help the football team, which was rapidly losing players due to injuries. Although he never entered the game, by the time it was over, he was the only player standing along the sidelines. Since that game, Aggies have stood at football games to symbolize their unity with the team as its "Twelfth Man". 
Twelfth Man sculpture by George E. "Pat" Foley
Lawrence Sullivan Ross by Pompeo Coppini (1870–1957), located in the open area in front of Academic Building. This sculpture, nicknamed 'Sully' by the students, is one of the most revered works on campus. Students often place coins at Sully's feet for good luck on exams. Lawrence Sullivan Ross was a Governor of the State of Texas and the third President of the then A&M College. 
Lawrence Sullivan Ross sculpture by Pompeo Coppini
Silver Taps by Rodney Culver Hill. Created by an A&M faculty member, this sculpture commemorates the Aggie tradition of silver taps. The silver taps ceremony is held monthly during the regular school year to honor Aggies who have died. It is a gift of the Class of 1991. 
Silver Taps sculpture by Rodney Culver Hill
Menos by Hans Van de Bovenkamp, located in the Halbouty/Engineering-Physics Buildings Courtyard. Named for the Greek word for "spirit", this stainless steel sculpture stands nearly 26 feet tall, and was dedicated in 1992. The sculptor, Hans Van de Bovenkamp of New York, explained that the two basic design elements, the ring and the wave, embody stability and endlessness. He says it stands to "remind and inspire those who pass there of their personal pursuit the quest for a higher knowledge and state of being -- the spirit of learning". 
Menos sculpture by Hans Van de Bovenkamp
Victory Eagle by Kent Ullberg, located in Cain Park. Donated by the Class of '91 as "a perpetual symbol of the Aggie spirit," the Victory Eagle stands 9 feet tall and has a 14-foot wingspan. It was sculpted by Kent Ullberg of Corpus Christi. Ullberg is one of only two wildlife artists elected to membership in the National Academy of Design. 
Victory Eagle sculpture by Kent Ullberg
References
- J. Wayne Stark: A Biographical Sketch: http://www.msc.tamu.edu/waynestark.html
- Stark Galleries Permanent Collections: http://uart.tamu.edu/permanent-collection Archived 2011-07-13 at the Wayback Machine
- Texas A&M University - Campus Sculptures: http://uart.tamu.edu/university-art-collection/campus-sculptures