Ivy Austin

Ivy Austin (born Ivy Lynn Epstein; January 19, 1958 in Brooklyn, New York) is an American actress, singer, and voice-over artist, known for her performances on Garrison Keillor's A Prairie Home Companion and her Sesame Street voices, Ivy Austin also starred on Broadway in Raggedy Ann.

Ivy Austin
Born
Ivy Lynn Epstein

(1958-01-19) January 19, 1958
Brooklyn, New York
Alma materColgate University
OccupationActress, singer, voice artist
Websitehttp://www.ivyaustin.com/

Biography

Early life and education

Ivy Austin is a graduate of the High School of Performing Arts and Colgate University.

Career

Austin's stage career began with national tours of Hair (as Crissy) in 1976 and They're Playing Our Song (Alter Ego) in 1979. She made her New York City Opera debut in 1982's Candide (Pink Sheep) and remained on the guest artist roster through 1989. Other NYCO credits include Naughty Marietta (Lisette), The Merry Widow (Zozo), The Music Man (Ethel Toffelmier), The New Moon, The Desert Song, South Pacific, and Sweeney Todd (Beggar Woman). Austin's Broadway debut in 1986 was as the starring role in the Joe Raposo/William Gibson musical Raggedy Ann, directed by Patricia Birch.

In 1989, Austin performed "The Story of Gloria" on American Radio Company (now known as A Prairie Home Companion). According to Time Magazine, "The show's funniest sketch, a serial, produced a new star, actress Ivy Austin."[1] She also played the crusty-voiced French lady Babette, and sang with Rob Fisher and The Coffee Club Orchestra.

Austin has recorded countless songs for Sesame Street, and is the voice of Sesame Street characters Cereal Girl, Hammy Swinette, Sublime Miss M, Soo-ey Oinker of The Oinker Sisters, and Gloria Esta-worm. As writer/producer, Ivy Austin created holiday programs for National Public Radio and a long-running concert series at The World Financial Center. Ivy Austin appeared in numerous television commercials and has an impressive list of theatrical and concert credits.

Austin is in her sixth year as a contributing lyricist and performer in The Thalia Follies, a political satire in on New York's Upper West Side.

Austin performs regularly at Symphony Space on WNYC radio broadcasts of Selected Shorts and Bloomsday, and has participated in years of "Wall-to-Wall" music marathons. She appeared in Wall-to-Wall Broadway singing "Adelaide's Lament". She has performed several plays with the Night Kitchen Radio Theater for XM Satellite Radio.

Selected credits

Discography
  • Sing! Songs of Joe Raposo
  • Big Bird Discovers the Orchestra
  • Sesame Road
  • Born to Add
  • Splish Splash: Bathtime Fun
  • Sing-Along Travel Songs
  • Silly Songs
  • Hot!/Heat! Hot!/Heat! Hot!/Heat! Dance Songs
  • Sesame Street Platinum-All Time Favorites
  • Elmopalooza!
  • We Are All Earthlings
  • I’m Green and I’m Proud
  • Signs of the Times from Moo-town Records
  • Sesame Street Kids/Kid Favorite Songs
  • Sesame Street Best
  • Cheap Thrills
  • New York City Opera Candide
  • Lady Be Good!
  • Wall to Wall Richard Rodgers
  • A Prairie Home Christmas
  • A Prairie Home Companion 25th Anniversary Collection
  • Selected Shorts: A Night at the Office

Filmography

Artistic direction and producing
  • Christmas at Rainbow Corner (co-producer Denise Lanctot) 1993, National Public Radio[2]
  • Her Funny Valentine, 1994, National Public Radio
  • Women in Cabaret, 1994, World Financial Center
  • Women on Broadway, 1995, World Financial Center
  • The Tony Awards, 50 Years of Broadway's Best Musicals, 1996, World Financial Center
  • The Men I Love, A Centennial Salute to Ira Gershwin & George Gershwin, 1997, World Financial Center
  • Happy Birthday New York, A Musical Tribute to the City's Centennial, 1998, World Financial Center
  • The Great Songwriters of Hollywood, 1999, World Financial Center
  • Spring Fling, 2000, World Financial Center
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References
  1. Skow, John (December 11, 1989). "Show Business: Wild Seed in the Big Apple: Garrison Keillor". Time.
  2. Holden, Stephen (December 5, 1994). "CABARET REVIEW; Innocent Radio Days". The New York Times.
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