István Medgyaszay

István Medgyaszay (born Benkó) (23 August 1877 in Budapest – 29 April 1959 in Budapest) was a Hungarian architect and writer.[1] He was one of the first to employ Hungarian folk idioms, particularly from Transylvania, and combine them with influences ranging from the far east to organic architecture.

The theater in Veszprém, 1908
Theatre, Sopron, 1908–09

Medgyaszay studied at the Vienna Academy of Fine Arts and also at the Budapest Hungarian Academy of Fine Arts.[1] He won the commission for the design of the national pantheon in 1903 and graduated the following year. After further studies abroad he returned home and began working on the combination of reinforced concrete technology with folkloric design elements. He also travelled to northern Africa and India to study the architecture there.

In 1906, he took the mother's grandfather's surname for Medgyaszay.

Medgyaszay had a successful academic career and was highly regarded until the communist takeover in the late 1940s when he was criticised for his apolitical or so-called formalist approach to art. He did not receive an adequate retirement and stopped his working by the communist State in 1959 and died three weeks later.

Main works

Architecture
  • National pantheon, 1903, not built (won 5 European prizes for this plan)
  • Milan exposition pavilion, 1906
  • Artists homes, Gödöllő, 1904–06
  • Theatre, Veszprém, 1908
  • Theatre, Sopron, 1908–09
  • Budapest Opera House, rebuilding, 1912
  • Theatre, Miskolc, rebuilding, 1922
  • Various church buildings: Rárósmúlyad (1910); Ógyalla (1912); Püspökladány (1921); Kenderes (1922); Csillaghegy (1935)

Literary writings

as surname Benkó

  • Körösfő (1905)
  • Egy-egy székely házról, faluról (Szekler house, szekler village) (1905)
  • Népünk művészetéről (Our people's art) (1906)

as surname Medgyaszay

  • VASBETON MŰVÉSZI FORMÁJA (Artistic form of reinforced concrete) (1908)- Reprint: Ars Hungarica 1983/2.
  • A vasbeton művészi formáiról (Artistic form of ferro-concrete) (1909)
  • A hun-magyar ókori művészet. Székfoglaló beszéd (The Hun-Hungarian ancient art. Inaugural speech) (1927)
  • Művészet és népművészet (Art and folklore) (1942)
gollark: If you claim to care about something, but then mostly just ignore it, that's not exactly very meaningfully "caring".
gollark: I mean, yes, people care abstractly. If you ask them "hey, are you unhappy about some poverty-stricken countries being poverty-stricken" they'll say yes. But people do not actually practically care enough to do anything.
gollark: You STILL haven't demonstrated anything being basic.
gollark: It's like with, say, random poverty-stricken countries. They could probably have quite a lot of their problems solved if people actually cared very much. But they don't, because moral obligation actually drops off according to the inverse-square law.
gollark: High compared to what?

References
  1. Medgyaszay István, Hungarian Electronic Library, retrieved 13 May 2012 (in Hungarian)
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