Isle of Canes

Isle of Canes (ISBN 1-59331-306-3), a novel by Elizabeth Shown Mills, follows an African family from its importation and enslavement in 1735 through four generations of freedom in Creole Louisiana to its re-subjugation by Jim Crow at the close of the nineteenth century. Mills explores the family's "struggle to find a place in [a] tightly defined world of black and white" [1] — a world made more complex by the larger struggle of Louisiana's native ancien regime to preserve its culture amid the Anglo-Protestant "invasion" that followed the Louisiana Purchase of 1803 and the resulting battle for political and social hegemony. Isle's central theme is the ambiguous lives of those who escaped colonial slavery only to find they could not survive as free without complicity in the slave regime.

The novel's subject-family is one that has been both romanticized and excoriated by journalists, academics, descendants, and current websites over the past half-century.[2] Isle's interpretation of their controversial role is based heavily on the author's original research across three decades in the archives of six nations, and actual documents are interspersed throughout the novel. The author's research began in 1972 when she was employed by a preservation society to document the history of one Isle landmark, Melrose Plantation.[3]

Critical assessments of Isle of Canes focus on its upturning of stereotypes. Contemporary Lit describes the focus as "Gone with the Wind from a vastly different, more important perspective ... not that of the plantation owner or the poor white ... but homme de couleur libre and slave ... capturing the agonizing decisions which tore families and communities apart." Historical Novels Review similarly observes, "The Metoyers, a historical family both black and white and yet neither, challenge all perceptions of racial boundaries. You may never look at American History the same way again."[4]

The Isle community is also the focus in Lalita Tademy's Oprah Book Club pick, Cane River.[5] Mills's Isle explores the colonial roots of the community and the experience of slaves who achieved freedom prior to the onset of Louisiana's Creole-Anglo conflict. Tademy's story, whose earliest slave generations are based upon research by Mills and her daughter,[6] portrays the mid-nineteenth– and early-twentieth-century experiences of the community's slave families who envied, respected, and resented the free status of the Isle's Creoles de couleur libre—some of whose blood they shared.

A third, much older novel, Lyle Saxon's Children of Strangers,[7] depicts the state of servitude into which the Islanders were subjected by the early twentieth-century. Saxon's era was one in which the chatelaine of the family's last remaining manor house (Melrose Plantation, a National Historic Landmark since 1976) was an Anglo patroness of the arts, who encouraged Saxon to visit and "observe" the community first hand. Saxon's portrayal captures the mindset of that era's white population, who vacillated between economic exploitation of the Islanders, sexual attraction to their women, and a paternalistic view of the multiracial Creoles as "simple people, but our people."

Historians struggle to understand the complexities of the Peculiar Institution—particularly the motivation that compelled a significant number of freed American slaves to purchase other humans once free to do so. Edward P. Jones lays out one psychological path in The Known World [8] creating a fictional anti-hero, the Black Virginian Henry Townsend, who is consumed by his self-centered ambition. Isle of Canes reconstructs the world of an actual family to define a radically different but equally uncomfortable trajectory by which more than a few ex-slaves survived a status many historians consider "neither slave nor free."[9]

Major characters

Generation 1

François and Fanny, the African artisan and chieftain's daughter, captured into slavery and brought to the wilds of Louisiana in 1735. He accepted their fate and insisted that she accept it, too.[10]

Generation 2

Coincoin ditte Marie Thérèse Metoyer, who swore over the dead bodies of her parents that one day their family would be free, rich, and proud. She kept her oath.[11]

Generation 3

Sieur Nicolas Augustin Metoyer, f.m.c., half-African and half-French, who hacked a cane brake from the wilderness then ruled over the Isle of Canes as patriarch of a legendary colony of creoles de couleur. They lived in pillared homes, yet toiled beside the 500 slaves who tilled their 18,000 acres (73 km²).[12]

Generation 4

Perine (Mme. François Gassion) Metoyer Metoyer Dupré, who was born to riches but aged in shame. She never forgot the heritage of her family or the brutality that destroyed it. Through the persecutions of Louisiana's Creole-Anglo conflicts and Reconstruction-era Jim Crow, hers was a different vow: Never would she allow her family to forget who they were until they could reclaim their Isle. She, too, kept her promise.[13]

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gollark: Anyway, you can't stop my workflow. Soon it will spread, as people see what an excellent idea automatic commit and push is.

gollark: * heptagons and hexagons

gollark: It's clearly a tessellation of heptagons in hyperbolic geometry. smh my head.

References

Rolling On, July 2004
For a basic bibliography of the most-used works, see "Archived copy". Archived from the original on 2008-06-20. Retrieved 2008-03-02.CS1 maint: archived copy as title (link). Annotations identify those that are peer reviewed or otherwise carry extensive documentation.
"Foreword," Isle of Canes, xi-xiii.
Sarah Johnson, Historical Novels Review, 28 (May 2004), 42.
New York: Warner Books, 2001.
That research is chronicled in Rachal Mills Lennon and Elizabeth Shown Mills, "Mother, Thy Name is Mystery! Finding the Slave who Bore Philomene Daurat," in Reassembling Female Lives, a Special Issue of the National Genealogical Society Quarterly 88 (September 2000): 201–28.
New York: Houghton-Mifflin, 1937.
New York: Amistad, 2003.
Pioneers of this theme are David W. Cohen and Jack P. Greene, eds., Neither Slave nor Free: The Freedmen of African Descent in the Slave Societies of the New World (Baltimore: Johns Hopkins University Press, 1972); and Ira Berlin, Slaves without Masters: The Free Negro in the Antebellum South (New York: Pantheon Book, 1974). More recently, H. Sophie Burton has analyzed the struggle for economic viability by freed slaves in colonial Louisiana in "Free People of Color in Spanish Colonial Natchitoches: Manumission and Dependency on the Louisiana-Texas Frontier, 1766–1863," Louisiana History 45 (Spring 2004): 173-97.
For four-generation genealogies of the descendants of François and Fanny see Elizabeth Shown Mills, "Which Marie Louise Is Mariotte? Sorting Slaves with Common Names," National Genealogical Society Quarterly 94 (September 2006): 183-204; and Elizabeth Shown Mills and Gary B. Mills, "Slaves and Masters: The Louisiana Metoyers," National Genealogical Society Quarterly 70 (September 1982): 163-89.
Ken Ringle, "Up through Slavery: Marie Therese Coincoin," Washington Post, 12 May 2002 . This Washington Post feature article presents an historical overview of the family, drawing upon past research done by Isle of Canes's author and her husband/research partner.
Gary B. Mills, "A Portrait of Achievement: Nicolas Augustin Metoyer, f.m.c.," Red River Valley Historical Review 2 (Fall 1975): 332–48.
For an anthropological view of the twentieth-century generations that followed Perine, see Sister Frances Jerome Woods, Marginality and Identity: A Colored Creole Family through Ten Generations (Baton Rouge: Louisiana State University Press, 1972). Woods' portrayal, in which she uses the pseudonym "Letoyant" for "Metoyer," is heavily colored by racial views of the mid-twentieth century and presents the family against a backdrop of imaginative and contradictory local lore.

External links

Isle of Canes ISBN 1593311753
Louisiana Creole Heritage Center