Isabel Muñoz

Isabel Muñoz (born 1951, in Barcelona) is a Spanish photographer who lives in Madrid. [1] She grew up in the Catalonia region of Spain with a Valencian family and some ancestors of remote origin.[2] When she was 20 years old, she moved to Madrid and started studying photography in 1979 at Photocentro.[1] In 1986, she made her first exhibition, "Toques" and she has already made more exhibitions in several countries of the world for more than 20 years. Her black-and-white photos are a study of people through pieces of the human body or pictures of toreros, dancers or warriors[3][4]. She uses a handmade and meticulous process called platinotype, a technique that early 19th century photographers used, which has great quality and a unique texture.[2] Muñoz primarily uses black and white in her works, except when exploring anthropological or social issues. In such occasions, like working with drag queens and primitive tribes, she will use color.[5]

Her works are exhibited at the Maison Européenne de la Photographie, in Paris, the New Museum of Contemporary Art, in New York City, the Contemporary Arts Museum in Houston or private collections. She travels the world carrying out works of architecture and addressing the issues of child trafficking and slavery in Southeast Asia. In Ethiopia (2005) she focused on the tribes who decorate their bodies as a way of expression: the Surma, Nyangaton, Hammer, Banna, Bodi, Mursi, Karo and Nuer. In 2006, she visited El Salvador to take photos of urban tribes and produce works about violence. She worked on a project, Nuesto Pequeno Mundo, to photograph children on the commemoration of the 20th anniversary of the Convention of the Rights of the Child. She traveled to Iran, Syria, Turkey and Iraq and exhibited the work El amor y el éxtasis as part of PhotoEspaña 2010. In Mexico, she exhibited La Bestia, which goes across Mexico packed with immigrants, with great risk for their lives. In 2015, she decides to look for the links of where we come from, by investigating the great apes.[1]

Books
  • Parade Nuptiale, 1992 Fata Morgana, with texts by Gérard Macé.
  • María Ilusión,1995 Plume
  • Rome Efemer,1997 Gallimard
  • Figures Sans Visages,1997, Fata Morgana, with texts by Gérard Macé.
  • Rome, l'invention du Barroque, 1997 Marva, with texts by Gérard Macé.
  • Isabel Muñoz, 2000, La Fábrica, with texts by Christian Caujolle
  • Obras Maestras, 2010, La Fábrica, with texts by Christian Caujolle

Prizes
  • Medalla de Oro en la Bienal de Alejandría, 1999
  • 2nd Prize in "The Arts Stories" World Press Photo 43rd Edition for "Chinese Martial Arts Training"
  • 3rd Prize "Portraits Stories" World Press Photo 48th Edition for "The Surma people of Ethiopia"
  • World Press Photo International award, 1999[6]
  • World Press Photo International award, 2004[6]
  • Community Photography Prize Madrid, 2006[6]
  • PHotoEspaña Prize, 2009[6]
  • Medal of Merit of the Fine Arts, 2009[6]
  • National Photography Prize, 2016[6]
gollark: Also, don't lots of things replace some craftOS functions? PotatOS doesn't strictly replace them as much as "shadow" them through environments.
gollark: Also, why go after Polychoron? It's not strictly tied to potatOS.
gollark: I may need to switch to invisible bees.
gollark: Wait, how do you detect bees?
gollark: I can't actually find the code for this, anyway.

References
  1. "Biography – Isabel Muñoz" (in Spanish). Retrieved 2020-04-15.
  2. Gándara, Yolanda (2013-03-15). "Isabel Muñoz: "El cuerpo es un pretexto para hablar del ser humano»". Jot Down Cultural Magazine (in Spanish). Retrieved 2020-04-15.
  3. "lens culture photographer interview: Isabel Munoz (audio)". web.archive.org. 2007-01-15. Retrieved 2020-04-15.
  4. "EL'PS'S GALLERY". www.elipsisgallery.com. Retrieved 2020-04-15.
  5. AnOther (2012-11-21). "Isabel Muñoz". AnOther. Retrieved 2020-04-15.
  6. "N2 Galería, artistas emergentes y consolidados nacionales e internacionales". Retrieved 2020-04-15.


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