Interior. Leather Bar.

Interior. Leather Bar. is a 2013 American docufiction film, which premiered at the 2013 Sundance Film Festival.[3] Directed by James Franco and Travis Mathews, the film stars Franco and Mathews as themselves working on a film project which reimagines and attempts to recreate the 40 minutes of deleted and lost sexually explicit footage from the controversial 1980 film Cruising.[3] The film's cast also includes Val Lauren, Christian Patrick, Brenden Gregory, Brad Roberge, Colin Chavez, Michael Lannan and A.J. Goodrich.[3]

Interior. Leather Bar.
Film poster
Directed byJames Franco
Travis Mathews
Produced byJames Franco
Vince Jolivette
Michael Lannan
Travis Mathews
Iris Torres
Screenplay byTravis Mathews
StarringJames Franco
Travis Mathews
Val Lauren
Christian Patrick
Brenden Gregory
Brad Roberge
Colin Chavez
A.J. Goodrich
Music bySantiago Latorre
CinematographySamantha Barrows
Seana Carroll
James Franco
Travis Mathews
Keith Wilson
Edited byTravis Mathews
Distributed byStrand Releasing
Peccadillo Pictures
Release date
  • January 19, 2013 (2013-01-19) (Sundance Film Festival)
  • January 2, 2014 (2014-01-02) (United States)
Running time
60 minutes[1]
CountryUnited States
LanguageEnglish
Box office$11,142[2]

Background

Despite early media reports when the project was first announced, the film is not itself a recreation of the deleted footage, featuring only brief scenes that actually do so literally.[4] Instead, it uses the idea of recreating the footage as a plot point to explore the creative and ethical questions arising from the process of trying to make such a film. It depicts issues such as the actors' level of comfort or discomfort with the material, the conflict between creative freedom and censorship, and the ways in which the cinematic representation of LGBT issues and people has evolved since Cruising was originally released in 1980.[3] One of the main narrative threads of the film is the confusion of several participants over why James Franco would want to be involved in such a project in the first place.[1]

Mathews has stated in interviews that one aspect of the original film's production that interested him was the contrast between analyses which suggest that the deleted footage constituted homophobic propaganda, and those which suggest that it was more documentary in nature.[5]

gollark: How are you putting the counts thing into the `user_data` field?
gollark: That does look like it ought to work.
gollark: It makes lots of decisions I agree with and enjoy, but many things are kind of hacky and unpolished and the libraries are a bit of a mess.
gollark: I quite like Nim too, since it's basically how I would design a programming language. Unfortunately, it's basically how I would design a programming language.
gollark: And compilation takes SEVERAL decaseconds.

See also

References
  1. Dargis, Manohla (March 4, 2014). "A Heavy Bass Beat, a Wreath of Smoke, an Aura of Sweat 'Interior. Leather Bar.,' Spun From Recreated Lost Footage". The New York Times.
  2. "Interior. Leather Bar". Box Office Mojo.
  3. "Interior. Leather Bar.: Sundance Review". The Hollywood Reporter, January 19, 2013.
  4. "Gay Film Auteur Travis Mathews Talks Interior. Leather Bar.". Filmmaker, January 19, 2013.
  5. "Cruising With Travis Mathews: The Nightcharm Interview". Nightcharm, March 9, 2013.


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