Ingagi

Ingagi is a 1930 Pre-Code exploitation film. It purports to be a documentary about "Sir Hubert Winstead" of London on an expedition to the Belgian Congo, and depicts a tribe of gorilla-worshiping women encountered by the explorer. The film claims to show a ritual in which African women are given over to gorillas as sex slaves, but in actuality was mostly filmed in Los Angeles, using white actresses in blackface in place of natives.[1] It was produced and distributed by Nat Spitzer's Congo Pictures, which had been formed expressly to make the film.[2] Although marketed under the pretense of being an ethnographic film, the premise was a fabrication, leading the Motion Picture Producers and Distributors Association to retract any involvement with the film.[3]

Ingagi
Theatrical poster to Ingagi
Directed byWilliam Campbell
Produced byWilliam D. Alexander
Nat Spitzer (executive)
Written byAdam Shirk
StarringCharlie Gemora as Ingagi
Music byEdward Gage
CinematographyL. Gillingham
Distributed byCongo Pictures
Release date
  • March 15, 1930 (1930-03-15)
Running time
75 min
CountryUnited States
LanguageEnglish
Box office$4 million

The film trades heavily on its nudity and on the suggestion of sex between a woman and a gorilla. Its success motivated RKO Radio Pictures to invest in the 1933 film, King Kong. RKO owned several of the theatres where Ingagi was shown, including one of the first, the Orpheum Theatre in San Francisco, where it opened April 5, 1930.[2][4]

The later Son of Ingagi (1940) is not a sequel but is the first all-black cast horror movie and features a house haunted by a female mad scientist and her missing link monster.

The film is not lost, contrary to popular belief due to it not being released on home video or shown on television. Three nitrate prints are held at The Library of Congress.

Preservaton

The three Prints owned by the Library of Congress aren't available to the general public. All 8 Vitaphone disc have been found by fans and are now available on YouTube. 96-seconds of the film are included in Documentary Charlie Gemora: Uncredited.

Notes
  1. Doherty. pgs. 236, 241
  2. Illegitimate dad of 'Kong'
  3. Doherty. pgs. 238–40
  4. Gerald Perry, "Missing Links: The Jungle Origins of King Kong"

Sources
  • Berenstein, Rhona J. "White Heroines and Hearts of Darkness: Race, Gender and Disguise in 1930s Jungle Films", in Film History Vol. 6 No. 3 (Autumn 1994), Exploitation Films, pp. 314–339 (Published by Indiana University Press); Stable URL: https://www.jstor.org/stable/3814926
  • Doherty, Thomas Patrick. Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press, 1999. ISBN 0-231-11094-4
gollark: No. I will. Not.
gollark: Ubgroducingt beds.
gollark: Alternatively, there just aren't that many people with the relevant skillsets who aren't doing other things, and none of them care about it/have gotten around to it.
gollark: Cheaper/easier personalization presumably.
gollark: I think people working on it are concerned about the potential for scams and such and are less willing to release models etc.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.