Inez Bensusan

Inez Bensusan (1871–1967) was an Australian born Jewish actress, playwright and suffragette in the UK. She was a leader of the Actresses' Franchise League and the Jewish League for Woman Suffrage.

Inez Bensusan
Portrait, 1924 by Cecil William Rea
Born1871
Sydney
Died1967
NationalityAustralian
Known forFeminist

Life

Bensusan was born in Sydney, Australia on 11 September 1871. Her father, Samuel Levy Bensusan was an agent for miners and her mother was Julia Rosa, née Vallentine.[1] After studying at University of Sydney, she and her family moved to England in 1894 and soon after, she joined an acting troupe. Over the following years, she performed in plays around the world, in England, USA and Australia. Between 1906 until 1938, she would go on to appear in more than fifty plays in the West End.[1]

She became a member of Emmeline Pankhurst's Women's Social and Political Union and in 1907 she was one of the founder members of the Actresses' Franchise League.[2] She wrote three one-act plays for the League and she was head of their play department.[3]

In 1911 the suffragists were objecting to the census. As part their protest The Apple was performed at one o'clock in the morning. This was the second time that play was performed.[3]

The following year she was on the executive committee of the Jewish League for Woman Suffrage.

In December 1913 she formed a women's theatre troupe at the Coronet Theatre. The group had one successful season but the project was interrupted by the outbreak of war. Her Women's Theatre Company went on to entertain the army of Occupation in Cologne.[4]

In 1946 she co-founded the House of Arts in Chiswick.[4]

Film roles
  • The Grit of a Jew (1917)
  • Adam Bede (1918)[5]

Works
  • The Apple[3] (1909)[6]
  • Perfect Ladies (1909)
  • Nobody's Sweetheart (1911)
  • The Prodigal Passes (1914)
  • The Singer of the Veldt
  • True Womanhood (a film) (1911).
gollark: > “We thought my poor grandmother’s remains had been buried in accordance with her wishes,” growls Elizabeth’s direct descendant, Catherine Gratwick. “Can’t you let her rest in peace? This is her body that you’re messing with. You can’t just irradiate and poison her; you must ask me first! How would you like it if your family’s remains were exhumed and mutilated? You must never use cells from deceased people without the explicit pre-mortem consent of the patient or their relatives. As for granny - I insist that all remaining samples of her be buried, and that you financially compensate her family for the pain and grief you have caused!”
gollark: > Two generations ago, scientists took a biopsy of a tumor from a cancer patient named Elizabeth Gratwick, who died soon after. Without her knowledge or consent, these cells were preserved in the laboratory and proved to be exceptionally stable in replication. As stable cancer cell lines are highly useful for medical research, “ElGr cells” have been sent to and used by scientists all over the world. However, objections are now being raised by Elizabeth’s descendants.
gollark: Now I need to answer a question!
gollark: And top 1% for crime.
gollark: * 0.8%

References
  1. Paxton, Naomi (14 June 2018). "Bensusan, Inez Isabel (1871–1967)". Oxford Dictionary of National Biography. Retrieved 12 May 2020.
  2. "Inez Bensusan". Spartacus Educational. Retrieved 22 November 2017.
  3. "Inez Bensusan © Orlando Project". orlando.cambridge.org. Retrieved 22 November 2017.
  4. "SAPDD Biographies - Inez Bensusan". SAPDD.
  5. "SAPDD Biographies". The Suffragettes. Retrieved 22 November 2017.
  6. Inez Bensusan (1909). The Apple. An Episode of To-day in One Act. Actresses' Franchise League.
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