In the Desert

"In the Desert"[1] is the name given to a poem written by Stephen Crane (1871–1900), published in 1895 as a part of his collection, The Black Riders and Other Lines. "In the Desert" is the third of fifty-six short poems published in this volume.

In the Desert
by Stephen Crane
First published in1895
CountryUSA
LanguageEnglish
SeriesThe Black Riders and Other Lines
PublisherCopeland and Day
Lines10
Preceded byThree little birds in a row
Followed byYes, I have a thousand tongues
In the Desert

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;

“But I like it
“Because it is bitter,
“And because it is my heart.”

Reception

Crane's poetry has been given significantly less scholarly attention than his fiction. In fact, none of Crane's poems were anthologized until 1926. When the poems were published, Crane was criticized for the unusual form of the poems and was said to have some nerve in presenting these "disjointed effusions" as poetry. The first reviewers found The Black Riders to be "artless and barbaric".[2]

In his correspondence with an editor of Leslie's Weekly in 1895, Crane wrote that he preferred The Black Riders to his novel The Red Badge of Courage. Crane wrote, "I suppose I ought to be thankful to 'The Red Badge,' but I am much fonder of my little book of poems, 'The Black Riders'. My aim was to comprehend in it the thoughts I have had about life in general, while 'The Red Badge' is a mere episode in life, an amplification."

Criticism

Joseph Katz states that "In the Desert" presents an interaction between a primary voice reporting an incident ("In the desert / I saw a creature, naked, bestial") and a second character representing a position which is perceived to be inferior. The primary speaker assumes a dominant role over the "creature".[3]

"In the Desert" also serves as an example of Crane's tendency to state universal truths, and this leads to Crane's use of abstraction. Though Crane has this tendency, his use of abstraction is tempered by his allegory and parable. Crane uses only two characters in a general form, the speaker and the creature, and both characters serve the larger purpose of the narrative. They do not hold importance due to their individual characteristics.[4]

"In the Desert" presents an ambiguous state of mind, but affirms a stance toward God and the Universe.[5] In this poem, no particular sin is pointed out to the reader; instead, Crane shows that human nature is inherently sinful and corrupt.[6] Max Cavitch writes, that "In the Desert" is well-deserving of a permanent place in American literature along with Crane's The Black Riders.[7]

gollark: The perl one is obviously someone impersonating you.
gollark: QEDED.
gollark: You wouldn't have to, because you know how it works.
gollark: Of course you like it. You wrote it.
gollark: Calibre can do it I assume.

See also

References
  1. "In the Desert by Stephen Crane". poetryfoundation. Retrieved 6 December 2013.
  2. Vanouse, Donald (1994). "The First Editions of Stephen Crane's The Black Riders and Other Lines and War is Kind". syr.edu/. Retrieved 6 December 2013.
  3. Katz, Joseph (1972). The Complete Poems of Stephen Crane. Ithaca, N.Y: Cornell University Press. ISBN 0-8014-9130-4.
  4. Hoffman, Daniel (1994). The poetry of Stephen Crane.
  5. Bergon, Frank (1975). Stephen Crane's Artistry. Columbia University Press. ISBN 0-231-03905-0.
  6. Wortheim, Stanley (1998). The Black Riders Revisited: An Inquiry into a Bibliographical Study. Stephen Crane Studies.
  7. Cavitch, Max (2008). Stephen Crane's Refrain. ESQ: A Journal of the American Renaissance.
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