Hugo Döblin
Hugo Döblin (29 October 1876 – 4 November 1960) was a German stage and film actor.[1] He appeared in more than eighty films, most of them during the silent era. The Jewish Döblin left Germany following the Nazi Party's rise to power in 1933, and after moving first to Czechoslovakia and Austria, eventually settled in Switzerland. His younger brother was novelist, essayist, and doctor Alfred Döblin (1878–1957).
Hugo Döblin | |
---|---|
Born | Hugo Emil Döblin 29 October 1876 |
Died | 4 November 1960 84) Zurich, Switzerland | (aged
Occupation | Actor |
Years active | 1914–1949 (film) |
Relatives | Alfred Döblin (brother) |
Selected filmography
- Hearts are Trumps (1920)
- From Morn to Midnight (1920)
- Burning Country (1921)
- Seafaring Is Necessary (1921)
- Danton (1921)
- The House on the Moon (1921)
- The Oath of Stephan Huller (1921)
- Lady Hamilton (1921)
- Lola Montez, the King's Dancer (1922)
- The Big Shot (1922)
- Lucrezia Borgia (1922)
- The False Dimitri (1922)
- Your Valet (1922)
- The Lady and Her Hairdresser (1922)
- Die Gezeichneten (1922)
- A Glass of Water (1923)
- A Woman, an Animal, a Diamond (1923)
- Nanon (1924)
- Darling of the King (1924)
- The Game of Love (1924)
- Debit and Credit (1924)
- One Minute to Twelve (1925)
- The Venus of Montmartre (1925)
- The Telephone Operator (1925)
- The Girl with a Patron (1925)
- The Wife of Forty Years (1925)
- Only a Dancing Girl (1926)
- The Blue Danube (1926)
- The Transformation of Dr. Bessel (1927)
- The Strange Case of Captain Ramper (1927)
- Night of Mystery (1927)
- The Convicted (1927)
- The Lorelei (1927)
- My Aunt, Your Aunt (1927)
- Lützow's Wild Hunt (1927)
- Give Me Life (1928)
- The Lady and the Chauffeur (1928)
- Anastasia, the False Czar's Daughter (1928)
- The Woman in the Advocate's Gown (1929)
- What a Woman Dreams of in Springtime (1929)
- The Crimson Circle (1929)
- The White Devil (1930)
- Him or Me (1930)
- The Theft of the Mona Lisa (1931)
- A Blonde Dream (1932)
- Madness Rules (1949)
gollark: We've discussed the Chinese room argument before here, I think.
gollark: If Java is bad, I don't want to learn it, regardless of whether I know others, which I do.
gollark: How does that help?
gollark: Some of us have priorities other than job application match maximization.
gollark: It's bad, though?
References
- Hardt p.233
Bibliography
- Hardt, Ursula. From Caligari to California: Erich Pommer's Life in the International Film Wars. Berghahn Books, 1996.
- Prawer, S.S. Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910-1933. Berghahn Books, 2005.
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