Huey "Piano" Smith

Huey Pierce Smith,[1] known as Huey "Piano" Smith (born January 26, 1934, New Orleans, Louisiana[2]), is an American rhythm-and-blues pianist whose sound was influential in the development of rock and roll.

Huey "Piano" Smith
Background information
Birth nameHuey Pierce Smith
Born (1934-01-26) January 26, 1934
New Orleans, Louisiana, United States
GenresRock & roll, R&B
Occupation(s)Pianist
InstrumentsPiano
Years active1949–present
LabelsSavoy, Ace, Imperial
Associated actsCurley Moore, Bobby Marchan, Charles "Hungry" Williams

His piano playing incorporated the boogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino.[2] Steve Huey of AllMusic noted that "At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, 'Don't You Just Know It.'"[3]

Career

Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair.[4] He became known for his shuffling right-handed break on the piano that influenced other Southern players.[5]

Smith wrote his first song "Robertson Street Boogie", named after the street where he lived, on the piano, when he was eight years old. He performed the tune with a friend, with the two billing themselves as Slick and Dark. Smith attended McDowell High School and Xavier University of Louisiana in New Orleans.[6]

When Smith was fifteen, he began working in clubs and recording with his flamboyant partner, Eddie Jones, who rose to fame as Guitar Slim.[5] When Smith was eighteen, in 1952, he signed a recording contract with Savoy Records, which released his first known single, "You Made Me Cry". In 1953 Smith recorded with Earl King.[7]

In 1955, Smith became the piano player with Little Richard's first band in sessions for Specialty Records.[3] The same year he also played piano on several studio sessions for other artists, such as Lloyd Price.[3] Two of the sessions resulted in hits for Earl King ("Those Lonely Lonely Nights") and Smiley Lewis ("I Hear You Knocking").[3]

In 1957, he formed a band, Huey "Piano" Smith and His Clowns, with Bobby Marchan,[8] and signed a long-term contract with Ace Records, represented by former Specialty record producer Johnny Vincent. They hit the Billboard charts with several singles in succession, including "Rockin' Pneumonia and the Boogie Woogie Flu".[3]

The record was issued as "Rockin' Pneumonia and the Boogie Woogie Flu Part 1" on the A-side, lyrics by John Vincent, and "Rockin' Pneumonia and the Boogie Woogie Flu Part 2", an instrumental, on the flip side. The record sold over one million copies, achieving gold disc status.[2]

In 1958, Vin Records, a subsidiary of Ace Records, released a popular single, "Little Chickee Wah Wah", with Clowns singer Gerri Hall, under the billing of Huey and Jerry. (This song is sometimes confused with the similarly titled 1956 single "Chickie Wah Wah", by Bobby Marchan, which has entirely different lyrics, tempo, chord structure and melody; the Vincent-Smith composition is built around the melody of the old black children's play song "Little Sally Walker.")

Meanwhile, Ace Records released several more singles by Huey "Piano" Smith and His Clowns, including "We Like Birdland", "Well I'll Be John Brown", and "Don't You Know Yockomo" (a cover version of which, recorded by the New Zealand artist Dinah Lee, reached number 1 in both New Zealand and Australia in 1964).

The Clowns' most famous single, released in 1958, was "Don't You Just Know It" backed with "High Blood Pressure." This hit number 9 on the Billboard Pop chart and number 4 on the Rhythm and Blues chart.[3] It was their second million seller.[2]

In 1959, Ace Records erased Smith's vocal track from "Sea Cruise", the now-classic single Smith had composed, arranged and performed, and replaced it with a vocal track by the white singer Frankie Ford.[3] The song was a hit for Ford.[9]

Smith left Ace Records for Imperial Records, to record with Fats Domino's noted producer (and fellow Louisianan) Dave Bartholomew, but the national hits did not follow.[3] Instead, Ace Records again overdubbed new vocals by Gerri Hall, Billy Roosevelt and Johnny Williams on another one of Smith's unreleased tracks, to produce "Pop-Eye", the last hit single credited to Smith.[3]

One of the vocalists for the Clowns during the late 1950s and 1960s was Curley Moore (1943–1985), who also had minor regional solo hits under his own name, including "Don't Pity Me", recorded for SanSu Records; "Soul Train", on Hotline Records; and "Get Low Down." in 1979, Moore joined a re-formed version of the Clowns with Smith at the 1979 New Orleans Jazz and Heritage Festival.[10] Moore was murdered; his body was found in Algiers, Louisiana, near New Orleans, in December 1985 . He was 42 years old.[11]

In the years following, Smith made several comebacks, performing as Huey "Piano" Smith and His Clowns, the Hueys, the Pitter Pats, and Shindig Smith and the Soul Shakers, but he has never attained his former degree of success.[3]

In 2000, Smith was honored with a Pioneer Award by the Rhythm and Blues Foundation.[12]

gollark: ... sure?
gollark: I was going to use Rust, but JS was just faster to work with.
gollark: https://github.com/osmarks/yet-another-hatchery/blob/master/server/db.js
gollark: I mean, yes, PHP allows database usage... but other languages' libraries are *far* nicer.
gollark: ~~PHP = EVIL~~

References
  1. Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p. 179. ISBN 978-0313344237.
  2. Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London, UK: Barrie and Jenkins. p. 96. ISBN 0-214-20512-6.
  3. "Biography". Allmusic.com. Retrieved May 20, 2009.
  4. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 157. ISBN 1-85868-255-X.
  5. Kennedy, Rick, and McNutt, Randy (1999). Little Labels—Big Sound. Indiana University Press. pg. 132; ISBN 0-253-33548-5.
  6. Nite, Norm N. (1974). Rock On: The Illustrated Encyclopedia of Rock n' Roll (The Solid Gold Years). Thomas Y. Crowell. pg. 573; ISBN 0-690-00583-0.
  7. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 131. ISBN 1-85868-255-X.
  8. Bogdanov, Vladimir, et al. (eds.) (2001). All Music Guide (4th ed.). Backbeat Books. pg. 372; ISBN 0-87930-627-0.
  9. Koster, Rick (2002). Louisiana Music. Da Capo Press. p. 92. ISBN 0-306-81003-4.
  10. White, Cliff (1981). Liner notes. Sehorn's Soul Farm. London: Charley Records.
  11. Wirt, John (2014). Huey "Piano" Smith and the Rocking Pneumonia Blues. Baton Rouge: LSU Press. p.169. ISBN 9780807152959.
  12. "Rhythm & Blues Foundation – Preserving America's Soul". rhythm-n-blues.org. Retrieved 2009-10-11.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.