Host Analog

Host Analog is an outdoor 1991 sculpture by Buster Simpson located outside the Oregon Convention Center in Portland, Oregon, United States.

Host Analog
The nurse log in 2015
ArtistBuster Simpson
Year1991 (1991)
TypeSculpture
Medium
Dimensions5.2 m × 27 m × 9.1 m (17 ft × 90 ft × 30 ft)
LocationPortland, Oregon, United States
Coordinates45.52980°N 122.66241°W / 45.52980; -122.66241
Websitewww.bustersimpson.net/hostanalog/

Description and history

Buster Simpson's living art installation Host Analog consists of a large 1,000-year-old Douglas fir log placed outside the Oregon Convention Center to nurse seedlings from the state's old growth forest and represent the "connections between the forest and the citizens of Portland".[1][2] The wind-fallen tree was taken from the Bull Run River's watershed east of Portland and cut into pieces, resembling a fallen Roman column; mist from a stainless steel irrigation system installed around the log is sprayed in fifteen-minute increments.[1][2] Signage nearby explains the public sculpture and shows how the log appeared after its 1991 installation.[1] The Public Art Archive offers the following description of the artwork:

The growth and development of an indigenous volunteer plantscape are shown in three panoramic images taken over a nine-year period. This piece addresses sustainability and contrasts a dynamic event in an ordered urban context.[3]

It is part of the collection of the Regional Arts & Culture Council.[3] In 2000, Paul Kelsch wrote in Environmentalism in Landscape Architecture about a dilemma faced by Simpson:

Though the seedlings are growing quite well, the log is being enveloped by other vegetation that has seeded itself in around it. Simpson is unsure what to do. Should he allow the other plants to grow, or should be cut them out? All of them, or just some? As he put it: How much should be "play God"?

The sculpture has been called "unique" and included in published walking tours and guides of Portland.[2][4]

gollark: It's not a frequency.
gollark: No, that's a speed.
gollark: =wolf
gollark: See, it's important to recognize that distinction.
gollark: What do you mean you "perceive" time as discrete? You mean you *arbitrarily think so*, or what?

See also

References
  1. Kelsch, Paul (2000). "Constructions of American Forest: Four Landscapes, Four Readings". Environmentalism in Landscape Architecture, Volume 22. Dumbarton Oaks. p. 163. Retrieved April 27, 2015.
  2. Dresbeck, Rachel (March 18, 2014). Insiders' Guide to Portland, Oregon (8 ed.). Rowman & Littlefield. p. 200. Retrieved April 27, 2015.
  3. "Host Analog". Public Art Archive. Retrieved April 27, 2015.
  4. Cook, Sybilla Avery (April 2, 2013). Walking Portland, Oregon (2 ed.). Globe Pequot. p. 217. Retrieved April 27, 2015.
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