Herberto Hélder

Herberto Helder de Oliveira (Funchal, São Pedro, November 23, 1930 – Cascais, March 23, 2015) was a Portuguese poet often considered the most important Portuguese poet of the second half of the 20th century.[1]

Herberto Helder
BornHerberto Helder de Oliveira
(1930-11-23)November 23, 1930
Funchal, Madeira, Portugal
DiedMarch 23, 2015(2015-03-23) (aged 84)
Cascais, Portugal
OccupationPoet, writer
NationalityPortuguese
Period1958–2015
Notable awardsPrémio P.E.N. Clube Português de Poesia (1983)
Prémio da Crítica da Associação Portuguesa de Críticos Literários (1988)
Pessoa Prize (1994)
SpouseMaria Ludovina Dourado Pimentel
Olga da Conceição Ferreira Lima
ChildrenGisela Ester Pimentel de Oliveira
Daniel Oliveira

Biography

Herberto Helder was born in the Portuguese Atlantic island of Madeira.[2] In 1946 he traveled to Lisbon to complete his secondary studies and subsequently in 1948 moved to Coimbra to study Law at university. In 1949 he had changed to the Humanities University to study Romance Philology but dropped out after three years without completing the course. After returning to Lisbon he took up several temporary jobs, and got in contact with a circle of artists and writers such as Mário Cesariny, Luiz Pacheco, João Vieira and Hélder Macedo. This group revolved around Surrealism which would inform his early writings. In 1958 his first book, O Amor em Visita was published. In the following years he traveled and lived in France, Holland and Belgium taking menial jobs to survive.

In 1994, he was the winner of the Pessoa Prize, which he refused, saying "Don't tell anyone and give the prize to someone else ..." [3]

Works

Herberto Helder's poetry and fiction is very visual, and has connections with Surrealism, still his style is difficult to define; he was a practitioner of experimental poetry and some call him an orphic or visionary poet (that somehow reminds Ezra Pound).

Considered one of the most important contemporary Portuguese poets his poetry is not yet enough studied by academics due to the obscurity of his personality itself (he refused to take literary prizes or have media exposure) and the complexity of his paradoxal work that has a strange enchantment.

Published works

Poetry
  • O Amor em visita (Love in visit), Lisbon, 1958
  • A Colher na Boca (The spoon in the mouth), Lisbon, 1961
  • Poemacto (Poemact), Lisbon, 1967
  • Lugar (Place), Lisbon, 1962
  • Electronicolirica (Electronicalyrics), Lisbon, 1964
  • Húmus (Humus), Lisbon, 1967
  • Retrato em movimento (Portrait in movement), Lisbon, 1967
  • O bebedor nocturno (The nocturnal drinker), Lisbon, 1968
  • O ofício cantante (The singing craft), Lisbon, 1968
  • Cobra (Snake/Cobra), Lisbon, 1977
  • Photomaton e Vox (Photomaton and Vox), Lisbon, 1979
  • Poesia Toda (All Poetry), Lisbon, 1981
  • A Cabeça entre as mãos (The head between the hands), Lisbon, 1982
  • As Magias (1987)
  • Última Ciência (1988)
  • Do Mundo (1994)
  • Poesia Toda (1º vol. de 1953 a 1966; 2º vol. de 1963 a 1971) (1973)
  • Poesia Toda (1ª ed. em 1981)
  • A Faca Não Corta o Fogo – Súmula & Inédita (2008)
  • Ofício Cantante (2009)
  • Servidões (2013)
  • A Morte sem Mestre (2014)
  • Poemas canhotos (2015) - Finished just before his death, published two months after the author's death.

Fiction
  • Os passos em volta (The steps around), Lisbon, 1963
  • Apresentação do rosto (Presentation of the face), Lisbon, 1968
gollark: I don't actually have a car, but it seems like with the increasing amount of computers in them and requirements for mobile connectivity and such in them, they're moving away from this.
gollark: Generally, I think my things should do what I want and not enforce artificial lockouts on things, randomly break unrepairably, report data back to whoever, run unauditable proprietary software, or do weird stuff in the background.
gollark: Oh, and if I remember right all Teslas are constantly connected over the mobile network to Tesla and can refuse to work if you don't do software updates.
gollark: * one model of car, I mean
gollark: They also had a perfect* and flawless** design where in one car, their console or something had a flash chip in it which could not be replaced and which their terrible software wore out really fast.

References
  1. VITÓRIA, ANA (May 7, 2009). "Robô poeta de Leonel Moura lança livro". Jornal de Notícias (in Portuguese). Retrieved July 9, 2011.
  2. "A short biography of Herberto Helder". Citi.pt - Lisbon University (in Portuguese). Archived from the original on September 30, 2014. Retrieved August 20, 2014.
  3. "Quando Clara e António Alçada foram avisar Herberto do Prémio Pessoa". Expresso (in Portuguese). March 24, 2015. Retrieved January 20, 2020.
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