Heliconian Club

The Heliconian Club of Toronto is an association of women involved in the arts and letters based in Toronto, Canada. It operates out of Heliconian Hall located in Yorkville. In existence for over 110 years, the Heliconian Club remains steadfast in its commitment to women living and working in the arts.

Heliconian Club of Toronto
Formation1909
PurposeSocial
HeadquartersHelconian Hall
Location
  • 35 Hazelton Avenue, Toronto
Coordinates43.671822°N 79.393384°W / 43.671822; -79.393384
Region
Toronto
Websiteheliconianclub.org

Today the Club has six sections – Drama, Dance, Humanities, Literature, Music and Visual Arts – open to all professional women working in or supporting the arts. The Club runs a Literary Lecture Series, founded in 1996, a Concert Series in its eighth year and a Salon Series featuring speakers from across the arts spectrum. These are open to the public, with the exception of the Literary Lecture Series which is by subscription only.

A key initiative of the Club over the last decade has been to establish artistic residencies for young female artists setting out on a professional career in Music, Literature, Visual Arts, Drama and Dance. The Club offers the musician, dancer, and dramatist rehearsal space at the Club and an evening in which they can perform their artistic projects at the Club before a paying audience. The Visual Artist is given a solo show of her works at the end of the residency in June of each year and is able to attend the Life Drawing Sessions at the Monday Sketch Club free of charge. The Writer in residence is given a subscription to the Literary Lecture Series and the opportunity during her residency to share her current writing project with members of the Club.


History

Mary Hewitt Smart (later Shenstone), a teacher of singing at the Toronto Conservatory of Music, had helped establish the Women’s Musical Club of Toronto in 1899 and now, in the early 1900s, was contemplating a more ambitious project. She wanted to bring together women living and working in all the arts – not just music – for social interaction and intellectual stimulation. To that end, she and 59 fellow artists attended a formal meeting at the Teapot Inn on Wednesday, January 20, 1909. On that day, the Heliconian Club was born with Mary Smart as its first president. It was named for Mount Helicon, mythical abode of the Muses.[1]

The founding members were professionals in painting, music, literature and drama. The first Vice President was painter Elizabeth McGillivray Knowles. Charter members (founding members) included Jean Blewett (poet); Bessie Bonsall Barron (singer), Mona Bates (pianist), Estelle Kerr (painter), Ellen Elliott (publisher), Mary Dignam (founder of the Women’s Art Association of Canada (WAAC)), Emma Scott Raiff Naismith (dramatist), Jessie Alexander Roberts (dramatist), Ida McLean (singer), and Marjory MacMurchy – aka Lady Willison (journalist & author). Other early active members were: Lina Adamson, Maude Wilks, Katherine Hale (writer), Mrs. J.V. Fairburn,[2] as well as visual artists Dorothy Stevens, Mabel Cawthra, Marion Long, Rody Kenny Courtice, Isabel McLaughlin and Kathleen Daly.[3]

Another impetus to creating the Heliconian Club was the fact that women were excluded from The Arts and Letters Club of Toronto, founded in 1908.[4] Membership was by invitation only and members were required to have distinguished themselves in their particular métier.

The early Heliconians resembled nomads, giving performances, holding meetings and hosting receptions for visiting artists in several different locations before settling in a permanent home. In 1914, members met in a suite of rooms over a bank at the corner of Yonge and Grosevenor streets. Better accommodation was found at 617 Yonge Street; later the Club moved again to a large room over a closed movie house at 801 Yonge St. At the Club’s annual meeting of 1923, the acquisition of permanent headquarters was discussed and members were asked to keep an eye open for a suitable building. Shortly afterward, artist Emily Louise Elliot spotted a “For Sale” sign on an apparently empty church on Hazelton Ave. It was the former Olivet Baptist Church, then owned by the Painters’ Union, whose asking price was $8,000. In July, 1923, the Club acquired the building with a down payment of $2,000 and the prospect of a $5,000 bill for renovations and structural repairs. Diligent fundraising enabled the work to be done. The mortgage was discharged in 1931.[5]

In its earliest iteration the Club hosted receptions for artists visiting Toronto, as well as mounted theatricals, skits, concerts, art exhibits, arranged art lessons and held a variety of social events such as luncheons and dinners.[6] One of its specialties was extravagant tableaux vivants involving the talents of all of the members including musicians, artists, actors, and writers.[7]

Heliconian Hall

Hall

Heliconian Hall, as it is now known, is in the Yorkville district of Toronto on the east side of Hazelton Avenue and north of Scollard Street. The area is home to many art galleries, boutiques and picturesque Edwardian and Victorian homes.

The building was erected in 1876. Its architecture is Carpenter’s Gothic, with a board and batten exterior and a unique carved rose window with drip molding on the west façade. It is one of very few board-and-batten buildings still in use in Ontario. The building is protected under Part IV of the Ontario Heritage Act, designated by the City of Toronto since 1973.[8] In 1983 the Toronto Historical Board recognized it with an appropriate plaque as “the oldest building” in the Yorkville area. In 1990 the Heliconian Hall Foundation was founded as a vehicle to acquire funds for the preservation and restoration of what is often called the gem of Yorkville.[9] Heliconian Hall was designated a National Historic Sites of Canada in 2008 due to its distinctive architecture and its association with the Heliconian Club.[10]

Other noteworthy architectural features include the square, flat-roofed tower, asymmetrically located on the building’s southern elevation, two symmetrical steeply gabled entrance porches, and an arcade of narrow-pointed arched windows. The main hall has a vaulted ceiling, a low stage and a fireplace.[11] Due to its excellent acoustics, the venue is in high demand for concerts and other performances. In addition, there is a small meeting room beside the hall with a bar and a kitchen. The hall may be rented for events and performances.

Current activities

While the Heliconian Club remains true to its objective as a forum for interaction among women in the arts, it has also evolved. Club events attract participants from across the city: the Monday Sketch Group, founded by artist and teacher Erma Lennox Sutcliffe in the early 1970s is vigorous. The Literary Lecture Series, founded by Janet L’Heureux in the mid-1990s, is consistently sold out. [12]Since it was initiated, more than 170 exceptional Canadian authors have been featured. An annual concert series of varied programmes featuring the Clubs’ high-caliber performers is another well-ensconced tradition. Each month member artists present art exhibitions in the hall for public viewing; exhibitions include drawings, paintings, mixed media, found objects, textile art, photography and occasionally sculpture.

Notable members

A handsome, historic building alone does not enable a club to survive for 100 years. The strength, vitality and longevity of the Heliconian Club comes from its many dedicated and distinguished members whose reputation and accomplishments are not limited to Toronto but recognized across Canada. Many early Heliconians were trailblazers in their areas of expertise.

Seven Heliconians have received the country’s highest honour: the Order of Canada

1. Dora Mavor Moore (1888–1979), actor and director who was instrumental in establishing Canadian professional theatre and has an annual award named in her honour[13]

2. Marjorie Wilkins Campbell (1901–1986), a writer who also twice won the Governor General's Award[14]

3. Isabel McLaughlin (1903–2002), visual artist, patron and philanthropist[15]

4. Edna Staebler (1906-2006), prolific writer at Maclean’s and Chatelaine magazines

5. Francess Halpenny (1919–2017), editor at University of Toronto Press, Dean of U of T faculty of Library Science

6. Dorreen Hall (1921 - ), violinist and music educator who brought Orff method of teaching to Canada[16]

7. Lois Marshall (1924–1997), soprano

Other notable members are listed below

  • Parks Canada plaque
  • Toronto Historical Board plaque
  • Hall and neighbors
gollark: ... probably 32KB of storage total?
gollark: I suppose with a speaker hooked up it could be... made to randomly make annoying beeping noises, or something.
gollark: Magnetometer, which can be used that way, so kind of.
gollark: What, an inefficient compass?
gollark: It could be used as a very inefficient and inaccurate compass?

References

Citations

  1. Weirs, pamphlet.
  2. Walbourm, p. 19 – 20 P. 19-20. Footnotes 50 and 51 (p.295). Minutes from May 20,1909 Heliconian Archives bulletins F1182, Series C. Box MU 8096, file 6, Archives of Ontario and The Toronto Star “The Heliconia Dinner” January 21, 1909.
  3. Huneault, p. 32.
  4. Butlin, p. 147-148.
  5. Weiers, pamphlet.
  6. Butlin, p.146.
  7. Walboum, p.121-122.
  8. http://app.toronto.ca/HeritagePreservation/details.do?folderRsn=2434946&propertyRsn=626357
  9. Weiers, pamphlet
  10. Parks Canada Directory of Federal Heritage Designations website: https://www.pc.gc.ca/apps/dfhd/page_nhs_eng.aspx?id=11997&i=60749.
  11. Ibid.
  12. Weiers, pamphlet.
  13. The Canadian Encyclodpedia - https://www.thecanadianencyclopedia.ca/article/dora-mavor-moore).
  14. Canada’s Early Women Writers https://cwrc.ca/islandora/object/ceww%3A0ffad236-61fe-45dd-8966-295b5ddbe287.
  15. Canadian Women Artists History Initiative based at Concordia University http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=56.
  16. The Canadian Encyclopedia https://www.thecanadianencyclopedia.ca/en/article/doreen-hall-emc.
  17. Art Canada Institute https://aci-iac.ca/art-books/mary-hiester-reid/biography
  18. Walboum, P. 147. Jessie Alexander Roberts described as “a founding member and Club President and one of its most active and exuberant members throughout her long affiliation, JAR helped catapult the Club into its most productive and culturally significant years.”
  19. Canadian Writers Research Collaboratory based at Simon Fraser University https://dhil.lib.sfu.ca/doceww/person/1982
  20. Canadian Women’s Artists History Initiative based at Concordia University http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=29.
  21. Canadian Women’s Artists History Initiative based at Concordia University http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=29
  22. 22. Canadian Women’s Artists History Initiative based at Concordia University http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=5848
  23. Canadian Women’s Artists History Initiative based at Concordia University http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=270
  24. Canada’s Early Women Writers https://cwrc.ca/islandora/object/ceww%3A67938855-85d8-4898-99df-4f0a2d7b5abe
  25. Canada’s Early Women Writers https://cwrc.ca/islandora/object/ceww%3Ac27c64f5-7ce2-4ea2-b31c-3a214ba922be
  26. Canadian Women’s Artists History Initiative http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=28
  27. 27. Canadian Women’s Artists History Initiative http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=33
  28. Canadian Women’s Artists History Initiative http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=33
  29. Canadian Women’s Artists History Initiative http://cwahi.concordia.ca/sources/artists/nameSearch.php?artist=Rody+Courtice
  30. Canadian Women’s Artists History Initiative http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=26
  31. Canadian Women’s Artists History Initiative http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=27
  32. Canadian Women’s Artists History Initiative http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=16
  33. The Canadian Encyclopedia https://www.thecanadianencyclopedia.ca/en/article/jane mallett
  34. Walboum, Samara Ladies in Retirement 2004 p.111-157
  35. Canadian Women’s Artists History Initiativehttp://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=43
  36. Walboum, Samara Ladies in Retirement 2004 p.111-172
  37. Canada’s Early Women Writers https://cwrc.ca/islandora/object/ceww%3A1fcaf9d8-1b15-4691-8400-8f12c8b9abac
  38. Panofsky, Ruth (2006). "Head of the publishing side of the business: Ellen Elliott of the Macmillan Company of Canada.” Papers of The Bibliographical Society of Canada, 44(2). file:///C:/Users/Owner/Downloads/18477-Article%20Text-43012-1-10-20120826%20(1).pdf)
  39. Canada’s Early Women Writers https://cwrc.ca/islandora/object/ceww%3Aa7f5fe49-5b61-4d7f-9aa7-87c635488a7d
  40. Canadian Writers Research Collaboratory based at Simon Fraser University https://dhil.lib.sfu.ca/doceww/person/3881 and Spencer, Emily Lipstick and High Heels: War, Gender and Popular Culture. http://madgic.library.carleton.ca/deposit/govt/ca_fed/DND_lipstickandhighheels_2007.pdf p. 41-48
  41. Canada’s Early Women Writers https://cwrc.ca/islandora/object/ceww%3A232d34a9-7f23-4f13-b540-e24d6718c9ee. Jennings, Ryan “Driving Miss Dempsey” Ryerson Review of Journalism Spring 1999 issue https://rrj.ca/driving-miss-dempsey/. Spencer, Emily. Lipstick and High Heels p.57 – 58.
  42. The Canadian Encyclopedia https://www.thecanadianencyclopedia.ca/en/article/muriel-stafford-emc.
  43. Immen, Wallace “Actors fight plan to build apartment” The Globe and Mail, June 13, 2001. https://www.theglobeandmail.com/news/national/actors-fight-plan-to-build-apartment/article4149187/.
  44. https://www.legacy.com/obituaries/name/helen-sewell-obituary?pid=189721043
  45. Canadian Writers Research Collaboratory based at Simon Fraser University https://dhil.lib.sfu.ca/doceww/person/40.
  46. MacKinnon, Chapter 1.
  47. https://www.legacy.com/obituaries/theglobeandmail/obituary.aspx?n=aileen-tyrrell-richardson-morrow&pid=189820059.
  48. Canadian Theatre Encyclopedia http://www.canadiantheatre.com/dict.pl?term=Hall%2C%20Amelia
  49. https://www.legacy.com/obituaries/theglobeandmail/obituary.aspx?n=faith-wood-breen&pid=189822788.
  50. https://www.legacy.com/obituaries/theglobeandmail/obituary.aspx?n=mary-elizabeth-dingman-beth&pid=189941104&fhid=9911
  51. https://www.legacy.com/obituaries/theglobeandmail/obituary.aspx?n=jean-townsend-field&pid=189822948
  52. https://www.legacy.com/obituaries/thestar/obituary.aspx?n=joanne-mazzoleni&pid=194642608
  53. https://www.legacy.com/obituaries/thestar/obituary.aspx?n=suzanne-k-mess&pid=191382427.
  54. https://www.legacy.com/obituaries/thestar/obituary.aspx?n=margaret-kesslering-weiers&pid=191033170
  55. The Canadian Encyclopedia https://www.thecanadianencyclopedia.ca/en/article/patricia-rideout-rosenberg-emc.
  56. Canadian Music Centre https://www.musiccentre.ca/node/37415/biography https://www.legacy.com/obituaries/thestar/obituary.aspx?n=mary-e-gardiner-rutherford&pid=139268088.

Sources

  • Butlin, Susan (2009-01-01). The Practice of Her Profession: Florence Carlyle, Canadian Painter in the Age of Impressionism. McGill-Queen's Press – MQUP. ISBN 978-0-7735-7525-7. Retrieved 2014-07-03.CS1 maint: ref=harv (link)
  • Huneault, Kristina; Anderson, Janice (2012-04-11). Rethinking Professionalism: Women and Art in Canada, 1850–1970. McGill-Queen's Press – MQUP. ISBN 978-0-7735-3966-2.CS1 maint: ref=harv (link)
  • MacKinnon, Donna Jean. Newsgirls, Gutsy Pioneers in Canada’s Newsrooms. Leaping Lion Books, 2017.
  • Walboum, Samara. Ladies in Retirement, University of Toronto PhD Thesis, 2004.
  • Weiers, Margaret. “Toronto Heliconian Club: Women Living in the Arts 1909-2009” pamphlet, 2008.
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