Harlettes

The Harlettes, a.k.a. The Staggering Harlettes, is a trio of backup singers who support Bette Midler during her live musical performances. The Harlettes' line-up has changed many times since their inception.

History
Melissa Manchester was one of the original Harlettes

Bette Midler's stage act grew out of her early 1970s performances at the Continental Baths, a gay bathhouse in Manhattan which offered entertainment on the weekends. With her powerful singing voice, her outrageous costumes and her biting wit, Midler became a favorite of the bathhouse crowd.[1]

Inspired in part by the Theatre of the Ridiculous,[2][3] Midler's stage show evolved into a bawdy and flamboyant mixture of stand-up comedy, Vaudeville and burlesque. It was during this time that Midler cultivated her stage persona, “The Divine Miss M”. "The more outrageous I was, the more they liked it," says Midler. "It loosened me up."[1]

With the assistance of long-time collaborator and friend Barry Manilow—who also happened to work as a pianist at the Continental Baths—Midler found herself a trio of backup singers, which included pop singer Melissa Manchester. Originally they were called The Red Light District, then M.G.M. (because of the initials of the original members, Melissa, Gail and Merle), but eventually they settled on The Harlettes.[4]

With the support of her sultry Harlettes and the choreography of Toni Basil,[5] Midler's performances became known for their exhausting singing and dance routines. In a 1973 review of one of her shows, Rolling Stone writer Ed McCormack stated: “Watching Bette and the girls work out, the raw awkward sexual energy of it all makes you think of Tina Turner.”[6] During a single performance Midler and her Harlettes sing everything from wartime radio tunes such as "Boogie Woogie Bugle Boy", Depression-era jazz songs such as "Big Noise From Winnetka", "I Only Have Eyes for You", and "Lullaby of Broadway", to early girl group pop songs such as "Leader of the Pack", "Chapel of Love", and "Da Doo Ron Ron", all while changing in and out of costumes as varied as pink waitress uniforms, sequined gowns and mermaid tails.

Former Harlette Linda Hart was quoted in 2008 as saying that working as a Harlette was "like show business boot camp" and that she learned much from the experience.[7] Midler was also quoted in 2007 as referring to her relationship to her Harlettes in this way: “We have a great relationship. They adore me and I pay them.”[8]

Special appearances

Formerly of the Harlettes
  • In 1977, three former Harlettes released an LP titled Sharon Redd, Ula Hedwig, Charlotte Crossley - Formerly Of The Harlettes with Columbia Records. This was the group's only album.

Members

Group members are shown in chronological order by date of first appearance.

  • Melissa Manchester (1971–1972), actress and singer/songwriter
  • Merle Miller (1971–1972, 1977)
  • Gail Kantor (1971–1972)
  • Robin Grean (1972–1975), singer, actress and daughter of producer and composer Charles Randolph Grean
  • Sharon Redd (1972–1978), singer
  • Charlotte Crossley (1972–1978)
  • Ula Hedwig (1975–1978, 1980, 1982–1983)
  • Franny Eisenberg (1978–1980)
  • Linda Hart (1978–1980, 1982–1983), actress and singer
  • Katey Sagal (1978, 1982–1983), singer, songwriter and actress[9]
  • Paulette McWilliams (1979–1980), the original lead singer of Rufus
  • Diva Gray (1980)
  • Jocelyn Brown (1979–1980), singer
  • Joanne Harris (1983)
  • Jenifer Lewis (1983–1984), actress and singer
  • Siobhan O'Carroll (1983)
  • Helena Springs (1983)
  • Carol Hatchett (1993–2000, 2015)
  • Melanie Taylor (1993–2000), former member of the '80s dance duo Bardeux
  • Rhae Ann Theriault (1993–2001)
  • Nicolette Hart (2003–2005, 2015)
  • Kyra Da Costa (2003–2009, 2015)
  • Kamilah (Martin) Marshall (2003–2009)
  • Aléna Watters (2007–2008)
  • Jordan Ballard (2007–2009)
gollark: `load(your_code, filename [or nil, probably], "t", environment_table)`
gollark: Well, the sandboxing backend for potatOS does, but it's close enough.
gollark: PotatOS just passes in a replacement `_G` table to `load`.
gollark: It looks like a usable approach would be to just sandbox "webpages" to allow... basically just a subset of term access, all the random utility functions and libraries which are important, *maybe* HTTP (impose limits on requests - "CORS" type things, perhaps?), and a few things for user input and whatnot.
gollark: Cool, but make sure it's more secure than Firewolf...

References
  1. "Trash with Flash", TIME, Sep 10, 1973
  2. McDonald, Marcie: "A new singing rage: The Divine Miss M", The Toronto Star, Feb 24, 1973
  3. Slavo, Patrick and Barbara, "Bette Midler Had To Kill The Divine Miss M", In Touch, July, 1974
  4. Knight, Richard Jr., “‘Hats’ Off to Melissa Manchester”, Windy City Times, Jun 20, 2007
  5. Keck, William, "Divine Miss Midler Becomes Sassy Vegas 'Showgirl'", USA Today, Feb 06 2008
  6. McCormack, Ed, "The Gold Lame Dream Of Bette Midler", Rolling Stone, Feb 5, 1973
  7. Jones, Kenneth, Linda Hart, Hairspray's "Miss Baltimore Crabs," Developing a Musical for Herself, Playbill, Jun 24, 2003
  8. Grant, Lee, "Banking on Bette", San Diego Union-Tribune, May 7, 2007
  9. "The Staggering Harlettes - Katey Sagal". Archived from the original on 11 March 2012. Retrieved 11 June 2011.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.