Hans Ledersteger
Hans Ledersteger (1898–1971) was an Austrian art director who worked for many years in the German film industry. While mainly employed in Germany, he occasionally also worked in other countries such as Italy and his native Austria including on some post-war Heimatfilm.[1] He worked on around eighty films as Art Director or production designer during his career. He was married to the actress Irmgard Alberti. Their daughter was the actress Barbara Valentin.
Hans Ledersteger | |
---|---|
Born | 26 February 1898 Vienna, Austro-Hungarian Empire |
Died | 13 October 1971 73) | (aged
Occupation | Art Director |
Years active | 1926-1959 (film) |
Selected filmography
- Schweik in Civilian Life (1927)
- Marriage (1928)
- The Missing Wife (1929)
- Madame Bluebeard (1931)
- Viennese Waltz (1932)
- A Woman Between Two Worlds (1936)
- The Love of the Maharaja (1936)
- The Charm of La Boheme (1937)
- Darling of the Sailors (1937)
- Hotel Sacher (1939)
- Nothing But Coincidence (1949)
- Kissing Is No Sin (1950)
- A Thousand Red Roses Bloom (1952)
- Ave Maria (1953)
- Come Back (1953)
- A Musical War of Love (1953)
- Marriages Forbidden (1957)
gollark: i.e. generic slices/maps/channels but not actual generics, == being ***maaaaagic*** (admittedly like in most languages, I think), and `make`/`new`.
gollark: Also, as well as that, how it just special-cases stuff instead of implementing reusable solutions.
gollark: e.g. no map function existing or even being possible means that you have *readable* code with a for loop, but it's harder to understand *why that's there* and *what it's for*.
gollark: The main problem I have with it is that it conflates readability (you can see what the code is doing at a low level) with comprehensibility (you know what and why it's doing at a higher one).
gollark: Are you being serious?
References
- Fritsche p.240
Bibliography
- Fritsche, Maria. Homemade Men In Postwar Austrian Cinema: Nationhood, Genre and Masculinity . Berghahn Books, 2013.
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