Hamid Aytaç

Hamid Aytaç (pronounced Aytach) (b. 1891, Diyarbakır - d. 18 May 1982) was an Islamic calligrapher born during Ottoman times. In his later life, he was acknowledged as the Islamic world's leading calligrapher and was one of the last of the classical calligraphers.

Calligraphy

Life and career

Born Sheikh Musa Azmi, in 1891 in Diyarbakır, his paternal great-grandfather was the calligrapher Adem i-Amidi. [1] In international circles, he is also known as Hamid Al Amidi. Some of his works may be found to be signed as Azmi. He is known by the pseudonym Hamid.[2]

Hamid learned the jali-thuluth (Turkish: celi-sülüs) style from Mehmed Nazif (1846–1913), the naskh and thuluth styles from Kamil Akdiç (1862–1941) and the ta'liq style from Mehmed Hulusi (1869–1940).[2] He was one of the final links in the strict master-student system that had been in operation in an unbroken line for 500 years.[3]

He worked at the Harb School, for the Customs House in Istanbul and he briefly worked for the German Map Department in Berlin. Following the war, he opened his own commercial studio in Istanbul which he After the named Hattat Hamid Yazıevi. He was the first calligrapher to bring the techniques of engraving, embossing and luxury printing to the Turkish printing press. [4]

Following the death of the great calligrapher Ali bin Hilal, Aytaç became acknowledged as the leading calligrapher in the Arab world, and when he passed the age of 90 years, the mantle was passed onto his former student, Hashem Muhammad al-Baghdadi, who would the last of the classical calligraphers.[5] In handing over the role of leading calligrapher, Aytaç, in a clear reference to the importance of the medieval Baghdad School, said of al-Baghdadi, "the line grew up in Baghdad and ended there.[6]

He died on 18 May, 1982 and was buried in the Karacaahmet Cemetery of Üsküdar district, Istanbul. He was the last of the Ottoman calligraphers.[7]

Work

His works are on display in many countries including Egypt and Iraq. His works are also on display in many newly built mosques of Istanbul.[2] Some of his notable students include Hasan Çelebi, Fuat Bașar and Hashem Muhammad al-Baghdadi.

gollark: The nim real-time-chat community is accessible on Discord, Gitter, Matrix *and* Freenode via some impressive bridging.
gollark: Unlike heavdrones.
gollark: Not fearsome.
gollark: `Uninitialised value was created by a stack allocation` - 🐝, this *is* in my code.
gollark: So I *should* fear it?

See also

References
  1. "Hamid Aytaç" [Biographical Notes], Online: (in English)
  2. "Hamid Aytac [Azmi, Musa; al-Amidi, Hamid] (1891-1982)", Journal of Ottoman Calligraphy, Hamid Aytac (Azmi, Musa; al-Amidi, Hamid) (1891-1982)
  3. M. Uğur Derman, Letters in Gold: Ottoman Calligraphy from the Sakıp Sabancı Collection, N.Y., Metropolitan Museum of Art, 1998, p. 186
  4. "Hamid Aytaç" [Biographical Notes], Online: (translated from Turkish)
  5. Ali, W., Modern Islamic Art: Development and Continuity, University of Florida Press, 1997, p. 45
  6. "Hashim al - Baghdadi: Lover of Calligraphy" Altihad, 14 July 2015, Online: (translated from Arabic)
  7. Eriş, M.N. (ed.), Hat Sanatında Vazifeli Bir Hattat: Hamid Aytaç, [A calligrapher on duty in art of calligraphy: Hamid Aytaç], Istanbul, İstanbul Büyükşehir Belediyesi, 2011
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.