Hakan Topal

Hakan Topal is an artist living and working in Brooklyn, New York. He was the co-founder with Guven Incirlioglu of xurban collective (2000–12), and is known for his research-based[1] conceptual art practice. He is an Associate Professor of New Media and Art+Design at Purchase College, SUNY.[2]

Hakan Topal
Born
Çorum Province, Turkey
NationalityTurkish, American
Known forConceptual art, New media
MovementConceptual

Education

Hakan Topal attended Middle East Technical University (METU) in Ankara, where he also grew up. Trained as a civil engineer, during his studies Topal became an active member of the university's activist networks and visual arts community, where he realized exhibitions and performances.[3] He received an M.S. degree from the Gender and Women’s Studies graduate program at METU. He continued studies in sociology, receiving an M.A. and Ph.D. from the New School for Social Research with a concentration in urban sociology and sociology of art.

Exhibitions

Topal exhibited his collective and individual artworks and research projects in institutions such as the 8th and 9th Istanbul Biennials; apexart, New York; Thyssen-Bornemisza Art Contemporary (TBA21), Vienna; Kunst-Werke, Berlin; ZKM Center for Art and Media; MoMA PS1; Kunstwerke, Berlin;[4] Platform, Istanbul and Roundtable: The 9th Gwangju Biennale.[5] He recently contributed to "Harbor" show at Istanbul Modern Museum, Istanbul, and "Perpetual Revolution" at International Center of Photography Museum, New York.

Topal represented Turkey at the 49th Venice Biennale. His texts and projects have been featured in many international journals, books, and catalogs. He is co-editor of the book, The Sea-Image: Visual Manifestations of Port Cities and Global Waters[6] which is the outcome of visual research and an international symposium for the Istanbul European Capital of Culture 2010.

Bibliography
  • “Urgency: Artistic Responses to Natural Disasters, The Case of New Orleans” in MaHKUscript. Journal of Fine Art Research. 2016
  • “Mırıltıdan, Homurdanmaya: Sanatın Yeni Bağlamı”, introduction to Pascal Gielen’s Turkish translation “Murmuring of the Artistic Multitude: Global Art, Politics and Post-Fordism”. Istanbul: Norgunk Yayinlari. 2016
  • “Impossibility of Professional Art or Politics of Amateurism” in Dosya 37. Edited by Gokcecicek Savasir. Journal of Architecture. Issue 37. Ankara Architectural Association. 2016
  • “Fighting the Banality of Moderates: An Artist’s Vision for a Peaceful Turkey” in Hyperallergic. March 31, 2016
  • “Against Anatolia: Ruins and Friendship” in Serhh Poetry and Criticism Journal. Istanbul. Issue 3. May 2015
  • “The Poetics of Remembrance: Facing The Armenian Genocide” in Creative Time Reports, April 2015
  • “Collateral Damage, Condolence and the Aesthetic of Impossibility Justice” in Aesthetic Justice, edited by Pascal Gielen and Niels Van Tomme. Valiz, Amsterdam. 2014
  • Topal, Hakan. “On Bottany Carcinoma” in Mobility and Fantasy in Visual Culture, edited by Lewis Johnson. Routledge, New York. 2014
  • Altındere, Hallil and Evren Sureyya, eds. 101 Artworks: 40 Years of Turkish Contemporary Art. Rotterdam: Revolver, 2011
  • Topal, Hakan and Incirlioglu, Guven. "The-Sea-Image: Visual Manifestations of Port Cities and Global Waters". New York: Newgray, 2011
  • Kafetsi, Anna. Politics of Art. Athens: EMST, 2010
  • Amirsadeghi, Hossein. Unleashed: Contemporary Art from Turkey. London: Thames & Hudson, 2010
  • Carvalho, Denise. Bodies of Dispersion: Mechanism of Distention. Galeria Arsenal, 2010
  • Biesenbach, Klaus. Political/Minimal. Nürnberg: Verlag für Moderne Kunst, 2009
  • Mortenbock, Peter. and Helge Moonshammer. Networked Cultures: Parallel Architectures and the Politics of Space. Rotterdam: NAI Publishers, 2008
  • ACMA. Biennale Del Paesaggio Mediterraneo'. Milan: ACMA Centro Di Architettura, 2008
  • Altindere, Haili., Evren S, eds. User's Manual / Contemporary Art in Turkey: 1986-2006. Istanbul: Revolver Books, 2007
  • Elliot, David. Time Present, Time Past: Highlights from 20 Years of the Istanbul Biennial. Istanbul Modern, 2007
  • Madra, Beral. Neighbours in Dialogue. Istanbul: Feshane, 2007
  • Erdemci, Fulya, ed. Modern and Beyond. Istanbul Bilgi University Press, 2007
  • Biesenbach, Klaus. Greater New York. New York: PS1 / MoMA, 2005
  • Eche, Charles and Vasif Kortun. 9th International Istanbul Biennial. Istanbul Art and Culture Foundation, 2005
  • Conover, Roger. Call Me Istanbul. Karlsruhe: ZKM, 2004
  • Mermoz, Gerard. Time Lines: Reading the City of Signs. Istanbul: Aksanat Center, 2004
  • Cameron, Dan. Poetic Justice: The 8th International Istanbul Biennial. Istanbul: Istanbul Art and Culture Foundation, 2003
  • Akay, Ali. 60 years 60 Artists. Istanbul: Eczacibasi, 2002
  • Madra, Beral, eds. The Perfumed Garden. Istanbul: 49th Venice Biennial Turkish Pavilion, 2001
  • Ronte, Dieter, eds. Under the Sign of the City: Contemporary Art from Turkey. Bonn: Kunstmuseum Bonn, 2001
  • 49th International Venice Biennial: Plateau of Humankind. Venice: Venice Biennial, 2001
gollark: Wow, the void repos contain all things ever.
gollark: Is it a horrible security risk to have a public display of htop?
gollark: As planned. Now to compile ttyd, for purposes.
gollark: Wait, is that *my* blog post?
gollark: Apparently it uses 100% CPU when none are connected, somehow.

References
  1. "Whose Terms? A Glossary for Social Practice: RESEARCH". Archived from the original on 2014-09-09. Retrieved 2014-09-20.
  2. Purchase College faculty page
  3. Don't Worry, You are Safe, Performance, 1994
  4. Gritz, Anna. “Political/Minimal”, Frieze Magazine (January 2009)
  5. 9th Gwangju Biennale Artist List
  6. Topal, Hakan and Incirlioglu, Guven. "The-Sea-Image: Visual Manifestations of Port Cities and Global Waters". New York: Newgray, 2011
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