Guy Grey-Smith

Guy Grey-Smith AM (1916 – August 1981) was a Western Australian painter, printmaker and ceramicist. Grey-Smith pioneered modernism in WA, and has been described as "one of Australia's most significant artists of the 20th century".[1]

Guy Grey-Smith
Guy Grey-Smith 1947 Selfportrait drawing & watercolour
Born1916
Wagin, Western Australia
DiedAugust 1981
Western Australia
Known forPainting, printmaking and ceramics

Biography

Early life

Guy Grey-Smith, second son of Francis Edward Grey-Smith, station manager, and his wife Ada Janet (née King) was born in Wagin, Western Australia in 1916.[2]

Military service
A Bristol Blenheim belonging to Guy Grey-Smith's squadron, over France in 1940.

He joined the Royal Australian Air Force (RAAF) when he was 20 and trained as a pilot.[3][4] In 1937, he transferred to the British Royal Air Force (RAF) on a Short Service Commission and moved to England. He married an Englishwoman, Helen Dorothy Stanes, at Godmanchester on 19 October 1939.

After the outbreak of World War II, he served with No. 139 Squadron RAF, and flew Bristol Blenheim bombers during the Battle of France, with the rank of Flying Officer[5] On 12 May 1940, the squadron was stationed at Plivot and undertook a mission to attack German positions near Maastricht and Tongeren, in the Netherlands. Grey-Smith's aircraft (N6219) was attacked by a Messerschmitt Bf 109 fighter and caught fire. As he parachuted out of the stricken bomber, Grey-Smith was hit by the tailplane and received severe head injuries,[4] but landed safely. He was captured and kept at Stalag Luft III as a prisoner of war.[1][3] During his time as POW, Grey-Smith began to explore an interest in art, with materials sent by his wife.[4] He contracted tuberculosis and, as a consequence, was repatriated to the UK in 1944 for treatment, which included art therapy.[6]

Artistic career

In 1945, he began studying at the Chelsea School of Art.[3] Grey-Smith attended the school until 1947, learning from Ceri Richards, Robert Medley and Henry Moore.[3] He and Helen returned to Western Australia and set up a pottery studio at their home in Darlington.[1]

In 1952, his tuberculosis recurred, and upon recovery eight months later, he and Helen moved back to London.[6] He studied fresco painting at the Central School of Arts and Crafts under Louis le Brocquy until 1954.[3] Upon their return to Australia, Grey-Smith worked for the Education Department and Art Gallery before journeying across the Nullarbor and to the north-west of Western Australia, which inspired his work.[3][6]

Death

He died at the age of 65 from a recurrence of tuberculosis, in August 1981.[6]

Artwork and recognition

He formed the Perth Group in the late 1950s with fellow artists Robert Juniper Brian McKay, Tom Gibbons and Maurice Stubbs. The group's aim was to promote European modernism, which was not yet accepted in Australia.[1] Grey-Smith was influenced by Cézanne, English constructionist painters, Nicholas de Staël[7] and the Western Australian landscape.[1] He travelled throughout the state, including the Kimberley, Pilbara, Goldfields and South West regions, drawing and making notes in order to produce larger works back in his studio.[8]

At the time of his death, his work was increasingly achieving recognition and is held in high regard today.[3] In December 2007, Christie's auctioned one of his landscape paintings with an estimate of £1500 to £2500.[9] The painting sold for £29,300 (A$64,000).[9] According to art collector Max Grunberg, Grey-Smith paintings sold at a large auction during the 1990s for $18,000 to $20,000 would now sell for at least $40,000 to $45,000.[9]

He won the Perth Prize for best Western Australian entry in 1955 and 1963, and the Perth Prize in 1964.[10][11] In 1959, he was awarded the Murdoch Prize,[12] and the Robin Hood Art Prize in 1962[13]

He received the St George's Cathedral Prize in 1966 and 1967, and the Walter Murdoch Prize in 1967 and 1968.

Grey-Smith was honoured with a Special Distinguished Artist and Scholar Grant from the Australia Council for the Arts in 1973 and an Order of Australia in 1981.[6]

In 2012, a new biography of the artist by Andrew Gaynor was published.[14]

Selected exhibitions
  • 1957 Brummels Gallery, Melbourne.[15]
  • 1961 Recent Australian Painting (group show) Whitechapel Gallery, London, UK June 1961 - July 1961

Selected posthumous exhibitions

Solo:

  • 2014 Guy Grey-Smith: Art As Life - Art Gallery of Western Australia, Perth, WA
  • 2006 Guy Grey Smith - Goddard de Fiddes Gallery, West Perth, WA
  • 2001 Guy Grey-Smith - Goddard de Fiddes Gallery, West Perth, WA
  • 1997 Guy Grey-Smith - Goddard de Fiddes Gallery, West Perth, WA

Group:

  • 2011Vast: North-West landscapes - Art Gallery of Western Australia, Perth, WA
  • 2010 Tom Collins, and after: a bequest and its legacy - The University of Western Australia, Crawley WA
  • Miscellanea - Tim Olsen Gallery, Sydney, NSW
  • LandSpace - Goddard de Fiddes Gallery, West Perth, WA
  • 2008 Style and Synthesis: Nine Australian moderns - The University of Western Australia, Crawley WA
  • 2005 Space - Goddard de Fiddes Gallery, West Perth, WA
  • 2000 GdeF Group show - Goddard de Fiddes Gallery, West Perth, WA
gollark: Either that or this is the final stage of Microsoft's plan to destroy open source, and they will update all their open source tools to delete any detected open-source code, wipe Github and pull their own stuff.
gollark: I think:* Microsoft will try and work it into their enterprise stuff* Nothing much will happen for most users
gollark: Destroy all trust and result in lawsuits, actually.
gollark: If they peeked into private repositories, it would leak and destroy all trust, so they won't.
gollark: <@229624651314233346> Ooooh nooooo! Imagine if they saw code for open source stuff!

References
  1. Buggins, Anne & Guest, Debbie (9 November 2006). "Gordon Stephenson, Guy Grey-Smith, Eric Edgar Cooke". Features. The West Australian. p. 6.CS1 maint: uses authors parameter (link)
  2. Jenny Mills, 'Grey-Smith, Guy Edward (1916–1981)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/grey-smith-guy-edward-12566/text22625, published first in hardcopy 2007, accessed online 20 January 2016.
  3. McCulloch, Alan (1994). The encyclopedia of Australian art. Allen & Unwin. ISBN 1-86373-315-9.
  4. Jenny Mills, 2007, "Grey-Smith, Guy Edward (1916–1981)" Australian Dictionary of Biography (online ed.) (access: 11 October 2012).
  5. "Bristol" BLENHEIM: The Journal of the Blenheim Society, 2011, iss. 69 (March), p16.
  6. "Guy Grey-Smith Biography". Eva Breuer Art Dealer. Archived from the original on 31 August 2006. Retrieved 15 May 2008.
  7. Gleeson, James (1972) 'True to a joint code, but only so far'. In The Sydney Morning Herald July 16, 1972, p.50
  8. Snell, Ted (22 August 1996). "European modernism gets transposed locally". The Australian. p. 15.
  9. Fish, Peter (5 April 2008). "Priced to sell - after some arm-twisting". Business. The Sydney Morning Herald. Retrieved 15 May 2008.
  10. Art Gallery Society of Western Australia (1950), The Perth prize for contemporary art : catalogue, Art Gallery Society of Western Australia], retrieved 20 January 2016
  11. Perth Prize for Drawing, [Perth Prize for Drawing : Australian Gallery File], retrieved 20 January 2016
  12. Murdoch Prize for a genre painting, [Murdoch Prize for a genre painting : Australian Gallery File], retrieved 20 January 2016
  13. Robin Hood Committee : Annual Art Competition, [Robin Hood Committee : Annual Art Competition : Australian Gallery File], retrieved 20 January 2016
  14. Gaynor, Andrew (2012), Guy Grey-Smith : Life Force, UWA Publishing, ISBN 978-1-74258-394-5
  15. Shaw, Arnold (1957) 'Art Notes: Young Painter Comes To Maturity'. In 'The Age' July 2, 1957 p.2
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