Gustave Verbeek

Gustave Verbeek (August 29, 1867 – December 5, 1937) was a Dutch-American illustrator and cartoonist, best known for his newspaper cartoons in the early 1900s featuring an inventive use of word play and visual storytelling tricks.[1]

Gustave Verbeek
Gustave Verbeek in 1895
Born
Gustave Verbeck

(1867-08-29)August 29, 1867
Nagasaki, Japan
DiedDecember 5, 1937(1937-12-05) (aged 70)
Bronx, New York City, New York, United States
NationalityAmerican
OccupationComic strip cartoonist
Notable work
The Upside Downs of Little Lady Lovekins and Old Man Muffaroo

Biography

Verbeek was of Dutch ancestry. He was born as Gustave Verbeck (Dutch: [vərˈbɛk]) in Nagasaki, Japan in 1867, the son of Reformed Church in America missionary Guido Verbeck and Maria Verbeck (nee Manion).[2][3]

He grew up in Japan, but went to Paris to study art, and worked for several European newspapers, creating illustrations and cartoons. In 1900 he moved to the United States, where he did illustrations for magazines such as Harper's, and produced a series of weekly comic strips for newspapers. In the 1910s he abandoned cartooning and became a fine artist.[4] He was noted for his expressionist monotypes,[4] which were the subject of an article in The Century Magazine in June 1916.[5]

He was ill for two years, and died on December 5, 1937 at the Home for Incurables, on Third Avenue and 183rd Street in the Bronx, New York City. He had been a patient there for two months.[1]

Comics

Verbeek's first strip was Easy Papa, a fairly conventional strip about two mischievous kids and their father, similar to the highly popular contemporary strip The Katzenjammer Kids, which ran in a competing newspaper. Easy Papa appeared in The New York Herald from May 25, 1902, through February 1, 1903.[6]

Verbeek's strips could be seen differently when viewed upside down (this image will flip upside-down automatically)
At the house of the writing pig.
Fourth panel of the story [7] The bad snake and the good wizard.
The Upside Downs of Little Lady Lovekins and Old Man Muffaroo , comics by Gustave Verbeek containing reversible figures and ambigram sentences (March 1904).

Verbeek is most noted for The Upside Downs of Little Lady Lovekins and Old Man Muffaroo, a weekly 6-panel comic strip in which the first half of the story was illustrated and captioned right-side-up, then the reader would turn the page up-side-down, and the inverted illustrations with additional captions describing the scenes told the second half of the story, for a total of 12 panels. His signature usually appeared at the top of the first/last panel, upside down. The two main characters were designed such that each would be perceived as the other character when inverted. For example, in one often-reproduced panel, Muffaroo appears in a canoe next to a tree-covered island, and is being attacked by a large fish. When inverted, the image shows a later scene of Lovekins in the beak of a giant roc: Muffaroo's canoe has become the bird's beak, the fish has turned into the bird's head, the island has become its body and the trees its legs, and Muffaroo has turned into Lovekins. Verbeek created a total of 64 of these strips for The New York Herald, from October 11, 1903, to January 15, 1905. A pilot strip was published on October 4, 1903. The format of the strip put extreme restrictions on the use of word balloons (even with the use of ambigrams only three strips used word-balloons, all in March 1904). Although the July 10, 1904, strip implies that the stories are set in America, Verbeek filled his milieu with African animals and peoples, fabulous monsters, fairy castles, etc.

Verbeek's longest-running strip was The Terrors of the Tiny Tads, published by the Herald from May 28, 1905, to October 28, 1914. This strip features a group of four unnamed and interchangeable boys, who encounter a variety of strange creatures based on inventive word combinations. For example, they find a "hippopautomobile" (a hippopotamus with a steering wheel and seating in its back as in an automobile), a "pelicanoe" (a pelican in which a rider could sit and paddle like a canoe), and a "samovarmint" (a samovar for serving tea with the head and claws of a wild animal). As with The Upside Downs, the strip's text consisted of captions below the illustrations; there were no speech balloons. Dan Nadel describes the strip as "quiet, subdued, and somnambulant" in character, partly because Verbeek eschewed "speed lines, stars of pain", and other such cartoon conventions.[4] Although most strips involved strange creatures, the tads had a clash with a pair of aggressive suffragettes in the June 28, 1914 strip.

He created a short-lived comic strip in 1910 called The Loony Lyrics of Lulu.[5] These strips are about a girl who encounters imaginary creatures and writes (inoffensive) limericks about them.

Reprints

Verbeek's strips got republished multiple times over the years, always only a subselection however until Sunday Press Books released their complete collection. [8]

  • The Incredible Upside-Downs of Little Lady Lovekins and Old Man Muffaroo, G.W. Dillingham Company (New York) in 1905.
  • The Incredible Upside-Downs of Gustave Verbeek, The Rajah Press (Box 23; Summit, NJ) in 1963.
  • The Incredible Upside-Downs (of Gustave Verbeek), Real Free Press International (Oude Niewstraat 10; Amsterdam; Netherlands) in 1973.
  • The Incredible Upside-Downs of Gustave Verbeek, Nostalgia Press, Incorporated (Box 293; Franklin Square, NY 11010) in 1976. ISBN 0911204016.
  • Niet Te Geloven Ondersteboven!, Erven Thomas Rap (Spuistraat 283; Amsterdam; Netherlands) in 1976. ISBN 9060051106.
  • Dessus-Dessous, Pierre Horay (22 bis Passage Dauphine Paris 6e; France) in 1978. ISBN 2705800778.
  • Four Confusing Tales, Each Illustrated by Six Up-Turnable Pictures, from the Incredible Topsy-Turvy World of Gustave Verbeek, Tobar Limited (St. Margaret, * * Harleston, Norfolk IP20 0PJ; UK), 1990's. ISBN 1903230004.
  • Unten ist Oben, Comic Companie (Siesmayerstraße 10, 6000 Frankfurt/Main 1; Germany) in 1985. ISBN 3820101802.
  • 少女ラブキンズとマファルー老人の冒険 (The Incredible Upside-Downs of Gustave Verbeek), TBS Publications, Tokyo in 1987. ISBN 4782510713. Edited by 坂根厳夫 (Itsuo Sakane).
  • The Upside-Down World of Gustave Verbeek, Sunday Press Books (450 Monroe Drive; Palo Alto, CA 94306) in 2009. ISBN 0976888572.

The 2009 reprint contains the complete The Upside-Downs of Little Lady Lovekins and Old Man Muffaroo and the complete Loony Lyrics of Lulu together with other selected samples from Verbeek's comics career.

Remakes

In 2012 a remake of Verbeek's Upside-downs was published by Epix (stockholm). The book 'In Uppåner med Lilla Lisen & Gamle Muppen' (ISBN 978-91-7089-524-1) by Marcus Ivarsson shows 24 of Verbeek's comics redrawn in the style of the author. No other attempts were made to replicate the 'upside-down' comic style.

gollark: You can get an idea of what things are likely or unlikely. The monetary incentive is somewhat important.
gollark: This is one of those annoying things where we're limited to wild speculation so probably don't do anything weird businesswise.
gollark: Democratic ones theoretically allow more input from everyone, which should lead to decisions which consider their interests more and take into account information people know, but also run into whatever issues existing democracies have plus probably exciting new ones due to presumably having a direct democracy voting on a lot of things.
gollark: Hierarchical ones (theoretically) allow clear direction and management from the top but also lack input from lower levels and are vulnerable to the top people being wrong/bad.
gollark: Before trying to think of ideas for organization structure it might be good to clarify what exactly the organizational structure should do/allow/optimize.

See also

References
  1. "Gustave Verbeck, Ex-Cartoonist, 70. His Work Appeared for Eleven Years in the Old New York Herald". New York Times. December 6, 1937. Retrieved 2015-09-14. Gustave Verbeck of 125 Sherman Avenue, an artist whose cartoons were published in the old New York Herald for eleven years, died yesterday in the Home for Incurables, Third Avenue and 183d Street, the Bronx, where he had been a patient for two months. He had been ill for two years. ...
  2. Hommes, James Mitchell (2014-07-11). "Verbeck Of Japan: Guido F. Verbeck Aa Pioneer Missionary, Oyatoi Gaikoujin, And "Foreign Hero"" (PDF). University of Pittsburgh: 439. Cite journal requires |journal= (help)
  3. Marschall, Rick (December 1984). The Forgotten Genius of Gustave Verbeek. Nemo, the Classic Comics Library (10 ed.). Fantagraphics. pp. 21–38.
  4. Nadel, D. (2006). Art out of time: Unknown comics visionaries, 1900-1969. New York: Abrams. ISBN 0810958384.
  5. "Etomite »". www.nonsenselit.org.
  6. "Stripper's Guide: Obscurity of the Day: Easy Papa".
  7. c:File:Ambigrams by Gustave Verbeek (1904) - comics The Upside Downs of Little Lady Lovekins and Old Man Muffaroo - The bad snake and the good wizard.jpg
  8. "Gustave Verbeek, Little Lady Lovekins, and Old Man Muffaroo". Muppetlabs. Archived from the original on 7 April 2020. Retrieved 11 April 2020.
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