Guillermo Collazo

Guillermo Collazo Tejada (7 June 1850, Santiago de Cuba - 26 September 1896, Paris) was a Cuban painter and advocate for independence.

Guillermo Collazo
(date unknown)
The Siesta (1888)

Biography

He was born into an established colonial family. His artistic talent was noticed at an early age by one of his instructors at school in Santiago. While there, he was also motivated to become an independence fighter following the death by firing squad of one of his cousins at age 17. At the beginning of the Ten Years' War, his parents, aware of his activities and concerned for his safety, hastily put him on board a ship headed for the United States.[1]

He arrived in New York with no resources (and no English). Eventually, he found a job touching up and coloring photographs at a small shop in the Bowery. After a short time there, he found work in the studios of Napoleon Sarony,[2] where he was able to save enough money to open his own art studio, enjoying great success as a portrait painter.[1] He also continued to raise money for revolutionary causes, and helped José Martí get his first writing job at The Hour, a magazine where Collazo worked as an illustrator.[3]

In 1883, he returned to Cuba, opened a studio in Havana and remained for five years.[1] Hampered by the increasingly oppressive atmosphere there, he decided to go to Paris; opening a large studio which became a meeting point for the Cuban exile community and, occasionally, a place for planning revolutionary activities. In 1890, two of his works were selected for an exhibition at the Salon.[2]

In his final years, he devoted himself to sculpture because an addiction to narcotics had affected his eyesight and he was unable to focus clearly enough to paint.[4] He died in Paris and, in 1899, after the War of Independence, his family brought his remains back to Cuba.[2]

His works were not exhibited in Cuba until 1933, when the architect Evelio Govantes (1886-1981) organized a showing at the Lyceum with paintings borrowed from Collazo's friends and family. In 1976, his painting "The Patio" was used on one of a series of stamps honoring Cuban painters.

His brother, Enrique (1848-1921), was a high-ranking commander in the Liberation Army.[5]

gollark: If you *ask* someone "hey, random person, would you like people in Africa to not die of malaria", they will obviously say yes. Abstractly speaking, people don't want people elsewhere to die of malaria.
gollark: Capitalism is why we have a massively effective (okay, mostly, some things are bad and need fixing, like intellectual property) economic engine here which can produce tons of stuff people want. But people *do not care* about diverting that to help faraway people they can't see.
gollark: Helping people elsewhere does mean somewhat fewer resources available here, and broadly speaking people do not actually want to make that tradeoff.
gollark: You don't particularly need that. You can just buy a cheaper phone and give charity £400 or something.
gollark: People might actually look at you as weird if you donate a significant % of your income to effective charities, rather than just £10 a month to WarmFuzzyCharity2000 which helps endangered homeless tigers get food or something.

References
  1. Brief biography @ Cernuda Arte.
  2. Brief biography @ Eumed.
  3. Excerpt from José Martí: A Revolutionary Life, by Alfred J. López @ Google books.
  4. Brief biography @ Art Experts.
  5. Biography of Enrique Collazo @ En Caribe.
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