Greg Macainsh

Gregory John Macainsh (born 30 December 1950) is an Australian former musician and songwriter. He provided bass guitar and backing vocals for pop rockers, Skyhooks from 1973 to 1980 and subsequently for various reformations. According to Australian musicologist, Ian McFarlane, "Macainsh's biting, provocative songs were the perfect expression of adolescent obsessions and frustrations. With those songs, the band made an enormous impact on Australian social life." Macainsh became an intellectual property lawyer.

Greg Macainsh
Birth nameGregory John Macainsh
Born (1950-12-30) 30 December 1950
Melbourne, Victoria, Australia
Genres
Occupation(s)
  • Musician
  • lawyer
Instruments
  • Bass guitar
  • backing vocals
Years active
  • 1973–1980
  • 1983
  • 1984
  • 1990
  • 1994
Associated acts

Biography

Gregory John Macainsh was born on 30 December 1950 and grew up in Warrandyte.[1][2][3] His father was a some-time poet and his mother was a librarian.[3] He attended Norwood High School, Ringwood and recalled attending a scouting jamboree when he heard the Beatles on the radio.[3] "It was wild stuff, amazing. I lost interest in the scouts and concentrated on music. The little tranny had just hit. I listened to a valve radio at home and then to a crystal radio set I made for my bedroom. 3UZ was the station and Stan Rofe was the man."[3]

In 1966 with Macainsh on bass guitar and school mate, Imants "Freddie" Strauks on lead vocals, he formed a group, Spare Parts.[4][5][6] It was followed by Sound Pump two years later; Macainsh then formed Reuben Tice in Eltham, with Tony Williams on vocals.[4][5][7] One of their songs, written by Macainsh, was "I Went Down to Eltham to Get Me a Job in a Band".[3] By 1970 Macainsh was back with Strauks, who was now on drums, first in Claptrap and by 1971 in Frame, which had Graeme "Shirley" Strachan as lead vocalist.[4][7][8] The line-up also included Pat O'Brien and Cynthio Ooms on guitars.[5] Australian rock music journalist, Ed Nimmervoll observed, "[Reuben Tice were] a local group that hardly ever ventured out of its alternate lifestyle Eltham area, [Frame were] a group that looked for gigs in inner suburban Melbourne."[9]

In March 1973 Macainsh on bass guitar, backing vocals and as main songwriter, and Strauks on drums and backing vocals, formed Skyhooks in Melbourne as a glam rock, pop rock group.[4][7][9] Other founders were Steve Hill on vocals (ex-Lillee), Peter Ingliss on guitar (ex-the Captain Matchbox Whoopee Band), and Peter Starkie on guitar and backing vocals (ex-Lipp & the Double Dekker Brothers).[7][9][10] By August Bob "Bongo" Starkie (ex-Mary Jane Union) on guitar replaced his older brother, Peter Starkie, and Ingliss was replaced by Red Symons (ex-Scumbag) on guitar, vocals and keyboards.[7][9][10] Ross Wilson (ex-Daddy Cool) caught one of their early gigs and signed Macainsh to a publishing deal.[7] Late in that year they were signed to Michael Gudinski's booking agency, Australian Entertainment Exchange, and eventually to his label, Mushroom Records.[7][11] The group recorded two live tracks, "Hey What's the Matter" (written by Macainsh) and "Love on the Radio" (co-written by Macainsh and Hill), during their performance at the Sunbury Pop Festival in January 1974.[7][12] These tracks appeared on Mushroom Record's various artists' live album, Highlights of Sunbury '74 (1974).[7]

In June 1974, three months after Strachan had replaced Hill, Skyhooks recorded their debut album, Living in the 70's (October 1974), with nine of its ten tracks written by Macainsh.[7][11] According to Australian musicologist, Ian McFarlane, "Macainsh's biting, provocative songs were the perfect expression of adolescent obsessions and frustrations. With those songs, the band made an enormous impact on Australian social life."[7] The album spent 16 weeks at the top of the Kent Music Report Albums Chart from late February 1975, and became the highest-selling album by an Australian act until that time, with shipment of 240,000 copies.[13] In October 2010 it was listed at No. 9 in the book, 100 Best Australian Albums.[14]

Ego Is Not a Dirty Word (July 1975), Skyhooks' second album, spent 11 weeks at the number-one spot and shipped 180,000 copies.[7][11][13] Of its ten tracks Macainsh wrote eight and co-wrote another with former member, Hill. Nimmervoll opined, "With two of the biggest selling Australian albums of all time to their credit, the band put everything into the most elaborated stage settings Australia had ever seen. Everything Skyhooks did put Australian music on a level never seen before."[9] Macainsh's then girlfriend, Jenny Brown,[11] described the band in her 1975 book, Skyhooks : Million Dollar Riff.[5] He remained with the group until it disbanded in 1980.[4][7]

After Skyhooks

Macainsh has participated in Skyhooks reunions in 1983, 1984, 1990 and 1994.[4][7] After Skyhooks, he played with John Farnham on his Whispering Jack Tour in 1986–87 and appears in the music video for Farnham's single, "You're the Voice" (1986).[4][15] According to Farnham's manager, Glenn Wheatley, "[the video] was done on a shoestring budget. I called in Derryn and Jacki, some of the guys from Pseudo Echo (James and Vince Leigh) and Greg Macainsh from Skyhooks are in the band, it was pretty much anyone who'd do me a favour."[15] Macainsh later worked with Dave Warner's from the Suburbs.[4] In 1988 he put together and managed an AC/DC tribute band, Back in Black, which supported Skyhooks on a reunion tour. He was a board member of Australasian Performing Right Association (APRA) (1997–2000) and Phonographic Performance Company of Australia (PPCA) (2001–06),[16] and is an intellectual property lawyer.[17][18]

gollark: How does that even do anything? Where do you *set* listenBreak? Where does the "key" value go?!
gollark: That seems like a really weird way to do things.
gollark: Listening for events yields like `sleep` does, so it'll work fine.
gollark: You can... listen to key events.
gollark: Please don't. Generally you do not actually *need* to check something every tick, CC has events for a reason.

References
  1. "'1976 Guitar' at APRA search engine". Australasian Performing Right Association (APRA) | Australasian Mechanical Copyright Owners Society (AMCOS). Retrieved 22 June 2019. Note: For additional work user may have to select 'Search again' and then 'Enter a title:' &/or 'Performer:'
  2. "16 Sep 2004 - Skyhooks Band Members". As Was. Archived from the original on 23 June 2004. Retrieved 22 June 2019 – via Trove. National Library of Australia.
  3. Jenkins, Jeff (20 August 2004). "Greg Macainsh, Skyhooks – 'the Songs Had to Be Authentic, They Had to Be About Places I'd Actually Been To'". The Age. Archived from the original on 4 March 2014. Retrieved 22 June 2019 – via Trove. National Library of Australia.
  4. Holmgren, Magnus; Notling, Fredrik; Brown, Jenny. "Skyhooks". hem2.passagen.se. Australian Rock Database (Magnus Holmgren). Archived from the original on 1 April 2012. Retrieved 24 June 2019.
  5. Brown, Jennifer Lois (1975). Skyhooks : Million Dollar Riff. Collingwood, Vic: Dingo. ISBN 0-909109-01-X. Note: Brown was later known as Jenny Hunter-Brown and then as Jen Jewel Brown.
  6. Brown, Jennifer Lois. "Skyhooks : Million Dollar Riff" – via Catalogue. National Library of Australia.
  7. McFarlane, Ian (2017). "Encyclopedia entry for 'Skyhooks'". The Encyclopedia of Australian Rock and Pop. Jenkins, Jeff (Foreword) (2nd ed.). Gisborne, VIC: Third Stone Press. pp. 437–439. ISBN 978-0-9953856-0-3.
  8. Brown, Jen Jewel (31 August 2001). Duncan Kimball (ed.). "We just liked him 'cos he was Shirl". Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Retrieved 25 June 2019.
  9. Nimmervoll, Ed. "Skyhooks". Howlspace – The Living History of Our Music. White Room Electronic Publishing Pty Ltd (Ed Nimmervoll). Archived from the original on 27 July 2012. Retrieved 28 June 2019.
  10. "News". Skyhooks – Official Website. 25 June 2015. Archived from the original on 9 July 2015. Retrieved 28 June 2019 – via Trove. National Library of Australia.
  11. Jenkins, Jeff; Meldrum, Ian (2007). Molly Meldrum presents 50 years of rock in Australia. Melbourne, Vic: Wilkinson Publishing. pp. 84, 89, 90, 104–128, 145, 266–267. ISBN 978-1-921332-11-1.
  12. "'What's the Matter' at APRA search engine". Australasian Performing Right Association (APRA) | Australasian Mechanical Copyright Owners Society (AMCOS). Retrieved 28 June 2019. Note: For additional work user may have to select 'Search again' and then 'Enter a title:' &/or 'Performer:'
  13. Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book Ltd. ISBN 0-646-11917-6. Note: Used for Australian Singles and Albums charting from 1974 until Australian Recording Industry Association (ARIA) created their own charts in mid-1988. In 1992, Kent back calculated chart positions for 1970–1974.
  14. O'Donnell, John; Creswell, Toby; Mathieson, Craig (October 2010). 100 Best Australian Albums. Prahran, Vic: Hardie Grant Books. ISBN 978-1-74066-955-9.
  15. Adams, Cameron (11 April 2018). "Why John Farnham was nearly rock-blocked from 'You're the Voice'". news.com.au. News Corp Australia. Retrieved 30 June 2019.
  16. "PPCA Announces Board for 2005". PPCA - News & Media. Phonographic Performance Company of Australia (PPCA). 22 February 2005. Retrieved 26 November 2009.
  17. Bodey, Michael (2 November 2009). "Roadkill on digital highway: how music is fighting back". The Australian. News Limited. Retrieved 26 November 2009.
  18. Lang-Lemchert, Susan (2005). "Quiet Achiever" (PDF). Susan Lang-Lemchert. Retrieved 26 November 2009.
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