Go-Go & Gumbo, Satchmo N Soul
Go-Go & Gumbo, Satchmo N Soul is a studio album recorded by the supergroup A la Carte Brass & Percussion featuring go-go musician Chuck Brown and blue-eyed soul singer Shaun Murphy.[1][2][3][4][5] The album was recorded between October 1996 to February 1997, and released on October 21, 1997 by Mapleshade Records.[4][5][6]
Go-Go & Gumbo, Satchmo N Soul | ||||
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Studio album by A la Carte Brass & Percussion featuring Chuck Brown and Shaun Murphy | ||||
Released | October 21, 1997 | |||
Recorded | October 1996 – February 1997 | |||
Studio | NALC Branch 142 Washington, D.C. | |||
Genre | ||||
Length | 53:02 | |||
Label |
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Producer |
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A la Carte Brass & Percussion featuring Chuck Brown and Shaun Murphy chronology | ||||
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Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ezekiel Saw the Wheel" | Chuck Brown | 3:48 |
2. | "A Woman, a Love, and a Man" | Tony Clark | 4:00 |
3. | "Too Many Lovers" | Denise LaSalle | 5:20 |
4. | "Little Sunflowers" | 5:58 | |
5. | "Hey Pocky Way" | 4:06 | |
6. | "Standing on the Verge" | George Clinton | 4:13 |
7. | "St. James Infirmary Blues" | Joe Primrose | 3:27 |
8. | "San Pedro" |
| 6:32 |
9. | "Me Too" | J. J. Johnson | 6:42 |
10. | "Alligator Boogaloo" | Lou Donaldson | 3:47 |
11. | "Lucky Old Sun" | 4:31 | |
Total length: | 53:02 |
Credits
- George Allen – trombone
- Jerry Barnett – trombone
- Terry Bingham – trumpet
- Rashidi Bowe – bongos
- Chuck Brown – vocals
- John Jensen – trombone
- Karl Kalbaugh – didjeridu
- Tony Klatka – trumpet
- Tom Lepson – Hammond organ, vocals
- Alejandro Lucini – repinique, timbales
- Meta4 – vocals
- Shaun Murphy – vocals
- Vaughn Nark – trumpet
- Jack O'Dell – drums
- Nick Smith – vocals
- Nap Turner – vocals
- Esther Williams – vocals
- Chris Walker – trumpet
- Marc Weigel – trumpet
- Rob White – arranger, cajon, congas, drums, Iya, tres Golpe, wind chimes
- Pierre M. Sprey – engineer, liner notes
- Nelson Rodriguez – arranger, claves, quinto, vocals
- Larry Willis – arranger, music direction
gollark: If DC gets popular enough, and/or people just continue playing, eventually all good names will be gone and we'll have to either have stupidly long ones, unpronounceable strings of letters, or meaningless sequences of words.
gollark: Hellohi!
gollark: You can use Ikea product names if you want a good source of vaguely human-sounding ones.
gollark: I go around considering the ethics of DC for immersion, mostly, but whatever.
gollark: Especially if you use the actual Kill action.
References
- Blumenthal, Bob; Young, Charles M. (December 1997). "Popular Music and Jazz: Made in the Mapleshade". The Atlantic. Retrieved 6 September 2017.
- "A LA CARTE BRASS & PERCUSSION: Go-Go and Gumbo, Satchmo 'N Soul". MapleShadeRecords.com. Retrieved 6 September 2017.
- "A la Carte Brass & Percussion". AllMusic. Retrieved 6 September 2017.
- Joyce, Mike (January 16, 1998). "A LA CARTE BRASS AND PERCUSSION "Go-Go and Gumbo, Satchmo and Soul" Wildchild!". The Washington Post. Archived from the original on September 6, 2017. Retrieved 6 September 2017.
- Kalbacher, Gene; Lien, James. "A La Carte Brass & Percussion: Go-Go and Gumbo Satchmo 'N Soul". CMJ Magazine. Retrieved 6 September 2017.
- Lornell, Kip; Stephenson, Jr., Charles C. (2001). The Beat: Go-Go's Fusion of Funk and Hip-Hop. Billboard Books. pp. 206, 223. ISBN 0-8230-7727-6.
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